[1]
10 great First World War films | BFI: http://www.bfi.org.uk/news-opinion/news-bfi/lists/10-great-first-world-war-films.
[2]
Alys Cundy Thresholds of Memory: Representing Function through Space and Object at the Imperial War Museum, London, 1918–2014. Museum History Journal.
[3]
Ashplant, T.G. et al. 2000. The politics of war memory and commemoration. Routledge.
[4]
Ashplant, T.G. et al. 2000. The politics of war memory and commemoration. Routledge.
[5]
Attenborough, R. and Tilton, C. 1969. Oh! What a lovely war. Paramount Home Entertainment.
[6]
Barker, P. 1992. Regeneration. Penguin.
[7]
Barker, P. 1992. Regeneration. Penguin.
[8]
Barnett, C. 1972. The collapse of British power. Eyre Methuen Ltd.
[9]
BBC - World War One on TV and Radio: http://www.bbc.co.uk/programmes/p01nb93y.
[10]
Berman, M. 1983. All that is solid melts into air: the experience of modernity. Verso.
[11]
Black, G. 2011. Museums, Memory and History. Cultural and Social History. 8, 3 (Sep. 2011), 415–427. DOI:https://doi.org/10.2752/147800411X13026260433275.
[12]
Blackbourn, D. and Eley, G. 1984. The peculiarities of German history: bourgeois society and politics in nineteenth-century Germany. Oxford University Press.
[13]
Blunden, E. 2010. Undertones of war. Penguin.
[14]
Bourke, J. 1999. An intimate history of killing: face-to-face killing in twentieth-century warfare. Granta.
[15]
Bourke, J. 1999. An intimate history of killing: face-to-face killing in twentieth-century warfare. Granta.
[16]
Bourke, J. 1996. Dismembering the male: men’s bodies, Britain and the Great War. Reaktion.
[17]
Bourke, J. 1996. Re-Membering. Dismembering the male: men’s bodies, Britain and the Great War. Reaktion.
[18]
Bourke, J. 1999. The Warrior Myth. An Intimate History of Killing. Granta.
[19]
Brandon, L. 2007. Art and war. Tauris.
[20]
Braybon 2003. Winners or Losers: Women’s Symbolic Role in the War Story. Evidence, history, and the Great War: historians and the impact of 1914-18. Berghahn.
[21]
Brittain, V. 1978. Testament of youth: an autobiographical study of the years 1900-1925. Virago.
[22]
Bruce Scates 2008. Memorialising Gallipoli: Manufacturing Memory at Anzac. Public History Review. 15, (2008).
[23]
Carr, E.H. and Davies, R.W. 1990. What is history?. Penguin.
[24]
Cooke, S. and Jenkins, L. 2001. Discourses of regeneration in early twentieth-century Britain: from Bedlam to the Imperial War Museum. Area. 33, 4 (Dec. 2001), 382–390. DOI:https://doi.org/10.1111/1475-4762.00044.
[25]
DeGroot, G.J. 1996. Blighty: British society in the era of the great war. Longman.
[26]
DeGroot, G.J. 2000. The first world war. Macmillan.
[27]
Dyer, G. 2001. The missing of the Somme. Phoenix Press.
[28]
Eksteins, M. 1989. Rites of spring: the Great War and the birth of the modern age. Bantam.
[29]
Evans, R. 2004. Chapter One, The Legacy of the Past. The coming of the Third Reich. Penguin.
[30]
Faulks, S. 1994. Birdsong. Vintage.
[31]
Faulks, S. 1994. Birdsong. Vintage.
[32]
Fischer, F. and Jackson, M. 1975. War of illusions: German policies from 1911 to 1914. Chatto and Windus.
[33]
Freud, S. 2005. On murder, mourning and melancholia. Penguin.
[34]
Fussell, P. 1975. The Great War and modern memory. Oxford University Press.
[35]
Fussell, P. 1975. The Great War and modern memory. Oxford University Press.
[36]
Fussell, P. 1975. The Great War and modern memory. Oxford University Press.
[37]
Gallipoli and the Anzacs: http://www.gallipoli.gov.au/.
[38]
Gilbert, M. 1966. The roots of appeasement. Weidenfeld and Nicolson.
[39]
Graves, R. 1929. Good-bye to all that: an autobiography. Jonathan Cape.
[40]
Grayzel, S.R. 1999. Women’s identities at war: gender, motherhood, and politics in Britain and France during the First World War. University of North Carolina Press.
[41]
Gregory, A. 2003. British ‘War Enthusiasm’ in 1914, a reassessment. Evidence, history, and the Great War: historians and the impact of 1914-18. Berghahn.
[42]
Gregory, A. 1994. Chapter. The silence of memory: Armistice Day 1919-1946. Berg.
[43]
Gregory, A. 2008. The last Great War: British society and the First World War. Cambridge University Press.
[44]
Gregory, A. 2008. The last Great War: British society and the First World War. Cambridge University Press.
[45]
Gregory, Adrian, author 2008. The last Great War: British society and the First World War. Cambridge : Cambridge University Press.
[46]
Gregory, Adrian, author 2008. The last Great War: British society and the First World War. Cambridge : Cambridge University Press.
[47]
de Groot, G. 2000. Sideshows and Imperial Struggles. The First World War. Palgrave.
[48]
Harries, M. and Harries, S. 1983. The war artists: British official war art of the twentieth century. Joseph in association with the Imperial War Museum and the Tate Gallery.
[49]
Hemingway, E. 1999. A farewell to arms. Vintage.
[50]
Higonnet, M.R. and Higgonet, P. 1987. The Double Helix. Behind the lines: gender and the two world wars. Yale University Press.
[51]
Hobsbawm, E.J. 1995. The age of extremes: the short twentieth century, 1914-1991. Abacus.
[52]
Hobsbawm, E.J. 1995. The age of extremes: the short twentieth century, 1914-1991. Abacus.
[53]
Howard, M. 1976. War in European history. Oxford University Press.
[54]
Hynes, S.L. 1992. A war imagined: the First World War and English culture. Pimlico.
[55]
IndexB.html: http://www.anzacs.net/.
[56]
Joll, J. and Martel, G. 2007. The origins of the First World War. Pearson Longman.
[57]
Joll, J. and Martel, G. 2007. The origins of the First World War. Pearson Longman.
[58]
Jünger, E. 2004. Storm of steel. Penguin.
[59]
Jurgen Kocka 1988. German History before Hitler: The Debate about the German Sonderweg. Journal of Contemporary History. 23, 1 (1988), 3–16.
[60]
Keegan, J. 1993. A history of warfare. Hutchinson.
[61]
Keegan, J. 1978. The face of battle. Penguin Books.
[62]
Kelly, A. 1997. Cinema and the Great War. Routledge.
[63]
Kelly, A. and MyiLibrary 1997. Cinema and the Great War. Routledge.
[64]
Keren, M. and Herwig, H.H. 2009. War memory and popular culture: essays on modes of remembrance and commemoration. McFarland.
[65]
King, A. 1998. Chapter. Memorials of the Great War in Britain: the symbolism and politics of remembrance. Berg.
[66]
King’s Collections : The Serving Soldier : Home: http://www.kingscollections.org/servingsoldier/home.
[67]
Koureas, G. 2007. Memory, masculinity and national identity in British visual culture, 1914-1930: a study of ‘unconquerable manhood’. Ashgate.
[68]
Kramer, A. 2007. Dynamic of destruction: culture and mass killing in the First World War. Oxford University Press.
[69]
Kramer, A. 2007. Dynamic of destruction: culture and mass killing in the First World War. Oxford University Press.
[70]
Kramer, A. 2007. The Burning of Louvain. Dynamic of Destruction. Oxford University Press.
[71]
Leed, E.J. 1979. No man’s land: combat & identity in World War 1. Cambridge University Press.
[72]
Lisle, D. 2006. Sublime Lessons: Education and Ambivalence in War Exhibitions. Millennium - Journal of International Studies.
[73]
Macdonald, L. 1993. Somme. Penguin.
[74]
MacKinnon, G. and Barker, P. 1997. Regeneration.
[75]
Malvern, S. and Paul Mellon Centre for Studies in British Art 2004. Modern art, Britain and the Great War: witnessing, testimony and remembrance. Yale University Press.
[76]
Martel, G. 1999. The origins of the Second World War reconsidered: A.J.P. Taylor and the historians. Routledge.
[77]
Marwick, A. 1973. Chapter. The deluge: British society and the First World War. Macmillan.
[78]
Marwick, A. 1973. The deluge: British society and the First World War. Macmillan.
[79]
Marwick, A. 1974. War and social change in the twentieth century: a comparative study of Britain, France, Germany, Russia and the United States. Macmillan.
[80]
Mayer, P. 1966. The pacifist conscience. Penguin.
[81]
Mazower, M. 2000. Dark continent: Europe’s twentieth century. Vintage.
[82]
Mental cases: https://www.edgehill.ac.uk/thetorch/responses-to-poetry/wilfred-owen-mental-cases/.
[83]
Mercer, A. 2013. The Changing Face of Exhibiting Women’s Wartime Work at the Imperial War Museum. Women’s History Review. 22, 2 (Apr. 2013), 330–344. DOI:https://doi.org/10.1080/09612025.2012.726119.
[84]
Meyer, J. 2008. British popular culture and the First World War. Brill.
[85]
Meyer, J. 2008. British popular culture and the First World War. Brill.
[86]
Middlebrook, M. 1984. The first day on the Somme: 1 July 1916. Penguin.
[87]
Middlebrook, M. 1984. The first day on the Somme: 1 July 1916. Penguin.
[88]
Mombauer, A. 2013. The Fischer Controversy, Documents and the ‘Truth’ about the origins of the First World War. Journal of Contemporary History. 48, 2 (2013), 290–314.
[89]
Nicoletta F. Gullace 1997. White Feathers and Wounded Men: Female Patriotism and the Memory of the Great War. Journal of British Studies. 36, 2 (1997), 178–206.
[90]
Niven, B. 2007. War memorials at the intersection of politics, culture and memory. Journal of war and culture studies. 1, 1 (2007), 39–45.
[91]
Niven, B. 2007. War memorials at the intersection of politics, culture and memory. Journal of War & Culture Studies. 1, 1 (Aug. 2007), 39–45. DOI:https://doi.org/10.1386/jwcs.1.1.39_0.
[92]
Noakes, L. 2006. Women in the British Army: war and the gentle sex, 1907-1948. Routledge.
[93]
O’Brien, J. 1986. The Monocled mutineer. BBC.
[94]
Oppenheimer, M. and Scates, B. 2005. Australians at War. Australia’s history: themes and debates. University of New South Wales Press.
[95]
Overy, R.J. 2009. The morbid age: Britain between the wars. Allen Lane.
[96]
Owen, W. et al. 1965. The collected poems of Wilfred Owen. New Directions.
[97]
Owen, W. et al. 1965. The collected poems of Wilfred Owen. New Directions.
[98]
Owen, W. et al. 1965. The collected poems of Wilfred Owen. New Directions.
[99]
Paris, M. 2000. Warrior nation: images of war in British popular culture, 1850-2000. Reaktion.
[100]
Paris, M. 2000. Warrior nation: images of war in British popular culture, 1850-2000. Reaktion.
[101]
Paris, M. 2000. Warrior nation: images of war in British popular culture, 1850-2000. Reaktion.
[102]
Paris, M. 2000. Warrior nation: images of war in British popular culture, 1850-2000. Reaktion.
[103]
Paris, M. 2000. Warrior nation: images of war in British popular culture, 1850-2000. Reaktion.
[104]
Paris, M. 2000. Warrior nation: images of war in British popular culture, 1850-2000. Reaktion.
[105]
ParlInfo - Address at ANZAC Day dawn service, Gallipoli.: 2005. http://parlinfo.aph.gov.au/parlInfo/search/display/display.w3p;query=(Id:media/pressrel/cbuf6);rec=0.
[106]
Paul Rainbird 2003. Representing Nation, Dividing Community: The Broken Hill War Memorial, New South Wales, Australia. World Archaeology. 35, 1 (2003), 22–34.
[107]
Peter Leese 1997. Problems Returning Home: The British Psychological Casualties of the Great War. The Historical Journal. 40, 4 (1997), 1055–1067.
[108]
Remarque, E.M. 1996. All quiet on the western front. Vintage.
[109]
Robb, G. 2002. British culture and the First World War. Palgrave.
[110]
Robb, G. 2002. British culture and the First World War. Palgrave.
[111]
Roper, M. 2009. The secret battle: emotional survival in the Great War. Manchester University Press.
[112]
Roper, M. 2009. The secret battle: emotional survival in the Great War. Manchester University Press.
[113]
Sassoon, S. 1965. Memoirs of an infantry officer. Faber and Faber.
[114]
Scates, B. 2006. Return to Gallipoli: walking the battlefields of the Great War. Cambridge University Press.
[115]
Scates, B. 2006. Return to Gallipoli: walking the battlefields of the Great War. Cambridge University Press.
[116]
Scates, B. 2006. The unquiet grave: Imaginary journeys. Return to Gallipoli: Walking the Battlefields of the Great War. Cambridge University Press.
[117]
Scates, Bruce, author 2006. Return to Gallipoli: walking the battlefields of the Great War. Cambridge : Cambridge University Press.
[118]
Scates, Bruce, author 2006. Return to Gallipoli: walking the battlefields of the Great War. Cambridge : Cambridge University Press.
[119]
Sheffield, G.D. 2004. The Somme. Cassell Military.
[120]
Shephard, B. 2001. A war of nerves: soldiers and psychiatrists in the twentieth century. Harvard University Press.
[121]
Sherriff, R.C. 2000. Journey’s end. Penguin.
[122]
Showalter, E. 1987. Male Hysteria. The Female Malady. Virago.
[123]
Showalter, E. 1987. The female malady: women, madness, and English culture, 1830-1980. Virago.
[124]
Skelton, T. and Gliddon, G. 2008. Lutyens and the Great War. Frances Lincoln.
[125]
Sluga, G. 2009. The Aftermath of War. The Oxford handbook of fascism. Oxford University Press.
[126]
Sondhaus, L. 2011. World War I: the global revolution. Cambridge University Press.
[127]
Strachan, H. 2001. The First World War. Oxford University Press.
[128]
Stryker, L. 2003. The Mental Cases: British Shellshock and the Politics of Interpretation. Evidence, History and the Great War: Historians and the Impact of 1914-1918. Berghahn.
[129]
Summers, J. and Harris, B. 2007. Remembered: the history of the Commonwealth War Graves Commission. Merrell.
[130]
Tate, T. 1998. Modernism, history and the First World War. Manchester University Press.
[131]
Tate, T. 1998. Modernism, history and the First World War. Manchester University Press.
[132]
Taylor, A.J.P. 1980. How wars begin. Futura Publications.
[133]
Taylor, A.J.P. 2001. The origins of the Second World War. Penguin.
[134]
The First World War Galleries, Cornish: http://press.uchicago.edu/ucp/books/book/distributed/F/bo19385394.html.
[135]
Thomson, A. 1994. Anzac memories: living with the legend. Anzac memories: living with the legend. Oxford University Press.
[136]
Todman, D. 2005. Mud. The Great War: Myth and Memory. Hambledon.
[137]
Todman, D. 2008. The 90th Anniversary of the Battle of the Somme. War Memory and Popular Culture: Essays on Modes of Remembrance and Commemoration. McFarland.
[138]
Todman, D. 2005. The Great War: myth and memory. Hambledon and London.
[139]
Todman, D. 2005. The Great War: myth and memory. Hambledon and London.
[140]
Todman, D. 2005. The Great War: myth and memory. Hambledon and London.
[141]
Todman, D.G. 2009. The 90th Anniversary of the Battle of the Somme. War memory and popular culture: essays on modes of remembrance and commemoration. McFarland.
[142]
Trench Fever | War � what _is_ it good for? https://trenchfever.wordpress.com/.
[143]
Walzer, M. 2006. Just and unjust wars: a moral argument with historical illustrations. BasicBooks.
[144]
Watson, S. 2010. Myth, Memory and the Senses in the Churchill Museum. Routledge.
[145]
Watson, S. 2010. Myth, Memory and the Senses in the Churchill Museum. Museum materialities: objects, engagements, interpretations. Routledge. 204–233.
[146]
Weir, P. 1981. Gallipoli.
[147]
Welcome | First World War Poetry Digital Archive: http://www.oucs.ox.ac.uk/ww1lit/.
[148]
Winter, J. Remembrance and Redemption: a Social Interpretation of War Memorials. Harvard Design Magazine.
[149]
Winter, J. M., author 2014. Sites of memory, sites of mourning: the Great War in European cultural history. Cambridge : Cambridge University Press.
[150]
Winter, J. M., author 2014. Sites of memory, sites of mourning: the Great War in European cultural history. Cambridge : Cambridge University Press.
[151]
Winter, J. and Prost, A. 2005. Three Historiographical Configurations. The Great War in History: Debates and Controversies 1914 to the Present. Cambridge University Press.
[152]
Winter, J.M. 2006. Remembering war: the Great War between memory and history in the twentieth century. Yale University Press.
[153]
Winter, J.M. 2006. Remembering war: the Great War between memory and history in the twentieth century. Yale University Press.
[154]
Winter, J.M. 1995. Sites of memory, sites of mourning: the Great War in European cultural history. Cambridge University Press.
[155]
Winter, J.M. 1995. Sites of memory, sites of mourning: the Great War in European cultural history. Cambridge University Press.
[156]
Winter, J.M. et al. 2005. The Great War in history: debates and controversies, 1914 to the present. Cambridge University Press.
[157]
Winter, J.M. and Prost, A. 2005. The Great War in history: debates and controversies, 1914 to the present. Cambridge University Press.
[158]
Woolf, V. 1925. Mrs. Dalloway. L. & V. Woolf at the Hogarth Press.
[159]
1989. Blackadder Goes Forth (1989) Plan A: Captain Cook. BBC.
[160]
1989. Blackadder Goes Forth (1989) Plan B: Corporal Punishment. BBC.
[161]
1989. Blackadder Goes Forth (1989): Plan C: Major Star. BBC.
[162]
1989. Blackadder Goes Forth (1989) Plan D: Private Plane. BBC.
[163]
1989. Blackadder Goes Forth (1989) Plan E: General Hospital. BBC.
[164]
1989. Blackadder Goes Forth (1989) Plan F: Goodbyeee. BBC.
[165]
2015. Demobilization and Empire: Empire Nationalism and Soldier Citizenship in Australia after the First World War. Journal of Contemporary History. 50, 1 (2015), 124–143.
[166]
1969. Oh! What a Lovely War (1969).
[167]
2006. The Somme. Channel 4.
[168]
2006. The Somme: from defeat to victory. BBC/OU.