Akass, K., & McCabe, J. (2008). What has HBO Ever Done for Women? In The essential HBO reader: Vol. The philosophy of popular culture. University Press of Kentucky. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_akass_ki_what_has.pdf
Arendt, H. (1998). The human condition (2nd ed). University of Chicago Press.
Arnold, S. (2013). Maternal horror film: melodrama and motherhood. Palgrave Macmillan.
Atakav, E. (2014). Women and Turkish cinema: gender politics, cultural identity and representation. Routledge.
Ault, E. (2013). ‘You Can Help Yourself/but Don’t Take Too Much’: African American Motherhood on The Wire. Television & New Media, 14(5), 386–401. https://doi.org/10.1177/1527476412452797
Bean, J. M., & Negra, D. (2002). A feminist reader in early cinema: Vol. A camera obscura book. Duke University Press.
Bell, M., & Williams, M. (2010a). British women’s cinema: Vol. British popular cinema. Routledge.
Bell, M., & Williams, M. (2010b). British women’s cinema: Vol. British popular cinema. Routledge.
Bobo, J. (1998). Black women film and video artists: Vol. AFI film readers. Routledge.
Brady, A. (2016). Taking time between g-string changes to educate ourselves: Sinéad O’Connor, Miley Cyrus, and celebrity feminism. Feminist Media Studies, 16(3), 429–444. https://doi.org/10.1080/14680777.2015.1137960
Braudy, L., & Cohen, M. (2009). Film theory and criticism: introductory readings (7th ed). Oxford University Press.
Brinson, S. (1992). The Use and Opposition of Rape Myths in Prime-Time Television Dramas. Sex Roles, 27(7/8). https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_brinson_s_use_opposition%20.pdf
Brown, R. N. (2009). Black girlhood celebration: toward a hip-hop feminist pedagogy: Vol. Mediated youth. Peter Lang.
Brunsdon, C., & Spigel, L. (2008a). Feminist television criticism: a reader (2nd ed). Open University Press.
Brunsdon, C., & Spigel, L. (2008b). Feminist television criticism: a reader (2nd ed). Open University Press.
Brunsdon, C., & Spigel, L. (2008c). Feminist television criticism: a reader (2nd ed). Open University Press.
Brunsdon, C., & Spigel, L. (2008d). Feminist television criticism: a reader (2nd ed). Open University Press.
Butler, A. (2002). Women’s cinema: the contested screen: Vol. Short cuts. Wallflower.
Byerly, C. M., & Ross, K. (2006). Women & media: a critical introduction. Blackwell.
Callahan, V. (2010). Reclaiming the archive: feminism and film history: Vol. Contemporary approaches to film and television series. Wayne State University Press.
Carson, D., Dittmar, L., & Welsch, J. R. (Eds.). (1998). Multiple voices in feminist film criticism. University of Minnesota Press.
Cashmore, E. (2010). Buying Beyoncé. Celebrity Studies, 1(2), 135–150. https://doi.org/10.1080/19392397.2010.482262
Cashmore, E. (2012). Beyond black: celebrity and race in Obama’s America. Bloomsbury Academic.
Celeste Kearney, M. (2005). Birds on the wire: Troping teenage girlhood through telephony in mid-twentieth-century US media culture. Cultural Studies, 19(5), 568–601. https://doi.org/10.1080/09502380500365499
Charlton, E. (2007). "Bad” Girls versus "Good” Girls: Contradiction in the constitution of contemporary girlhood. Discourse: Studies in the Cultural Politics of Education, 28(1), 121–131. https://doi.org/10.1080/01596300601073739
Chivers, S. (2011). The silvering screen: old age and disability in cinema. University of Toronto Press.
Clapton, W., & Shepherd, L. J. (2016). Lessons from Westeros: Gender and power in Game of Thrones. Politics. https://doi.org/10.1177/0263395715612101
Collins, P. (2005). The Meaning of Motherhood in Black culture and Black mother-daughter relationships. Gender through the Prism of Difference. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_collins_p_meaning_motherhood.pdf
Coulthard, L. (2007). Killing Bill: rethinking violence and feminist theory’. In Interrogating postfeminism: gender and the politics of popular culture: Vol. Console-ing passions : television and cultural power. Duke University Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_coulthard_l_killing_bill.pdf
Craig, T., & LaCroix, J. (2011). Tomboy as Protective Identity. Journal of Lesbian Studies, 15(4), 450–465. https://doi.org/10.1080/10894160.2011.532030
Cuklanz, L. M., & Moorti, S. (2006). Television’s "New” Feminism: Prime-Time Representations of Women and Victimization. Critical Studies in Media Communication, 23(4), 302–321. https://doi.org/10.1080/07393180600933121
Currie, D., Kelly, D. M., & Pomerantz, S. (2009). ‘Girl power’: girls reinventing girlhood: Vol. Mediated youth. Peter Lang.
D’Acci, J. (1994). Defining women: television and the case of Cagney & Lacey. University of North Carolina Press.
Datta, S. (2000). Globalisation and Representations of Women in Indian Cinema. Social Scientist, 28(3/4). https://doi.org/10.2307/3518191
DeClue, Jennifer. (n.d.-a). Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s ‘The Wire’. Spectator - The University of Southern California Journal of Film and Television, 31(2), 53–62. https://cinema.usc.edu/archivedassets/31_2/6_DeClue.pdf
DeClue, Jennifer. (n.d.-b). Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s ‘The Wire’. Spectator - The University of Southern California Journal of Film and Television, 31(2), 53–62. https://cinema.usc.edu/archivedassets/31_2/6_DeClue.pdf
DeCordova, R. (2001). Picture personalities: the emergence of the star system in America ([New edition]). University of Illinois Press.
Dennison, S. (Ed.). (2013). Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film: Vol. A : Monografias. Tamesis.
Desjardins, Mary. (n.d.). Parenting and Reproduction: ‘Baby Boom’: The Comedy of Surrogacy in Film and Television. The Velvet Light Trap - A Critical Journal of Film and Television, 29.
Diawara, M. & American Film Institute. (1993a). Black American cinema: Vol. AFI film readers [Electronic resource]. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203873304
Diawara, M. & American Film Institute. (1993b). Black American cinema: Vol. AFI film readers. Routledge. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370008?query=work%3A9bc7e801-a7ac-5c14-b731-7d47e2c98528&resultsUri=items%3Fquery%3Dwork%253A9bc7e801-a7ac-5c14-b731-7d47e2c98528%26facet%255Bexpand%255D%3Dwork%253A9bc7e801-a7ac-5c14-b731-7d47e2c98528&facet%5Bexpand%5D=work%3A9bc7e801-a7ac-5c14-b731-7d47e2c98528
Doane, M. A. (1982). Film and the Masquerade: Theorising the Female Spectator. Screen, 23(3–4), 74–88. https://doi.org/10.1093/screen/23.3-4.74
Dönmez-Colin, G. (2004). Women, Islam and cinema. Reaktion.
Douglas, S. (2005). The New Momism. In The mommy myth: the idealization of motherhood and how it has undermined all women. Free Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_douglas_su_the_new.pdf
Dow, B. J. (1996). Prime-time feminism: television, media culture, and the women’s movement since 1970: Vol. Feminist cultural studies, the media, and political culture. University of Pennsylvania Press.
Dyer, R. (2004). Heavenly bodies: film stars and society (2nd ed). Routledge.
E. Ann Kaplan. (1990). Sex, Work and Motherhood: The Impossible Triangle. The Journal of Sex Research, 27(3), 409–425. http://www.jstor.org/stable/3812811?seq=1#page_scan_tab_contents
EMERSON, R. A. (2002). ‘Where My Girls At?’: Negotiating Black Womanhood in Music Videos. Gender & Society, 16(1), 115–135. https://doi.org/10.1177/0891243202016001007
Enck, S. M., & Morrissey, M. E. (2015). If Orange is the new black, I Must Be Color Blind: Comic Framings of Post-Racism in the Prison-Industrial Complex. Critical Studies in Media Communication, 32(5), 303–317. https://doi.org/10.1080/15295036.2015.1086489
Erens, P. (1990). Issues in feminist film criticism. Indiana University Press.
Everett, A. (2001). Returning the gaze: a genealogy of black film criticism, 1909-1949. Duke University Press.
Ezra, E., & Rowden, T. (2006). Transnational cinema: the film reader: Vol. In focus. Routledge.
Faludi, S. (1992). Backlash: the undeclared war against American women (1st Anchor Books). Anchor Books. http://www.loc.gov/catdir/enhancements/fy0703/92022416-s.html
Feasey, R. (2012). From happy homemaker to desperate housewives: motherhood and popular television. Anthem.
Felando, C. (2012). A certain age: Wes Anderson, Anjelica Huston and modern femininity. New Review of Film and Television Studies, 10(1), 68–82. https://doi.org/10.1080/17400309.2011.632518
Ferreday, D. (2015). Game of Thrones, Rape Culture and Feminist Fandom. Australian Feminist Studies, 30(83), 21–36. https://doi.org/10.1080/08164649.2014.998453
Ferriss, S., & Young, M. (2008). Chick flicks: contemporary women at the movies. Routledge.
Fink, J. (2011). For Better or for Worse? The Dilemmas of Unmarried Motherhood in Mid‐Twentieth‐Century Popular British Film and Fiction. Women’s History Review, 20(1), 145–160. https://doi.org/10.1080/09612025.2011.536396
Fischer, L. (1996). Introduction: Motherhood and Film: A Critical Genealogy. In Cinematernity: film, motherhood, genre. Princeton University Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_fischer_l_introduction_motherhood.pdf
Fitzgerald, L. (n.d.). Negotiating lone motherhood : gender, politics and family values in contemporary popular cinema. http://ueaeprints.uea.ac.uk/10577/
Foster, G. A. (1997a). Women filmmakers of the African and Asian diaspora: decolonizing the gaze, locating subjectivity. Southern Illinois University Press.
Foster, G. A. (1997b). Women filmmakers of the African and Asian diaspora: decolonizing the gaze, locating subjectivity. Southern Illinois University Press.
Francis, Terri. (n.d.). Embodied Fictions, Melancholy Migrations: Josephine Baker’s Cinematic Celebrity’. Modern Fiction Studies, 51(4), 824–845. http://search.proquest.com/docview/208045665/AF7AC1486D5E46C7PQ/7?accountid=9727
Friedan, B. (1965). The feminine mystique. Penguin.
Friedman, L. D. (2006). Fires were started: British cinema and Thatcherism (2nd ed). Wallflower.
Fuller, S., & Driscoll, C. (2015). HBO’s                              : gender, generation, and quality television. Continuum, 29(2), 253–262. https://doi.org/10.1080/10304312.2015.1022941
Gamson, J. (1994). Claims to fame: celebrity in contemporary America. University of California Press.
Gateward, F. K., & Pomerance, M. (2002). Sugar, spice and everything nice: cinemas of girlhood: Vol. Contemporary film and television series. Wayne State University Press.
Geraghty, C. (2011). Re-examining stardom: Questions of texts, bodies and performance. In Reinventing film studies. Bloomsbury Academic. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_geraghty_c_r_examining.pdf
Gibson-Hudson, G. (1994). The Ties that Bind: Cinematic representations by black women filmmakers. Quarterly Review of Film and Video, 15(2). https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_gibson_hudson_g_the_ties.pdf
Gill, R. (2007). Postfeminist media culture: Elements of a sensibility. European Journal of Cultural Studies, 10(2), 147–166. https://doi.org/10.1177/1367549407075898
Gilpatric, Katy. (n.d.). Violent Female Action Characters in Contemporary American Cinema. Sex Roles, 62(11), 734–746. http://search.proquest.com/docview/646310144/EA24B561EFC944F3PQ/3?accountid=9727
Gjelsvik, A., & Schubart, R. (Eds.). (2016). Women of ice and fire: gender, Game of thrones, and multiple media engagements. Bloomsbury.
Gledhill, C. (1991). Stardom: industry of desire. Routledge.
Gledhill, C. & British Film Institute. (1987). Home is where the heart is: studies in melodrama and the woman’s film. British Film Institute.
Grant, B. K. (2008). Auteurs and authorship: a film reader. Blackwell.
Grewal, I. (2001). Global Identities: Theorizing transnational studies of sexuality. GLQ: A Journal of Lesbian and Gay Studies, 7(4). https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_grewal_%20i_global_identities.pdf
Grosz, E. (1994). Volatile bodies: toward a corporeal feminism: Vol. Theories of representation and difference. Indiana University Press.
Hammond, C. (2002). Channeling Desire: Making Whoopi [Electronic resource]. In Impossible bodies: femininity and masculinity at the movies: Vol. Comedia. Routledge. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370020?query=9781315008493&resultsUri=items%3Fquery%3D9781315008493
Hammonds, E. (1999). Toward a genealogy of black female sexuality: The problematic of silence. In Feminist theory and the body: a reader. Edinburgh University Press.
Hancock, A.-M. (2004). The politics of disgust: the public identity of the welfare queen. New York University Press.
Harris, A. (2004). All about the girl: culture, power, and identity. Routledge.
Harwood, S., & Campling, J. (1997). Family fictions: representations of the family in 1980s Hollywood cinema. Macmillan.
Haskell, M. (1987). From reverence to rape: the treatment of women in the movies (2nd ed). University of Chicago Press.
Hassler-Forest, D. (2014). Game of Thrones: Quality Television and the Cultural Logic of Gentrification. TV/Series, 6. https://doi.org/10.4000/tvseries.323
Hastie, A. (2007). The Collector: Material Histories, Colleen Moore’s Dollhouse and Ephemeral Recollection’. In Cupboards of curiosity: women, recollection, and film history. Duke University Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_hastie_a_the_collector.pdf
Hays, S. (1996). The cultural contradictions of motherhood. Yale University Press.
Hill Collins, P. (2004). Black sexual politics: African Americans, gender, and the new racism [Electronic resource]. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203309506
Hill Collins, P. (2005). Black sexual politics: African Americans, gender, and the new racism. Routledge.
Hollinger, K. (2012). Feminist film studies. Routledge.
Hollows, J., & Moseley, R. (2006). Feminism in popular culture. Berg.
Holmes, S., & Redmond, S. (2006). Framing celebrity: new directions in celebrity culture. Routledge.
Hooks, B. (1992). Black looks: race and representation. South End Press.
Hooks, B. (2006). Outlaw culture: resisting representations: Vol. Routledge classics. Routledge.
Humphries, D. (Ed.). (2009). Women, violence, and the media: readings in feminist criminology: Vol. The Northeastern series on gender, crime, and law [Electronic resource]. Northeastern University Press. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781555537180
Ian Reilly. (2007). ‘Revenge is Never a Straight Line’: Transgressing Heroic Boundaries: Medea and the (Fe)Male Body in ‘Kill Bill’. Studies in Popular Culture, 30(1), 27–50. http://www.jstor.org/stable/23416196?seq=1#page_scan_tab_contents
Imre, A. (2009). Gender and quality television. Feminist Media Studies, 9(4), 391–407. https://doi.org/10.1080/14680770903232987
Iqani, M. (2016). Consumption, media and the Gobal South: aspiration contested [Electronic resource]. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137390134
Irigaray, L., & Gill, G. C. (1985). Speculum of the other woman. Cornell University Press.
Jeffrey A. Brown. (2005). Class and Feminine Excess: The Strange Case of Anna Nicole Smith. Feminist Review, 81, 74–94. http://www.jstor.org/stable/3874342?seq=1#page_scan_tab_contents
Jermyn, D. (2012). ‘Get a life, ladies. Your old one is not coming back’: ageing, ageism and the lifespan of female celebrity. Celebrity Studies, 3(1), 1–12. https://doi.org/10.1080/19392397.2012.644708
Jermyn, D., & Holmes, S. (Eds.). (2015). Women, celebrity and cultures of ageing: freeze frame [Electronic resource]. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137495129
Johnson, M. L. (2007). Third wave feminism and television: Jane puts it in a box: Vol. Reading contemporary television. I. B. Tauris.
Kaplan, E. A. (1983). Women and film: both sides of the camera. Methuen.
Kaplan, E. A. (1992). Motherhood and representation: the mother in popular culture and melodrama. Routledge.
Kaplan, E. A. (1997). Looking for the other: feminism, film and the imperial gaze. Routledge.
Kapurch, K. (2015). Rapunzel Loves Merida: Melodramatic Expressions of Lesbian Girlhood and Teen Romance in                              , and Femslash. Journal of Lesbian Studies, 19(4), 436–453. https://doi.org/10.1080/10894160.2015.1057079
Keeling, K. (2003). "Ghetto Heaven”:                              and the Valorization of Black Lesbian Butch-Femme Sociality. The Black Scholar, 33(1), 33–46. https://doi.org/10.1080/00064246.2003.11413202
Keeling, K. (2005). Joining the Lesbians’: Cinematic Regimes of Black Lesbian Visibility [Electronic resource]. In Black queer studies: a critical anthology. Duke University Press. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370096
King, N. (2008). Generic Womanhood: Gendered Depictions in Cop Action Cinema. Gender & Society, 22(2), 238–260. https://doi.org/10.1177/0891243207310715
Krainitzki, E. (2016). "Older-wiser-lesbians” and "baby-dykes”: mediating age and generation in New Queer Cinema. Feminist Media Studies, 16(4), 631–647. https://doi.org/10.1080/14680777.2016.1193294
Krämer, P. (1998). Women First: ‘Titanic’ (1997), action-adventure films and Hollywood’s female audience. Historical Journal of Film, Radio and Television, 18(4), 599–618. https://doi.org/10.1080/01439689800260421
Leggott, J., & Taddeo, J. A. (Eds.). (2015). Upstairs and downstairs: British costume drama television from The Forsyte saga to Downton Abbey. Rowman & Littlefield Publishers.
Levitin, J., Plessis, J., & Raoul, V. (2003a). Women filmmakers: refocusing. Routledge.
Levitin, J., Plessis, J., & Raoul, V. (2003b). Women filmmakers: refocusing [Electronic resource]. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203819418
Lindsey, T. (2013). One Time for My Girls”: African-American Girlhood, Empowerment, and Popular Visual Culture.". Journal of African American Studies, 17(1). https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_lindsey_t_one_time.pdf
Lloyd, G. (2005). Problem girls: understanding and supporting troubled and troublesome girls and young women. Routledge.
Logan, E. (2016). ‘Quality television’ as a critical obstacle: explanation and aesthetics in television studies. Screen, 57(2), 144–162. https://doi.org/10.1093/screen/hjw020
Lopez, L. K. (2009). The radical act of ‘mommy blogging’: redefining motherhood through the blogosphere. New Media & Society, 11(5), 729–747. https://doi.org/10.1177/1461444809105349
Lord, S., & Burfoot, A. (2006). Killing women: the visual culture of gender and violence: Vol. Cultural studies series. Wilfred Laurier University Press.
Lotz, A. D. (2006). Introduction: Female-Centred Dramas after the Network Era. In Redesigning women: television after the network era: Vol. Feminist studies and media culture (pp. 1–36). University of Illinois Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_lotz_am_introduction%20.pdf
Lumby, C. (2007). Doing it for themselves? Teenage girls, sexuality and fame’. In Stardom and celebrity: a reader. Los Angeles, Calif. ; London : SAGE. https://sk.sagepub.com/books/stardom-and-celebrity
Mahar, K. W. (2008). Women filmmakers in early Hollywood: Vol. Studies in industry and society. Johns Hopkins University Press.
Mallan, K., & Pearce, S. (2003). Youth cultures: texts, images, and identities. Praeger.
Manatu, N. (2002). Love and Romance: Cultural Prescriptive for ‘Appropriate Sexual Behaviours for Men and Women [Electronic resource]. In African American women and sexuality in the cinema. McFarland & Company. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786451449
Marciniak, K., Imre, A., & O’Healy, A. (2007). Transnational feminism in film and media: Vol. Comparative feminist studies series (1st ed). Palgrave Macmillan. https://www.brighton.summon.serialssolutions.com/?q=9780230338142#!/search?ho=t&include.ft.matches=t&l=en-UK&q=9780230338142&ebooks.only=true
Marshall, D. (2004). M/C Journal: ‘Fame’s Perpetual Moment’. Media/ Culture Journal, 7(5). http://www.journal.media-culture.org.au/0411/01-editorial.php
Martin, F. (2011). Screens and veils: Maghrebi women’s cinema: Vol. New directions in national cinemas. Indiana University Press.
McCabe, J. (2004). Feminist film studies: writing the woman into cinema: Vol. Short cuts. Wallflower.
McCabe, J., & Akass, K. (2007). Quality TV: contemporary American television and beyond. I.B. Tauris.
McRobbie, A. (2009a). The aftermath of feminism: gender, culture and social change [Electronic resource]. Sage. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781446200346
McRobbie, A. (2009b). The aftermath of feminism: gender, culture and social change. Sage.
McRobbie, A. (2009c). The aftermath of feminism: gender, culture and social change. Sage. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1330367
Mills, T. A., Lavender, R., & Lavender, T. (2015). "Forty is the new twenty”: An analysis of British media portrayals of older mothers. Sexual & Reproductive Healthcare, 6(2), 88–94. https://doi.org/10.1016/j.srhc.2014.10.005
Mitchell, C., & Reid-Walsh, J. (2005). Seven going on seventeen: tween studies in the culture of girlhood: Vol. Counterpoints. Peter Lang. http://www.loc.gov/catdir/toc/ecip051/2004022766.html
Modleski, T. (1991). Feminism without women: culture and criticism in a ‘postfeminist’ age. Routledge.
Mohanty, C. (2003). Under Western Eyes’ [Electronic resource]. In Feminism without borders: decolonizing theory, practicing solidarity (pp. 17–43). Duke University Press. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1399549
Monaghan, W. (2016). Queer girls, temporality and screen media: not ‘just a phase’ [Electronic resource]. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137555984
Morris, T., & McInerney, K. (2010). Media Representations of Pregnancy and Childbirth: An Analysis of Reality Television Programs in the United States. Birth, 37(2), 134–140. https://doi.org/10.1111/j.1523-536X.2010.00393.x
Moseley, R. (2002). Glamorous witchcraft: gender and magic in teen film and television. Screen, 43(4), 403–422. https://doi.org/10.1093/screen/43.4.403
Mullin, A. (2002). Pregnant bodies, pregnant minds. Feminist Theory, 3(1), 27–44. https://doi.org/10.1177/1460012002003001064
Negra, D. (2004). Quality Postfeminism? Sex and the Single Girl on HBO. Genders Online Journal. https://www.colorado.edu/gendersarchive1998-2013/2004/04/01/quality-postfeminism-sex-and-single-girl-hbo
Negra, D. (2009). What a girl wants?: fantasizing the reclamation of self in postfeminism. Routledge. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1472537?query=What+a+girl+wants%3F&resultsUri=items%3Fquery%3DWhat%2Ba%2Bgirl%2Bwants%253F
Negra, D. (2011). Introduction. In In the limelight and under the microscope: forms and functions of female celebrity. Continuum. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_negra_d_introduction.pdf
Negra, D., & Tasker, Y. (Eds.). (2014). Gendering the recession: media and culture in an age of austerity. Duke University Press. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1369828
Neroni, H. (2005). The violent woman: femininity, narrative, and violence in contemporary American cinema: Vol. SUNY series in feminist criticism and theory. State University of New York.
Nygaard, T. (2013). Girls Just Want to be "Quality”: HBO, Lena Dunham, and ’ conflicting brand identity. Feminist Media Studies, 13(2), 370–374. https://doi.org/10.1080/14680777.2013.771891
Painter, C., & Ferrucci, P. (2016). Gender Games. Journalism Practice, 1–16. https://doi.org/10.1080/17512786.2015.1133251
Parker, R. (2009). Why Study the Maternal. Studies in the Maternal, 1(1). https://doi.org/10.16995/sim.158
Penley, C. & British Film Institute. (1988). Feminism and film theory. Routledge.
Petchesky, R. P. (1987). Fetal Images: The Power of Visual Culture in the Politics of Reproduction. Feminist Studies, 13(2). https://doi.org/10.2307/3177802
Petro, P. (1990). Feminism and Film History. Camera Obscura: Feminism, Culture, and Media Studies, 8(1 22), 8–27. https://doi.org/10.1215/02705346-8-1_22-8
Pollock, D. (1999). Telling bodies performing birth: everyday narratives of childbirth: Vol. Popular cultures, everyday lives. Columbia University Press.
Pomerantz, S., Currie, D. H., & Kelly, D. M. (2004). Sk8er girls: Skateboarders, girlhood and feminism in motion. Women’s Studies International Forum, 27(5–6), 547–557. https://doi.org/10.1016/j.wsif.2004.09.009
Press, A. (2011). Feminism and Media in the Post-feminist Era. Feminist Media Studies, 11(1), 107–113. https://doi.org/10.1080/14680777.2011.537039
Press, A. L. (1991a). Women watching television: gender, class, and generation in the American television experience. University of Pennsylvania Press.
Press, A. L. (1991b). Women watching television: gender, class, and generation in the American television experience. University of Pennsylvania Press.
Projansky, S. (2001). Film and Television Narratives at the intersection of postfeminism and rape. In Watching rape: film and television in postfeminist culture. New York University Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_projansky_sa_film_and.pdf
Radner, H. (2011a). Neo-feminist cinema: girly films, chick flicks and consumer culture. Routledge.
Radner, H. (2011b). Neo-feminist cinema: girly films, chick flicks and consumer culture. Routledge.
Radway, J. A. (1987). Reading the romance: women, patriarchy and popular literature: Vol. Questions for feminism. Verso.
Rich, A. (1995). Of woman born: motherhood as experience and institution. Norton.
Robin, D., & Jaffe, I. (1999). Redirecting the gaze: gender, theory, and cinema in the Third World: Vol. The SUNY series, cultural studies in cinema/video. State University of New York Press.
Rosalind Gill, ‘From Sexual Objectification to Sexual Subjectification: The Resexualisation of Women’s Bodies in the Media’. (n.d.). http://mrzine.monthlyreview.org/2009/gill230509.html
Sander, H., & Curry, R. (1982). Feminism and Film. 27. http://www.ejumpcut.org/archive/onlinessays/JC27folder/SanderonFemsmFilm.html
Sears, C. A., & Godderis, R. (2011). Roar Like a Tiger on TV? Feminist Media Studies, 11(2), 181–195. https://doi.org/10.1080/14680777.2010.521626
Sheldon H. Lu. (2000). Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity. Cinema Journal, 40(1), 25–47. http://www.jstor.org/stable/1225816?seq=1#page_scan_tab_contents
Shih, S.-M. (2002). Towards an Ethics of Transnational Encounter, or "When” Does a "Chinese” Woman Become a "Feminist. Differences, 13(2). https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_shih_s_towards_ethics.pdf
Shohat, E. & New Museum of Contemporary Art (New York, N.Y.). (1998). Talking visions: multicultural feminism in a transnational age: Vol. Documentary sources in contemporary art. MIT.
Simmonds, F. N. (1988). ‘She’s Gotta Have It’: The Representation of Black Female Sexuality on Film. Feminist Review, 29. https://doi.org/10.2307/1395143
Skeggs, B. (1995). Feminist cultural theory: process and production. Manchester University Press.
Skeggs, B., Thumim, N., & Wood, H. (2008). ‘Oh goodness, I am watching reality TV’: How methods make class in audience research. European Journal of Cultural Studies, 11(1), 5–24. https://doi.org/10.1177/1367549407084961
Slocum, J. David. (2000). Film violence and the institutionalization of the cinema. Social Research, 67(3), 649–681. http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=3675062&site=ehost-live
Smith, A. M. (2015). " Orange  is the Same White”. New Political Science, 37(2), 276–280. https://doi.org/10.1080/07393148.2014.995401
Smith, E. (2010). ‘They Don’t Teach This in High School: An Examination of the Portrayal of Teenage Pregnancy in the MTV Television Show 16 and Pregnant’,. Proceedings of the New York State Communication Association. http://docs.rwu.edu/nyscaproceedings/vol2010/iss1/10/
Spigel, L., & Mann, D. (1992). Private screenings: television and the female consumer: Vol. A Camera obscura book. University of Minnesota Press.
Stacey, J. (1994). Star gazing: Hollywood cinema and female spectatorship. Routledge.
Stephens, D. P., & Phillips, L. D. (2003). Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts. Sexuality and Culture, 7(1), 3–49. https://doi.org/10.1007/BF03159848
Su Holmes. (n.d.). ‘Starring... Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture. Westminster Papers in Communication and Culture, 2(2). https://doi.org/10.16997/wpcc.18
Tally, Margaret. (n.d.). ‘She doesn’t let age define her’1: Sexuality and motherhood in recent ‘middle-aged chick flicks’. Sexuality & Culture, 10(2), 33–55.
Tasker, Y. (1993). Spectacular bodies: gender, genre and the action cinema. Routledge. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1111922
Tasker, Y. (1998). Working girls: gender and sexuality in popular cinema. Routledge.
Tasker, Y. (2002). Fifty contemporary filmmakers: Vol. Routledge key guides. Routledge. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1271229
Tasker, Y. (2011). Soldiers’ stories: military women in cinema and television since World War II. Duke University Press.
Tasker, Y., & Negra, D. (2007). Interrogating postfeminism: gender and the politics of popular culture: Vol. Console-ing passions : television and cultural power. Duke University Press.
Tasker, YvonneNegra, Diane. (n.d.). In Focus: Postfeminism and Contemporary Media Studies. Cinema Journal, 44(2), 107–110. http://search.proquest.com/docview/222247178/fulltext/8E09ECBC19D43B8PQ/1?accountid=9727
Thornham, S. (1999). Feminist film theory: a reader. Edinburgh University Press.
Trinh, T. M.-H. (1991). When the moon waxes red: representation, gender and cultural politics: Vol. Film/cultural studies. Routledge.
TROPP, L. (2006). ‘Faking a Sonogram’: Representations of Motherhood on Sex and the City. The Journal of Popular Culture, 39(5), 861–877. https://doi.org/10.1111/j.1540-5931.2006.00309.x
Turner, G. (2013). Understanding celebrity (Second edition). SAGE. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1130991
Tyler, I. (n.d.). Reframing Pregnant Embodiment’. https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1125852?query=9780203977750&resultsUri=items%3Fquery%3D9780203977750
Tyler, I., & Baraitser, L. (2013). Private View, Public Birth: Making Feminist Sense of the New Visual Culture of Childbirth. Studies in the Maternal, 5(2). https://doi.org/10.16995/sim.18
Tyler, I., & Bennett, B. (2010). ‘Celebrity chav’: Fame, femininity and social class. European Journal of Cultural Studies, 13(3), 375–393. https://doi.org/10.1177/1367549410363203
Walkerdine, V. (1997). Daddy’s girl: young girls and popular culture. Macmillan.
Walsh, A. S. (1986). Women’s film and female experience, 1940-1950. Praeger.
Walters, S. D. (1995). Material girls: making sense of feminist cultural theory. University of California Press.
Warner, J. (2006). Perfect madness: motherhood in the age of anxiety. Vermilion.
Weber, B. R. (Ed.). (2014). Reality gendervision: sexuality & gender on transatlantic reality television. Duke University Press.
Whelehan, I. (2000). Overloaded: popular culture and the future of feminism. Women’s Press.
Whelehan, I. (2002). Becoming girl. In Girls: feminine adolescence in popular culture & cultural theory. Columbia University Press. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_driscoll_c_the_girl%20.pdf
Whelehan, I. (2013). Ageing Appropriately: Postfeminist Discourses of Ageing in contemporary Hollywood. In J. Gwynne & N. Müller (Eds.), Postfeminism and contemporary Hollywood cinema. Palgrave Macmillan. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_whelehan_i_ageing_appropriately.pdf
Williams, L. (1988). Feminist film theory: Mildred Pierce and the Second World War. In Female spectators: looking at film and television: Vol. Questions for feminism. Verso. https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_williams_l_feminist_theory.pdf