[1]
J. Hegarty, Hegarty on creativity: there are no rules. London: Thames & Hudson, 2014.
[2]
J. Ingledew, The A-Z of visual ideas: how to solve any creative brief. London: Laurence King, 2011.
[3]
J. Hess and S. Pasztorek, Graphic design for fashion, Mini edition. London: Laurence King Publishing, 2014.
[4]
R. Barthes, A. Stafford, and M. Carter, The language of fashion. Oxford: Berg, 2006.
[5]
S. Cottrell, The study skills handbook, Fourth edition. Basingstoke, Hampshire: Palgrave Macmillan, 2013 [Online]. Available: https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=4964965
[6]
P. Arden, It’s not how good you are, it’s how good you want to be. London: Phaidon, 2003.
[7]
P. Arden, Whatever you think think the opposite. London: Penguin, 2006.
[8]
C. Welsh, Design: portfolio: self-promotion at its best. Beverly, Mass: Rockport Publishers, 2013.
[9]
C. Baron, Designing a digital portfolio, 2nd ed. Berkeley, Calif: New Riders, 2010.
[10]
A. Kiper, Fashion portfolio: design and presentation. London: Batsford, 2016 [Online]. Available: https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=4783508
[11]
I. Noble and R. Bestley, Visual research: an introduction to research methodologies in graphic design. Lausanne: AVA, 2005.
