Akass, Kim, and Janet McCabe. ‘What Has HBO Ever Done for Women?’ The Essential HBO Reader. The philosophy of popular culture. Lexington, Ky: University Press of Kentucky, 2008. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_akass_ki_what_has.pdf>.
Arendt, Hannah. The Human Condition. 2nd ed. Chicago: University of Chicago Press, 1998. Print.
Arnold, Sarah. Maternal Horror Film: Melodrama and Motherhood. Basingstoke: Palgrave Macmillan, 2013. Print.
Atakav, Eylem. Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation. London: Routledge, 2014. Print.
Ault, E. ‘“You Can Help Yourself/but Don’t Take Too Much”: African American Motherhood on The Wire’. Television & New Media 14.5 (2013): 386–401. Web.
Bean, Jennifer M., and Diane Negra. A Feminist Reader in Early Cinema. A camera obscura book. Durham, N.C.: Duke University Press, 2002. Print.
Bell, Melanie, and Melanie Williams. British Women’s Cinema. British popular cinema. Abingdon: Routledge, 2010. Print.
---. British Women’s Cinema. British popular cinema. Abingdon: Routledge, 2010. Print.
Bobo, Jacqueline. Black Women Film and Video Artists. AFI film readers. New York: Routledge, 1998. Print.
Brady, Anita. ‘Taking Time between G-String Changes to Educate Ourselves: Sinéad O’Connor, Miley Cyrus, and Celebrity Feminism’. Feminist Media Studies 16.3 (2016): 429–444. Web.
Braudy, Leo, and Marshall Cohen. Film Theory and Criticism: Introductory Readings. 7th ed. New York: Oxford University Press, 2009. Print.
Brinson, S. ‘The Use and Opposition of Rape Myths in Prime-Time Television Dramas’. Sex Roles 27.7/8 (1992): n. pag. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_brinson_s_use_opposition%20.pdf>.
Brown, Ruth Nicole. Black Girlhood Celebration: Toward a Hip-Hop Feminist Pedagogy. Mediated youth. New York: Peter Lang, 2009. Print.
Brunsdon, Charlotte, and Lynn Spigel. Feminist Television Criticism: A Reader. 2nd ed. Maidenhead: Open University Press, 2008. Print.
---. Feminist Television Criticism: A Reader. 2nd ed. Maidenhead: Open University Press, 2008. Print.
---. Feminist Television Criticism: A Reader. 2nd ed. Maidenhead: Open University Press, 2008. Print.
---. Feminist Television Criticism: A Reader. 2nd ed. Maidenhead: Open University Press, 2008. Print.
Butler, Alison. Women’s Cinema: The Contested Screen. Short cuts. London: Wallflower, 2002. Print.
Byerly, Carolyn M., and Karen Ross. Women & Media: A Critical Introduction. Malden, Mass: Blackwell, 2006. Print.
Callahan, Vicki. Reclaiming the Archive: Feminism and Film History. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2010. Print.
Carson, Diane, Linda Dittmar, and Janice R. Welsch, eds. Multiple Voices in Feminist Film Criticism. Minneapolis: University of Minnesota Press, 1998. Print.
Cashmore, Ellis. ‘Buying Beyoncé’. Celebrity Studies 1.2 (2010): 135–150. Web.
Cashmore, Ernest. Beyond Black: Celebrity and Race in Obama’s America. London: Bloomsbury Academic, 2012. Print.
Celeste Kearney, Mary. ‘Birds on the Wire: Troping Teenage Girlhood through Telephony in Mid-Twentieth-Century US Media Culture’. Cultural Studies 19.5 (2005): 568–601. Web. <http://www.tandfonline.com/doi/full/10.1080/09502380500365499>.
Charlton, Emma. ‘"Bad” Girls versus "Good” Girls: Contradiction in the Constitution of Contemporary Girlhood’. Discourse: Studies in the Cultural Politics of Education 28.1 (2007): 121–131. Web.
Chivers, Sally. The Silvering Screen: Old Age and Disability in Cinema. Toronto, [Ont.]: University of Toronto Press, 2011. Print.
Clapton, W., and L. J. Shepherd. ‘Lessons from Westeros: Gender and Power in Game of Thrones’. Politics (2016): n. pag. Web.
Collins, P. ‘The Meaning of Motherhood in Black Culture and Black Mother-Daughter Relationships’. Gender through the prism of difference (2005): n. pag. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_collins_p_meaning_motherhood.pdf>.
Coulthard, Lisa. ‘Killing Bill: Rethinking Violence and Feminist Theory’’. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Console-ing passions : television and cultural power. Durham, [N.C.]: Duke University Press, 2007. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_coulthard_l_killing_bill.pdf>.
Craig, Traci, and Jessica LaCroix. ‘Tomboy as Protective Identity’. Journal of Lesbian Studies 15.4 (2011): 450–465. Web. <http://www.tandfonline.com/doi/full/10.1080/10894160.2011.532030>.
Cuklanz, Lisa M., and Sujata Moorti. ‘Television’s "New” Feminism: Prime-Time Representations of Women and Victimization’. Critical Studies in Media Communication 23.4 (2006): 302–321. Web.
Currie, Dawn, Deirdre M. Kelly, and Shauna Pomerantz. ‘Girl Power’: Girls Reinventing Girlhood. Mediated youth. New York: Peter Lang, 2009. Print.
D’Acci, Julie. Defining Women: Television and the Case of Cagney & Lacey. Chapel Hill: University of North Carolina Press, 1994. Print.
Datta, Sangeeta. ‘Globalisation and Representations of Women in Indian Cinema’. Social Scientist 28.3/4 (2000): n. pag. Web.
DeClue, Jennifer. ‘Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s “The Wire”’. Spectator - The University of Southern California Journal of Film and Television 31.2 53–62. Web. <https://cinema.usc.edu/archivedassets/31_2/6_DeClue.pdf>.
---. ‘Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s “The Wire”’. Spectator - The University of Southern California Journal of Film and Television 31.2 53–62. Web. <https://cinema.usc.edu/archivedassets/31_2/6_DeClue.pdf>.
DeCordova, Richard. Picture Personalities: The Emergence of the Star System in America. [New edition]. Champaign: University of Illinois Press, 2001. Print.
Dennison, Stephanie, ed. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. A : Monografias. Woodbridge: Tamesis, 2013. Print.
Desjardins, Mary. ‘Parenting and Reproduction: “Baby Boom”: The Comedy of Surrogacy in Film and Television’. The Velvet Light Trap - A Critical Journal of Film and Television 29 n. pag. Print.
Diawara, Manthia and American Film Institute. Black American Cinema. AFI film readers. New York: Routledge, 1993. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203873304>.
---. Black American Cinema. AFI film readers. New York: Routledge, 1993. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370008?query=work%3A9bc7e801-a7ac-5c14-b731-7d47e2c98528&amp;resultsUri=items%3Fquery%3Dwork%253A9bc7e801-a7ac-5c14-b731-7d47e2c98528%26facet%255Bexpand%255D%3Dwork%253A9bc7e801-a7ac-5c14-b731-7d47e2c98528&amp;facet%5Bexpand%5D=work%3A9bc7e801-a7ac-5c14-b731-7d47e2c98528>.
Doane, M. A. ‘Film and the Masquerade: Theorising the Female Spectator’. Screen 23.3–4 (1982): 74–88. Web.
Dönmez-Colin, Gönül. Women, Islam and Cinema. London: Reaktion, 2004. Print.
Douglas, Susan. ‘The New Momism’. The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women. New York: Free Press, 2005. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_douglas_su_the_new.pdf>.
Dow, Bonnie J. Prime-Time Feminism: Television, Media Culture, and the Women’s Movement since 1970. Feminist cultural studies, the media, and political culture. Philadelphia, PA: University of Pennsylvania Press, 1996. Print.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. 2nd ed. Abingdon: Routledge, 2004. Print.
E. Ann Kaplan. ‘Sex, Work and Motherhood: The Impossible Triangle’. The Journal of Sex Research 27.3 (1990): 409–425. Web. <http://www.jstor.org/stable/3812811?seq=1#page_scan_tab_contents>.
EMERSON, R. A. ‘“Where My Girls At?”: Negotiating Black Womanhood in Music Videos’. Gender & Society 16.1 (2002): 115–135. Web.
Enck, Suzanne M., and Megan E. Morrissey. ‘If Orange Is the New Black, I Must Be Color Blind: Comic Framings of Post-Racism in the Prison-Industrial Complex’. Critical Studies in Media Communication 32.5 (2015): 303–317. Web.
Erens, Patricia. Issues in Feminist Film Criticism. Bloomington: Indiana University Press, 1990. Print.
Everett, Anna. Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949. Durham, [N.C.]: Duke University Press, 2001. Print.
Ezra, Elizabeth, and Terry Rowden. Transnational Cinema: The Film Reader. In focus. London: Routledge, 2006. Print.
Faludi, Susan. Backlash: The Undeclared War against American Women. 1st Anchor Books. New York: Anchor Books, 1992. Web. <http://www.loc.gov/catdir/enhancements/fy0703/92022416-s.html>.
Feasey, Rebecca. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem, 2012. Print.
Felando, Cynthia. ‘A Certain Age: Wes Anderson, Anjelica Huston and Modern Femininity’. New Review of Film and Television Studies 10.1 (2012): 68–82. Web.
Ferreday, Debra. ‘Game of Thrones, Rape Culture and Feminist Fandom’. Australian Feminist Studies 30.83 (2015): 21–36. Web.
Ferriss, Suzanne, and Mallory Young. Chick Flicks: Contemporary Women at the Movies. London: Routledge, 2008. Print.
Fink, Janet. ‘For Better or for Worse? The Dilemmas of Unmarried Motherhood in Mid‐Twentieth‐Century Popular British Film and Fiction’. Women’s History Review 20.1 (2011): 145–160. Web.
Fischer, Lucy. ‘Introduction: Motherhood and Film: A Critical Genealogy’. Cinematernity: Film, Motherhood, Genre. Princeton, N.J.: Princeton University Press, 1996. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_fischer_l_introduction_motherhood.pdf>.
Fitzgerald, Louise. ‘Negotiating Lone Motherhood : Gender, Politics and Family Values in Contemporary Popular Cinema’. N.p. Web. <http://ueaeprints.uea.ac.uk/10577/>.
Foster, Gwendolyn Audrey. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale, Ill: Southern Illinois University Press, 1997. Print.
---. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale, Ill: Southern Illinois University Press, 1997. Print.
Francis, Terri. ‘Embodied Fictions, Melancholy Migrations: Josephine Baker’s Cinematic Celebrity’’. Modern Fiction Studies 51.4 824–845. Web. <http://search.proquest.com/docview/208045665/AF7AC1486D5E46C7PQ/7?accountid=9727>.
Friedan, Betty. The Feminine Mystique. Harmondsworth: Penguin, 1965. Print.
Friedman, Lester D. Fires Were Started: British Cinema and Thatcherism. 2nd ed. London: Wallflower, 2006. Print.
Fuller, Sean, and Catherine Driscoll. ‘HBO’s                             : Gender, Generation, and Quality Television’. Continuum 29.2 (2015): 253–262. Web.
Gamson, Joshua. Claims to Fame: Celebrity in Contemporary America. Berkeley: University of California Press, 1994. Print.
Gateward, Frances K., and Murray Pomerance. Sugar, Spice and Everything Nice: Cinemas of Girlhood. Contemporary film and television series. Detroit [Mich: Wayne State University Press, 2002. Print.
Geraghty, Christine. ‘Re-Examining Stardom: Questions of Texts, Bodies and Performance’. Reinventing Film Studies. London: Bloomsbury Academic, 2011. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_geraghty_c_r_examining.pdf>.
Gibson-Hudson, G. ‘The Ties That Bind: Cinematic Representations by Black Women Filmmakers.’ Quarterly Review of Film and Video 15.2 (1994): n. pag. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_gibson_hudson_g_the_ties.pdf>.
Gill, R. ‘Postfeminist Media Culture: Elements of a Sensibility’. European Journal of Cultural Studies 10.2 (2007): 147–166. Web. <http://ecs.sagepub.com/content/10/2/147.full.pdf+html>.
Gilpatric, Katy. ‘Violent Female Action Characters in Contemporary American Cinema’. Sex Roles 62.11 734–746. Web. <http://search.proquest.com/docview/646310144/EA24B561EFC944F3PQ/3?accountid=9727>.
Gjelsvik, Anne, and Rikke Schubart, eds. Women of Ice and Fire: Gender, Game of Thrones, and Multiple Media Engagements. London: Bloomsbury, 2016. Print.
Gledhill, Christine. Stardom: Industry of Desire. London: Routledge, 1991. Print.
Gledhill, Christine and British Film Institute. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute, 1987. Print.
Grant, Barry Keith. Auteurs and Authorship: A Film Reader. Oxford: Blackwell, 2008. Print.
Grewal, I. ‘Global Identities: Theorizing Transnational Studies of Sexuality’. GLQ: A Journal of Lesbian and Gay Studies 7.4 (2001): n. pag. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_grewal_%20i_global_identities.pdf>.
Grosz, Elizabeth. Volatile Bodies: Toward a Corporeal Feminism. Theories of representation and difference. Bloomington: Indiana University Press, 1994. Print.
Hammond, Chris. ‘Channeling Desire: Making Whoopi’. Impossible Bodies: Femininity and Masculinity at the Movies. Comedia. London: Routledge, 2002. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370020?query=9781315008493&resultsUri=items%3Fquery%3D9781315008493>.
Hammonds, E. ‘Toward a Genealogy of Black Female Sexuality: The Problematic of Silence’. Feminist Theory and the Body: A Reader. Edinburgh: Edinburgh University Press, 1999. Print.
Hancock, Ange-Marie. The Politics of Disgust: The Public Identity of the Welfare Queen. New York, N.Y.: New York University Press, 2004. Print.
Harris, Anita. All about the Girl: Culture, Power, and Identity. New York: Routledge, 2004. Print.
Harwood, Sarah, and Jo Campling. Family Fictions: Representations of the Family in 1980s Hollywood Cinema. Basingstoke: Macmillan, 1997. Print.
Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. Chicago: University of Chicago Press, 1987. Print.
Hassler-Forest, Dan. ‘Game of Thrones: Quality Television and the Cultural Logic of Gentrification’. TV/Series 6 (2014): n. pag. Web.
Hastie, Amelie. ‘The Collector: Material Histories, Colleen Moore’s Dollhouse and Ephemeral Recollection’’. Cupboards of Curiosity: Women, Recollection, and Film History. Durham, N.C.: Duke University Press, 2007. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_hastie_a_the_collector.pdf>.
Hays, Sharon. The Cultural Contradictions of Motherhood. New Haven: Yale University Press, 1996. Print.
Hill Collins, Patricia. Black Sexual Politics: African Americans, Gender, and the New Racism. New York: Routledge, 2004. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203309506>.
---. Black Sexual Politics: African Americans, Gender, and the New Racism. New York: Routledge, 2005. Print.
Hollinger, Karen. Feminist Film Studies. Abingdon: Routledge, 2012. Print.
Hollows, Joanne, and Rachel Moseley. Feminism in Popular Culture. Oxford: Berg, 2006. Print.
Holmes, Su, and Sean Redmond. Framing Celebrity: New Directions in Celebrity Culture. Abingdon: Routledge, 2006. Print.
Hooks, Bell. Black Looks: Race and Representation. Boston, Mass: South End Press, 1992. Print.
---. Outlaw Culture: Resisting Representations. Routledge classics. New York: Routledge, 2006. Print.
Humphries, Drew, ed. Women, Violence, and the Media: Readings in Feminist Criminology. The Northeastern series on gender, crime, and law. Boston: Northeastern University Press, 2009. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781555537180>.
Ian Reilly. ‘“Revenge Is Never a Straight Line”: Transgressing Heroic Boundaries: Medea and the (Fe)Male Body in “Kill Bill”’. Studies in Popular Culture 30.1 (2007): 27–50. Web. <http://www.jstor.org/stable/23416196?seq=1#page_scan_tab_contents>.
Imre, Anikó. ‘Gender and Quality Television’. Feminist Media Studies 9.4 (2009): 391–407. Web.
Iqani, Mehita. Consumption, Media and the Gobal South: Aspiration Contested. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2016. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137390134>.
Irigaray, Luce, and Gillian C. Gill. Speculum of the Other Woman. Ithaca, N.Y.: Cornell University Press, 1985. Print.
Jeffrey A. Brown. ‘Class and Feminine Excess: The Strange Case of Anna Nicole Smith’. Feminist Review 81 (2005): 74–94. Web. <http://www.jstor.org/stable/3874342?seq=1#page_scan_tab_contents>.
Jermyn, Deborah. ‘“Get a Life, Ladies. Your Old One Is Not Coming Back”: Ageing, Ageism and the Lifespan of Female Celebrity’. Celebrity Studies 3.1 (2012): 1–12. Web.
Jermyn, Deborah, and Su Holmes, eds. Women, Celebrity and Cultures of Ageing: Freeze Frame. Basingstoke, Hampshire: Palgrave Macmillan, 2015. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137495129>.
Johnson, Merri Lisa. Third Wave Feminism and Television: Jane Puts It in a Box. Reading contemporary television. London: I. B. Tauris, 2007. Print.
Kaplan, E. Ann. Looking for the Other: Feminism, Film and the Imperial Gaze. New York: Routledge, 1997. Print.
---. Motherhood and Representation: The Mother in Popular Culture and Melodrama. London: Routledge, 1992. Print.
---. Women and Film: Both Sides of the Camera. London: Methuen, 1983. Print.
Kapurch, Katie. ‘Rapunzel Loves Merida: Melodramatic Expressions of Lesbian Girlhood and Teen Romance in                              , and Femslash’. Journal of Lesbian Studies 19.4 (2015): 436–453. Web.
Keeling, Kara. ‘"Ghetto Heaven”:                              and the Valorization of Black Lesbian Butch-Femme Sociality’. The Black Scholar 33.1 (2003): 33–46. Web.
---. ‘Joining the Lesbians’: Cinematic Regimes of Black Lesbian Visibility’. Black Queer Studies: A Critical Anthology. Durham, N.C.: Duke University Press, 2005. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370096>.
King, N. ‘Generic Womanhood: Gendered Depictions in Cop Action Cinema’. Gender & Society 22.2 (2008): 238–260. Web. <http://gas.sagepub.com/content/22/2/238.full.pdf+html>.
Krainitzki, Eva. ‘"Older-Wiser-Lesbians” and "baby-Dykes”: Mediating Age and Generation in New Queer Cinema’. Feminist Media Studies 16.4 (2016): 631–647. Web.
Krämer, Peter. ‘Women First: “Titanic” (1997), Action-Adventure Films and Hollywood’s Female Audience’. Historical Journal of Film, Radio and Television 18.4 (1998): 599–618. Web. <http://www.tandfonline.com/doi/abs/10.1080/01439689800260421>.
Leggott, James, and Julie Anne Taddeo, eds. Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Lanham: Rowman & Littlefield Publishers, 2015. Print.
Levitin, Jacqueline, Judith Plessis, and Valerie Raoul. Women Filmmakers: Refocusing. New York: Routledge, 2003. Print.
---. Women Filmmakers: Refocusing. New York: Routledge, 2003. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203819418>.
Lindsey, T. ‘One Time for My Girls”: African-American Girlhood, Empowerment, and Popular Visual Culture."’. Journal of African American Studies 17.1 (2013): n. pag. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_lindsey_t_one_time.pdf>.
Lloyd, Gwynedd. Problem Girls: Understanding and Supporting Troubled and Troublesome Girls and Young Women. Abingdon: Routledge, 2005. Print.
Logan, Elliott. ‘“Quality Television” as a Critical Obstacle: Explanation and Aesthetics in Television Studies’. Screen 57.2 (2016): 144–162. Web.
Lopez, L. K. ‘The Radical Act of “Mommy Blogging”: Redefining Motherhood through the Blogosphere’. New Media & Society 11.5 (2009): 729–747. Web.
Lord, Susan, and Annette Burfoot. Killing Women: The Visual Culture of Gender and Violence. Cultural studies series. Waterloo, Canada: Wilfred Laurier University Press, 2006. Print.
Lotz, Amanda D. ‘Introduction: Female-Centred Dramas after the Network Era’. Redesigning Women: Television after the Network Era. Feminist studies and media culture. Urbana, Ill: University of Illinois Press, 2006. 1–36. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_lotz_am_introduction%20.pdf>.
Lumby, Catherine. ‘Doing It for Themselves? Teenage Girls, Sexuality and Fame’’. Stardom and Celebrity: A Reader. Los Angeles, Calif. ; London : SAGE, 2007. Web. <https://sk.sagepub.com/books/stardom-and-celebrity>.
Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Studies in industry and society. Baltimore, Md: Johns Hopkins University Press, 2008. Print.
Mallan, Kerry, and Sharyn Pearce. Youth Cultures: Texts, Images, and Identities. Westport, CT: Praeger, 2003. Print.
Manatu, Norma. ‘Love and Romance: Cultural Prescriptive for ‘Appropriate Sexual Behaviours for Men and Women’. African American Women and Sexuality in the Cinema. Jefferson, N.C.: McFarland & Company, 2002. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&amp;dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780786451449>.
Marciniak, Katarzyna, Anikó Imre, and Áine O’Healy. Transnational Feminism in Film and Media. 1st ed. Comparative feminist studies series. New York: Palgrave Macmillan, 2007. Web. <https://www.brighton.summon.serialssolutions.com/?q=9780230338142#!/search?ho=t&include.ft.matches=t&l=en-UK&q=9780230338142&ebooks.only=true>.
Marshall, David. ‘M/C Journal: “Fame’s Perpetual Moment”’. Media/ Culture journal 7.5 (2004): n. pag. Web. <http://www.journal.media-culture.org.au/0411/01-editorial.php>.
Martin, Florence. Screens and Veils: Maghrebi Women’s Cinema. New directions in national cinemas. Bloomington, Ind: Indiana University Press, 2011. Print.
McCabe, Janet. Feminist Film Studies: Writing the Woman into Cinema. Short cuts. London: Wallflower, 2004. Print.
McCabe, Janet, and Kim Akass. Quality TV: Contemporary American Television and Beyond. London: I.B. Tauris, 2007. Print.
McRobbie, Angela. The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage, 2009. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781446200346>.
---. The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage, 2009. Print.
---. The Aftermath of Feminism: Gender, Culture and Social Change. London: Sage, 2009. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1330367>.
Mills, Tracey A., Rebecca Lavender, and Tina Lavender. ‘"Forty Is the New Twenty”: An Analysis of British Media Portrayals of Older Mothers’. Sexual & Reproductive Healthcare 6.2 (2015): 88–94. Web.
Mitchell, Claudia, and Jacqueline Reid-Walsh. Seven Going on Seventeen: Tween Studies in the Culture of Girlhood. Counterpoints. New York, N.Y.: Peter Lang, 2005. Web. <http://www.loc.gov/catdir/toc/ecip051/2004022766.html>.
Modleski, Tania. Feminism without Women: Culture and Criticism in a ‘Postfeminist’ Age. New York: Routledge, 1991. Print.
Mohanty, Chandra. ‘Under Western Eyes’’. Feminism without Borders: Decolonizing Theory, Practicing Solidarity. Durham, N.C.: Duke University Press, 2003. 17–43. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1399549>.
Monaghan, Whitney. Queer Girls, Temporality and Screen Media: Not ‘Just a Phase’. Basingstoke: Palgrave Macmillan, 2016. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137555984>.
Morris, Theresa, and Katherine McInerney. ‘Media Representations of Pregnancy and Childbirth: An Analysis of Reality Television Programs in the United States’. Birth 37.2 (2010): 134–140. Web.
Moseley, R. ‘Glamorous Witchcraft: Gender and Magic in Teen Film and Television’. Screen 43.4 (2002): 403–422. Web.
Mullin, A. ‘Pregnant Bodies, Pregnant Minds’. Feminist Theory 3.1 (2002): 27–44. Web.
Negra, D. ‘Introduction’. In the Limelight and under the Microscope: Forms and Functions of Female Celebrity. London: Continuum, 2011. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_negra_d_introduction.pdf>.
Negra, Diane. ‘Quality Postfeminism? Sex and the Single Girl on HBO’. Genders Online Journal, 2004. Web. <https://www.colorado.edu/gendersarchive1998-2013/2004/04/01/quality-postfeminism-sex-and-single-girl-hbo>.
---. What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism. London: Routledge, 2009. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1472537?query=What+a+girl+wants%3F&amp;resultsUri=items%3Fquery%3DWhat%2Ba%2Bgirl%2Bwants%253F>.
Negra, Diane, and Yvonne Tasker, eds. Gendering the Recession: Media and Culture in an Age of Austerity. Durham: Duke University Press, 2014. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1369828>.
Neroni, Hilary. The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. SUNY series in feminist criticism and theory. Albany: State University of New York, 2005. Print.
Nygaard, Taylor. ‘Girls Just Want to Be "Quality”: HBO, Lena Dunham, and ’ Conflicting Brand Identity’. Feminist Media Studies 13.2 (2013): 370–374. Web.
Painter, Chad, and Patrick Ferrucci. ‘Gender Games’. Journalism Practice (2016): 1–16. Web. <http://www.tandfonline.com/doi/full/10.1080/17512786.2015.1133251>.
Parker, Rozsika. ‘Why Study the Maternal’. Studies in the Maternal 1.1 (2009): n. pag. Web.
Penley, Constance and British Film Institute. Feminism and Film Theory. New York: Routledge, 1988. Print.
Petchesky, Rosalind Pollack. ‘Fetal Images: The Power of Visual Culture in the Politics of Reproduction’. Feminist Studies 13.2 (1987): n. pag. Web.
Petro, P. ‘Feminism and Film History’. Camera Obscura: Feminism, Culture, and Media Studies 8.1 22 (1990): 8–27. Web.
Pollock, Della. Telling Bodies Performing Birth: Everyday Narratives of Childbirth. Popular cultures, everyday lives. New York: Columbia University Press, 1999. Print.
Pomerantz, Shauna, Dawn H. Currie, and Deirdre M. Kelly. ‘Sk8er Girls: Skateboarders, Girlhood and Feminism in Motion’. Women’s Studies International Forum 27.5–6 (2004): 547–557. Web. <http://ac.els-cdn.com/S0277539504000536/1-s2.0-S0277539504000536-main.pdf?_tid=03c55396-5312-11e6-b738-00000aacb35d&acdnat=1469524932_e316cefb369ac3ab46602ef7b34eeb41>.
Press, Andrea. ‘Feminism and Media in the Post-Feminist Era’. Feminist Media Studies 11.1 (2011): 107–113. Web.
Press, Andrea Lee. Women Watching Television: Gender, Class, and Generation in the American Television Experience. Philadelphia: University of Pennsylvania Press, 1991. Print.
---. Women Watching Television: Gender, Class, and Generation in the American Television Experience. Philadelphia: University of Pennsylvania Press, 1991. Print.
Projansky, S. ‘Film and Television Narratives at the Intersection of Postfeminism and Rape’. Watching Rape: Film and Television in Postfeminist Culture. New York: New York University Press, 2001. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_projansky_sa_film_and.pdf>.
Radner, Hilary. Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture. New York: Routledge, 2011. Print.
---. Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture. New York: Routledge, 2011. Print.
Radway, Janice A. Reading the Romance: Women, Patriarchy and Popular Literature. Questions for feminism. London: Verso, 1987. Print.
Rich, Adrienne. Of Woman Born: Motherhood as Experience and Institution. New York: Norton, 1995. Print.
Robin, Diana, and Ira Jaffe. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World. The SUNY series, cultural studies in cinema/video. Albany: State University of New York Press, 1999. Print.
‘Rosalind Gill, “From Sexual Objectification to Sexual Subjectification: The Resexualisation of Women’s Bodies in the Media”’. N.p., n.d. Web. <http://mrzine.monthlyreview.org/2009/gill230509.html>.
Sander, Helke, and Ramona Curry. ‘Feminism and Film’. 27 (1982): n. pag. Web. <http://www.ejumpcut.org/archive/onlinessays/JC27folder/SanderonFemsmFilm.html>.
Sears, Camilla A., and Rebecca Godderis. ‘Roar Like a Tiger on TV?’ Feminist Media Studies 11.2 (2011): 181–195. Web.
Sheldon H. Lu. ‘Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity’. Cinema Journal 40.1 (2000): 25–47. Web. <http://www.jstor.org/stable/1225816?seq=1#page_scan_tab_contents>.
Shih, Shu-Mei. ‘Towards an Ethics of Transnational Encounter, or "When” Does a "Chinese” Woman Become a "Feminist’. Differences 13.2 (2002): n. pag. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_shih_s_towards_ethics.pdf>.
Shohat, Ella and New Museum of Contemporary Art (New York, N.Y.). Talking Visions: Multicultural Feminism in a Transnational Age. Documentary sources in contemporary art. Cambridge, Mass: MIT, 1998. Print.
Simmonds, Felly Nkweto. ‘“She’s Gotta Have It”: The Representation of Black Female Sexuality on Film’. Feminist Review 29 (1988): n. pag. Web.
Skeggs, B., N. Thumim, and H. Wood. ‘“Oh Goodness, I Am Watching Reality TV”: How Methods Make Class in Audience Research’. European Journal of Cultural Studies 11.1 (2008): 5–24. Web. <http://ecs.sagepub.com/content/11/1/5.full.pdf+html>.
Skeggs, Beverley. Feminist Cultural Theory: Process and Production. Manchester: Manchester University Press, 1995. Print.
Slocum, J. David. ‘Film Violence and the Institutionalization of the Cinema’. Social Research 67.3 (2000): 649–681. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;db=buh&amp;AN=3675062&amp;site=ehost-live>.
Smith, Anna Marie. ‘" Orange  Is the Same White”’. New Political Science 37.2 (2015): 276–280. Web.
Smith, E. ‘“They Don’t Teach This in High School: An Examination of the Portrayal of Teenage Pregnancy in the MTV Television Show 16 and Pregnant”,’. Proceedings of the New York State Communication Association (2010): n. pag. Web. <http://docs.rwu.edu/nyscaproceedings/vol2010/iss1/10/>.
Spigel, Lynn, and Denise Mann. Private Screenings: Television and the Female Consumer. A Camera obscura book. Minneapolis: University of Minnesota Press, 1992. Print.
Stacey, Jackie. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge, 1994. Print.
Stephens, Dionne P., and Layli D. Phillips. ‘Freaks, Gold Diggers, Divas, and Dykes: The Sociohistorical Development of Adolescent African American Women’s Sexual Scripts’. Sexuality and Culture 7.1 (2003): 3–49. Web.
Su Holmes. ‘“Starring... Dyer?”: Re-Visiting Star Studies and Contemporary Celebrity Culture’. Westminster Papers in Communication and Culture 2.2 n. pag. Web. <http://www.westminsterpapers.org/articles/abstract/10.16997/wpcc.18/>.
Tally, Margaret. ‘“She Doesn’t Let Age Define Her”1: Sexuality and Motherhood in Recent “Middle-Aged Chick Flicks”’. Sexuality & Culture 10.2 33–55. Print.
Tasker, Yvonne. Fifty Contemporary Filmmakers. Routledge key guides. London: Routledge, 2002. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1271229>.
---. Soldiers’ Stories: Military Women in Cinema and Television since World War II. Durham, [N.C.]: Duke University Press, 2011. Print.
---. Spectacular Bodies: Gender, Genre and the Action Cinema. London: Routledge, 1993. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1111922>.
---. Working Girls: Gender and Sexuality in Popular Cinema. London: Routledge, 1998. Print.
Tasker, Yvonne, and Diane Negra. Interrogating Postfeminism: Gender and the Politics of Popular Culture. Console-ing passions : television and cultural power. Durham, [N.C.]: Duke University Press, 2007. Print.
Tasker, YvonneNegra, Diane. ‘In Focus: Postfeminism and Contemporary Media Studies’. Cinema Journal 44.2 107–110. Web. <http://search.proquest.com/docview/222247178/fulltext/8E09ECBC19D43B8PQ/1?accountid=9727>.
Thornham, Sue. Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press, 1999. Print.
Trinh, T. Minh-Ha. When the Moon Waxes Red: Representation, Gender and Cultural Politics. Film/cultural studies. New York: Routledge, 1991. Print.
TROPP, LAURA. ‘“Faking a Sonogram”: Representations of Motherhood on Sex and the City’. The Journal of Popular Culture 39.5 (2006): 861–877. Web.
Turner, Graeme. Understanding Celebrity. Second edition. Los Angeles, California: SAGE, 2013. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1130991>.
Tyler, I., and B. Bennett. ‘“Celebrity Chav”: Fame, Femininity and Social Class’. European Journal of Cultural Studies 13.3 (2010): 375–393. Web. <http://ecs.sagepub.com/content/13/3/375.full.pdf+html>.
Tyler, Imogen. ‘Reframing Pregnant Embodiment’’. N.p. Web. <https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1125852?query=9780203977750&amp;resultsUri=items%3Fquery%3D9780203977750>.
Tyler, Imogen, and Lisa Baraitser. ‘Private View, Public Birth: Making Feminist Sense of the New Visual Culture of Childbirth’. Studies in the Maternal 5.2 (2013): n. pag. Web.
Walkerdine, Valerie. Daddy’s Girl: Young Girls and Popular Culture. Basingstoke: Macmillan, 1997. Print.
Walsh, Andrea S. Women’s Film and Female Experience, 1940-1950. London: Praeger, 1986. Print.
Walters, Suzanna Danuta. Material Girls: Making Sense of Feminist Cultural Theory. Berkeley: University of California Press, 1995. Print.
Warner, Judith. Perfect Madness: Motherhood in the Age of Anxiety. London: Vermilion, 2006. Print.
Weber, Brenda R., ed. Reality Gendervision: Sexuality & Gender on Transatlantic Reality Television. Durham: Duke University Press, 2014. Print.
Whelehan, I. ‘Ageing Appropriately: Postfeminist Discourses of Ageing in Contemporary Hollywood’. Postfeminism and Contemporary Hollywood Cinema. Ed. Joel Gwynne and Nadine Müller. Basingstoke: Palgrave Macmillan, 2013. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_whelehan_i_ageing_appropriately.pdf>.
Whelehan, Imelda. ‘Becoming Girl’. Girls: Feminine Adolescence in Popular Culture & Cultural Theory. New York: Columbia University Press, 2002. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_driscoll_c_the_girl%20.pdf>.
---. Overloaded: Popular Culture and the Future of Feminism. London: Women’s Press, 2000. Print.
Williams, Linda. ‘Feminist Film Theory: Mildred Pierce and the Second World War’. Female Spectators: Looking at Film and Television. Questions for feminism. London: Verso, 1988. Web. <https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_williams_l_feminist_theory.pdf>.