1.
Press, A. Feminism and Media in the Post-feminist Era. Feminist Media Studies 11, 107–113 (2011).
2.
Brunsdon, C. & Spigel, L. Feminist television criticism: a reader. (Open University Press, 2008).
3.
Thornham, S. Feminist film theory: a reader. (Edinburgh University Press, 1999).
4.
Hollinger, K. Feminist film studies. (Routledge, 2012).
5.
McRobbie, A. The aftermath of feminism: gender, culture and social change. (Sage, 2009).
6.
McRobbie, A. The aftermath of feminism: gender, culture and social change. (Sage, 2009).
7.
Radner, H. Neo-feminist cinema: girly films, chick flicks and consumer culture. (Routledge, 2011).
8.
Tasker, Y. & Negra, D. Interrogating postfeminism: gender and the politics of popular culture. vol. Console-ing passions : television and cultural power (Duke University Press, 2007).
9.
Dow, B. J. Prime-time feminism: television, media culture, and the women’s movement since 1970. vol. Feminist cultural studies, the media, and political culture (University of Pennsylvania Press, 1996).
10.
McCabe, J. Feminist film studies: writing the woman into cinema. vol. Short cuts (Wallflower, 2004).
11.
Petro, P. Feminism and Film History. Camera Obscura: Feminism, Culture, and Media Studies 8, 8–27 (1990).
12.
Hastie, A. The Collector: Material Histories, Colleen Moore’s Dollhouse and Ephemeral Recollection’. in Cupboards of curiosity: women, recollection, and film history (Duke University Press, 2007).
13.
Levitin, J., Plessis, J. & Raoul, V. Women filmmakers: refocusing. (Routledge, 2003).
14.
Levitin, J., Plessis, J. & Raoul, V. Women filmmakers: refocusing. (Routledge, 2003).
15.
Grant, B. K. Auteurs and authorship: a film reader. (Blackwell, 2008).
16.
Gibson-Hudson, G. The Ties that Bind: Cinematic representations by black women filmmakers. Quarterly Review of Film and Video 15, (1994).
17.
Callahan, V. Reclaiming the archive: feminism and film history. vol. Contemporary approaches to film and television series (Wayne State University Press, 2010).
18.
Bean, J. M. & Negra, D. A feminist reader in early cinema. vol. A camera obscura book (Duke University Press, 2002).
19.
Mahar, K. W. Women filmmakers in early Hollywood. vol. Studies in industry and society (Johns Hopkins University Press, 2008).
20.
Doane, M. A. Film and the Masquerade: Theorising the Female Spectator. Screen 23, 74–88 (1982).
21.
Williams, L. Feminist film theory: Mildred Pierce and the Second World War. in Female spectators: looking at film and television vol. Questions for feminism (Verso, 1988).
22.
Stacey, J. Star gazing: Hollywood cinema and female spectatorship. (Routledge, 1994).
23.
Walsh, A. S. Women’s film and female experience, 1940-1950. (Praeger, 1986).
24.
Friedan, B. The feminine mystique. (Penguin, 1965).
25.
Braudy, L. & Cohen, M. Film theory and criticism: introductory readings. (Oxford University Press, 2009).
26.
Gledhill, C. & British Film Institute. Home is where the heart is: studies in melodrama and the woman’s film. (British Film Institute, 1987).
27.
Brunsdon, C. & Spigel, L. Feminist television criticism: a reader. (Open University Press, 2008).
28.
Brunsdon, C. & Spigel, L. Feminist television criticism: a reader. (Open University Press, 2008).
29.
Hooks, B. Black looks: race and representation. (South End Press, 1992).
30.
Spigel, L. & Mann, D. Private screenings: television and the female consumer. vol. A Camera obscura book (University of Minnesota Press, 1992).
31.
Mohanty, C. Under Western Eyes’. in Feminism without borders: decolonizing theory, practicing solidarity 17–43 (Duke University Press, 2003).
32.
Shih, S.-M. Towards an Ethics of Transnational Encounter, or "When” Does a "Chinese” Woman Become a "Feminist. Differences 13, (2002).
33.
Erens, P. Issues in feminist film criticism. (Indiana University Press, 1990).
34.
Foster, G. A. Women filmmakers of the African and Asian diaspora: decolonizing the gaze, locating subjectivity. (Southern Illinois University Press, 1997).
35.
Shohat, E. & New Museum of Contemporary Art (New York, N.Y.). Talking visions: multicultural feminism in a transnational age. vol. Documentary sources in contemporary art (MIT, 1998).
36.
Trinh, T. M.-H. When the moon waxes red: representation, gender and cultural politics. vol. Film/cultural studies (Routledge, 1991).
37.
Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film. vol. A : Monografias (Tamesis, 2013).
38.
Martin, F. Screens and veils: Maghrebi women’s cinema. vol. New directions in national cinemas (Indiana University Press, 2011).
39.
Everett, A. Returning the gaze: a genealogy of black film criticism, 1909-1949. (Duke University Press, 2001).
40.
Datta, S. Globalisation and Representations of Women in Indian Cinema. Social Scientist 28, (2000).
41.
Robin, D. & Jaffe, I. Redirecting the gaze: gender, theory, and cinema in the Third World. vol. The SUNY series, cultural studies in cinema/video (State University of New York Press, 1999).
42.
Kaplan, E. A. Looking for the other: feminism, film and the imperial gaze. (Routledge, 1997).
43.
Sheldon H. Lu. Soap Opera in China: The Transnational Politics of Visuality, Sexuality, and Masculinity. Cinema Journal 40, 25–47 (2000).
44.
Grewal, I. Global Identities: Theorizing transnational studies of sexuality. GLQ: A Journal of Lesbian and Gay Studies 7, (2001).
45.
Ezra, E. & Rowden, T. Transnational cinema: the film reader. vol. In focus (Routledge, 2006).
46.
Atakav, E. Women and Turkish cinema: gender politics, cultural identity and representation. (Routledge, 2014).
47.
Geraghty, C. Re-examining stardom: Questions of texts, bodies and performance. in Reinventing film studies (Bloomsbury Academic, 2011).
48.
Negra, D. Introduction. in In the limelight and under the microscope: forms and functions of female celebrity (Continuum, 2011).
49.
Holmes, S. & Redmond, S. Framing celebrity: new directions in celebrity culture. (Routledge, 2006).
50.
Gamson, J. Claims to fame: celebrity in contemporary America. (University of California Press, 1994).
51.
Dyer, R. Heavenly bodies: film stars and society. (Routledge, 2004).
52.
Lumby, C. Doing it for themselves? Teenage girls, sexuality and fame’. in Stardom and celebrity: a reader (Los Angeles, Calif. ; London : SAGE, 2007).
53.
Jeffrey A. Brown. Class and Feminine Excess: The Strange Case of Anna Nicole Smith. Feminist Review 74–94 (2005).
54.
Gledhill, C. Stardom: industry of desire. (Routledge, 1991).
55.
Cashmore, E. Buying Beyoncé. Celebrity Studies 1, 135–150 (2010).
56.
Brady, A. Taking time between g-string changes to educate ourselves: Sinéad O’Connor, Miley Cyrus, and celebrity feminism. Feminist Media Studies 16, 429–444 (2016).
57.
Marshall, D. M/C Journal: ‘Fame’s Perpetual Moment’. Media/ Culture journal 7, (2004).
58.
Su Holmes. ‘Starring... Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture. Westminster Papers in Communication and Culture 2,.
59.
Cashmore, E. Beyond black: celebrity and race in Obama’s America. (Bloomsbury Academic, 2012).
60.
DeCordova, R. Picture personalities: the emergence of the star system in America. (University of Illinois Press, 2001).
61.
Akass, K. & McCabe, J. What has HBO Ever Done for Women? in The essential HBO reader vol. The philosophy of popular culture (University Press of Kentucky, 2008).
62.
Lotz, A. D. Introduction: Female-Centred Dramas after the Network Era. in Redesigning women: television after the network era vol. Feminist studies and media culture 1–36 (University of Illinois Press, 2006).
63.
Logan, E. ‘Quality television’ as a critical obstacle: explanation and aesthetics in television studies. Screen 57, 144–162 (2016).
64.
Nygaard, T. Girls Just Want to be "Quality”: HBO, Lena Dunham, and ’ conflicting brand identity. Feminist Media Studies 13, 370–374 (2013).
65.
Smith, A. M. " Orange is the Same White”. New Political Science 37, 276–280 (2015).
66.
Enck, S. M. & Morrissey, M. E. If Orange is the new black, I Must Be Color Blind: Comic Framings of Post-Racism in the Prison-Industrial Complex. Critical Studies in Media Communication 32, 303–317 (2015).
67.
McCabe, J. & Akass, K. Quality TV: contemporary American television and beyond. (I.B. Tauris, 2007).
68.
Johnson, M. L. Third wave feminism and television: Jane puts it in a box. vol. Reading contemporary television (I. B. Tauris, 2007).
69.
Imre, A. Gender and quality television. Feminist Media Studies 9, 391–407 (2009).
70.
Fuller, S. & Driscoll, C. HBO’s : gender, generation, and quality television. Continuum 29, 253–262 (2015).
71.
DeClue, Jennifer. Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s ‘The Wire’. Spectator - The University of Southern California Journal of Film and Television 31, 53–62.
72.
Whelehan, I. Becoming girl. in Girls: feminine adolescence in popular culture & cultural theory (Columbia University Press, 2002).
73.
Whelehan, I. Ageing Appropriately: Postfeminist Discourses of Ageing in contemporary Hollywood. in Postfeminism and contemporary Hollywood cinema (eds. Gwynne, J. & Müller, N.) (Palgrave Macmillan, 2013).
74.
Bell, M. & Williams, M. British women’s cinema. vol. British popular cinema (Routledge, 2010).
75.
Moseley, R. Glamorous witchcraft: gender and magic in teen film and television. Screen 43, 403–422 (2002).
76.
Felando, C. A certain age: Wes Anderson, Anjelica Huston and modern femininity. New Review of Film and Television Studies 10, 68–82 (2012).
77.
Krainitzki, E. "Older-wiser-lesbians” and "baby-dykes”: mediating age and generation in New Queer Cinema. Feminist Media Studies 16, 631–647 (2016).
78.
Chivers, S. The silvering screen: old age and disability in cinema. (University of Toronto Press, 2011).
79.
Tally, Margaret. ‘She doesn’t let age define her’1: Sexuality and motherhood in recent ‘middle-aged chick flicks’. Sexuality & Culture 10, 33–55.
80.
Jermyn, D. ‘Get a life, ladies. Your old one is not coming back’: ageing, ageism and the lifespan of female celebrity. Celebrity Studies 3, 1–12 (2012).
81.
Negra, D. What a girl wants?: fantasizing the reclamation of self in postfeminism. (Routledge, 2009).
82.
Gateward, F. K. & Pomerance, M. Sugar, spice and everything nice: cinemas of girlhood. vol. Contemporary film and television series (Wayne State University Press, 2002).
83.
Charlton, E. "Bad” Girls versus "Good” Girls: Contradiction in the constitution of contemporary girlhood. Discourse: Studies in the Cultural Politics of Education 28, 121–131 (2007).
84.
Kapurch, K. Rapunzel Loves Merida: Melodramatic Expressions of Lesbian Girlhood and Teen Romance in , and Femslash. Journal of Lesbian Studies 19, 436–453 (2015).
85.
Harris, A. All about the girl: culture, power, and identity. (Routledge, 2004).
86.
Lindsey, T. One Time for My Girls”: African-American Girlhood, Empowerment, and Popular Visual Culture.". Journal of African American Studies 17, (2013).
87.
Brown, R. N. Black girlhood celebration: toward a hip-hop feminist pedagogy. vol. Mediated youth (Peter Lang, 2009).
88.
Sears, C. A. & Godderis, R. Roar Like a Tiger on TV? Feminist Media Studies 11, 181–195 (2011).
89.
Tyler, I. & Baraitser, L. Private View, Public Birth: Making Feminist Sense of the New Visual Culture of Childbirth. Studies in the Maternal 5, (2013).
90.
Morris, T. & McInerney, K. Media Representations of Pregnancy and Childbirth: An Analysis of Reality Television Programs in the United States. Birth 37, 134–140 (2010).
91.
Tyler, I. Reframing Pregnant Embodiment’. in.
92.
Irigaray, L. & Gill, G. C. Speculum of the other woman. (Cornell University Press, 1985).
93.
Arendt, H. The human condition. (University of Chicago Press, 1998).
94.
Grosz, E. Volatile bodies: toward a corporeal feminism. vol. Theories of representation and difference (Indiana University Press, 1994).
95.
Mullin, A. Pregnant bodies, pregnant minds. Feminist Theory 3, 27–44 (2002).
96.
Parker, R. Why Study the Maternal. Studies in the Maternal 1, (2009).
97.
Petchesky, R. P. Fetal Images: The Power of Visual Culture in the Politics of Reproduction. Feminist Studies 13, (1987).
98.
Smith, E. ‘They Don’t Teach This in High School: An Examination of the Portrayal of Teenage Pregnancy in the MTV Television Show 16 and Pregnant’,. Proceedings of the New York State Communication Association (2010).
99.
Pollock, D. Telling bodies performing birth: everyday narratives of childbirth. vol. Popular cultures, everyday lives (Columbia University Press, 1999).
100.
Reality gendervision: sexuality & gender on transatlantic reality television. (Duke University Press, 2014).
101.
Upstairs and downstairs: British costume drama television from The Forsyte saga to Downton Abbey. (Rowman & Littlefield Publishers, 2015).
102.
Douglas, S. The New Momism. in The mommy myth: the idealization of motherhood and how it has undermined all women (Free Press, 2005).
103.
Lopez, L. K. The radical act of ‘mommy blogging’: redefining motherhood through the blogosphere. New Media & Society 11, 729–747 (2009).
104.
Fischer, L. Introduction: Motherhood and Film: A Critical Genealogy. in Cinematernity: film, motherhood, genre (Princeton University Press, 1996).
105.
Kaplan, E. A. Motherhood and representation: the mother in popular culture and melodrama. (Routledge, 1992).
106.
E. Ann Kaplan. Sex, Work and Motherhood: The Impossible Triangle. The Journal of Sex Research 27, 409–425 (1990).
107.
Fink, J. For Better or for Worse? The Dilemmas of Unmarried Motherhood in Mid‐Twentieth‐Century Popular British Film and Fiction. Women’s History Review 20, 145–160 (2011).
108.
Harwood, S. & Campling, J. Family fictions: representations of the family in 1980s Hollywood cinema. (Macmillan, 1997).
109.
Desjardins, Mary. Parenting and Reproduction: ‘Baby Boom’: The Comedy of Surrogacy in Film and Television. The Velvet Light Trap - A Critical Journal of Film and Television 29,.
110.
Hays, S. The cultural contradictions of motherhood. (Yale University Press, 1996).
111.
TROPP, L. ‘Faking a Sonogram’: Representations of Motherhood on Sex and the City. The Journal of Popular Culture 39, 861–877 (2006).
112.
Ault, E. ‘You Can Help Yourself/but Don’t Take Too Much’: African American Motherhood on The Wire. Television & New Media 14, 386–401 (2013).
113.
Hancock, A.-M. The politics of disgust: the public identity of the welfare queen. (New York University Press, 2004).
114.
Fitzgerald, L. Negotiating lone motherhood : gender, politics and family values in contemporary popular cinema.
115.
Friedman, L. D. Fires were started: British cinema and Thatcherism. (Wallflower, 2006).
116.
Mills, T. A., Lavender, R. & Lavender, T. "Forty is the new twenty”: An analysis of British media portrayals of older mothers. Sexual & Reproductive Healthcare 6, 88–94 (2015).
117.
Warner, J. Perfect madness: motherhood in the age of anxiety. (Vermilion, 2006).
118.
Rich, A. Of woman born: motherhood as experience and institution. (Norton, 1995).
119.
Collins, P. The Meaning of Motherhood in Black culture and Black mother-daughter relationships. Gender through the prism of difference (2005).
120.
Feasey, R. From happy homemaker to desperate housewives: motherhood and popular television. (Anthem, 2012).
121.
Arnold, S. Maternal horror film: melodrama and motherhood. (Palgrave Macmillan, 2013).
122.
Keeling, K. "Ghetto Heaven”: and the Valorization of Black Lesbian Butch-Femme Sociality. The Black Scholar 33, 33–46 (2003).
123.
Manatu, N. Love and Romance: Cultural Prescriptive for ‘Appropriate Sexual Behaviours for Men and Women. in African American women and sexuality in the cinema (McFarland & Company, 2002).
124.
Press, A. L. Women watching television: gender, class, and generation in the American television experience. (University of Pennsylvania Press, 1991).
125.
DeClue, Jennifer. Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s ‘The Wire’. Spectator - The University of Southern California Journal of Film and Television 31, 53–62.
126.
Hammond, C. Channeling Desire: Making Whoopi. in Impossible bodies: femininity and masculinity at the movies vol. Comedia (Routledge, 2002).
127.
Keeling, K. Joining the Lesbians’: Cinematic Regimes of Black Lesbian Visibility. in Black queer studies: a critical anthology (Duke University Press, 2005).
128.
Hammonds, E. Toward a genealogy of black female sexuality: The problematic of silence. in Feminist theory and the body: a reader (Edinburgh University Press, 1999).
129.
Simmonds, F. N. ‘She’s Gotta Have It’: The Representation of Black Female Sexuality on Film. Feminist Review (1988) doi:10.2307/1395143.
130.
Hill Collins, P. Black sexual politics: African Americans, gender, and the new racism. (Routledge, 2004).
131.
Hill Collins, P. Black sexual politics: African Americans, gender, and the new racism. (Routledge, 2005).
132.
Diawara, M. & American Film Institute. Black American cinema. vol. AFI film readers (Routledge, 1993).
133.
Diawara, M. & American Film Institute. Black American cinema. vol. AFI film readers (Routledge, 1993).
134.
EMERSON, R. A. ‘Where My Girls At?’: Negotiating Black Womanhood in Music Videos. Gender & Society 16, 115–135 (2002).
135.
Stephens, D. P. & Phillips, L. D. Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts. Sexuality and Culture 7, 3–49 (2003).
136.
Hooks, B. Outlaw culture: resisting representations. vol. Routledge classics (Routledge, 2006).
137.
Cuklanz, L. M. & Moorti, S. Television’s "New” Feminism: Prime-Time Representations of Women and Victimization. Critical Studies in Media Communication 23, 302–321 (2006).
138.
Projansky, S. Film and Television Narratives at the intersection of postfeminism and rape. in Watching rape: film and television in postfeminist culture (New York University Press, 2001).
139.
Coulthard, L. Killing Bill: rethinking violence and feminist theory’. in Interrogating postfeminism: gender and the politics of popular culture vol. Console-ing passions : television and cultural power (Duke University Press, 2007).
140.
Ian Reilly. ‘Revenge is Never a Straight Line’: Transgressing Heroic Boundaries: Medea and the (Fe)Male Body in ‘Kill Bill’. Studies in Popular Culture 30, 27–50 (2007).
141.
Ferreday, D. Game of Thrones, Rape Culture and Feminist Fandom. Australian Feminist Studies 30, 21–36 (2015).
142.
Clapton, W. & Shepherd, L. J. Lessons from Westeros: Gender and power in Game of Thrones. Politics (2016) doi:10.1177/0263395715612101.
143.
Gilpatric, Katy. Violent Female Action Characters in Contemporary American Cinema. Sex Roles 62, 734–746.
144.
Haskell, M. From reverence to rape: the treatment of women in the movies. (University of Chicago Press, 1987).
145.
Hassler-Forest, D. Game of Thrones: Quality Television and the Cultural Logic of Gentrification. TV/Series (2014) doi:10.4000/tvseries.323.
146.
Brinson, S. The Use and Opposition of Rape Myths in Prime-Time Television Dramas. Sex Roles 27, (1992).
147.
Neroni, H. The violent woman: femininity, narrative, and violence in contemporary American cinema. vol. SUNY series in feminist criticism and theory (State University of New York, 2005).
148.
Women of ice and fire: gender, Game of thrones, and multiple media engagements. (Bloomsbury, 2016).
149.
Currie, D., Kelly, D. M. & Pomerantz, S. ‘Girl power’: girls reinventing girlhood. vol. Mediated youth (Peter Lang, 2009).
150.
Mitchell, C. & Reid-Walsh, J. Seven going on seventeen: tween studies in the culture of girlhood. vol. Counterpoints (Peter Lang, 2005).
151.
Tasker, Y. Soldiers’ stories: military women in cinema and television since World War II. (Duke University Press, 2011).
152.
Bell, M. & Williams, M. British women’s cinema. vol. British popular cinema (Routledge, 2010).
153.
Bobo, J. Black women film and video artists. vol. AFI film readers (Routledge, 1998).
154.
Brunsdon, C. & Spigel, L. Feminist television criticism: a reader. (Open University Press, 2008).
155.
Byerly, C. M. & Ross, K. Women & media: a critical introduction. (Blackwell, 2006).
156.
Celeste Kearney, M. Birds on the wire: Troping teenage girlhood through telephony in mid-twentieth-century US media culture. Cultural Studies 19, 568–601 (2005).
157.
Mallan, K. & Pearce, S. Youth cultures: texts, images, and identities. (Praeger, 2003).
158.
Craig, T. & LaCroix, J. Tomboy as Protective Identity. Journal of Lesbian Studies 15, 450–465 (2011).
159.
Dönmez-Colin, G. Women, Islam and cinema. (Reaktion, 2004).
160.
Faludi, S. Backlash: the undeclared war against American women. (Anchor Books, 1992).
161.
Ferriss, S. & Young, M. Chick flicks: contemporary women at the movies. (Routledge, 2008).
162.
Francis, Terri. Embodied Fictions, Melancholy Migrations: Josephine Baker’s Cinematic Celebrity’. Modern Fiction Studies 51, 824–845.
163.
Foster, G. A. Women filmmakers of the African and Asian diaspora: decolonizing the gaze, locating subjectivity. (Southern Illinois University Press, 1997).
164.
Gill, R. Postfeminist media culture: Elements of a sensibility. European Journal of Cultural Studies 10, 147–166 (2007).
165.
Walters, S. D. Material girls: making sense of feminist cultural theory. (University of California Press, 1995).
166.
D’Acci, J. Defining women: television and the case of Cagney & Lacey. (University of North Carolina Press, 1994).
167.
Rosalind Gill, ‘From Sexual Objectification to Sexual Subjectification: The Resexualisation of Women’s Bodies in the Media’. http://mrzine.monthlyreview.org/2009/gill230509.html.
168.
Hollows, J. & Moseley, R. Feminism in popular culture. (Berg, 2006).
169.
Kaplan, E. A. Women and film: both sides of the camera. (Methuen, 1983).
170.
Krämer, P. Women First: ‘Titanic’ (1997), action-adventure films and Hollywood’s female audience. Historical Journal of Film, Radio and Television 18, 599–618 (1998).
171.
Butler, A. Women’s cinema: the contested screen. vol. Short cuts (Wallflower, 2002).
172.
King, N. Generic Womanhood: Gendered Depictions in Cop Action Cinema. Gender & Society 22, 238–260 (2008).
173.
Lord, S. & Burfoot, A. Killing women: the visual culture of gender and violence. vol. Cultural studies series (Wilfred Laurier University Press, 2006).
174.
Lloyd, G. Problem girls: understanding and supporting troubled and troublesome girls and young women. (Routledge, 2005).
175.
McRobbie, A. The aftermath of feminism: gender, culture and social change. (Sage, 2009).
176.
Modleski, T. Feminism without women: culture and criticism in a ‘postfeminist’ age. (Routledge, 1991).
177.
Negra, D. Quality Postfeminism? Sex and the Single Girl on HBO. https://www.colorado.edu/gendersarchive1998-2013/2004/04/01/quality-postfeminism-sex-and-single-girl-hbo (2004).
178.
Gendering the recession: media and culture in an age of austerity. (Duke University Press, 2014).
179.
Painter, C. & Ferrucci, P. Gender Games. Journalism Practice 1–16 (2016) doi:10.1080/17512786.2015.1133251.
180.
Penley, C. & British Film Institute. Feminism and film theory. (Routledge, 1988).
181.
Pomerantz, S., Currie, D. H. & Kelly, D. M. Sk8er girls: Skateboarders, girlhood and feminism in motion. Women’s Studies International Forum 27, 547–557 (2004).
182.
Press, A. L. Women watching television: gender, class, and generation in the American television experience. (University of Pennsylvania Press, 1991).
183.
Radner, H. Neo-feminist cinema: girly films, chick flicks and consumer culture. (Routledge, 2011).
184.
Radway, J. A. Reading the romance: women, patriarchy and popular literature. vol. Questions for feminism (Verso, 1987).
185.
Sander, H. & Curry, R. Feminism and Film. 27, (1982).
186.
Marciniak, K., Imre, A. & O’Healy, A. Transnational feminism in film and media. vol. Comparative feminist studies series (Palgrave Macmillan, 2007).
187.
Skeggs, B., Thumim, N. & Wood, H. ‘Oh goodness, I am watching reality TV’: How methods make class in audience research. European Journal of Cultural Studies 11, 5–24 (2008).
188.
Skeggs, B. Feminist cultural theory: process and production. (Manchester University Press, 1995).
189.
Slocum, J. David. Film violence and the institutionalization of the cinema. Social Research 67, 649–681 (2000).
190.
Tasker, Y. Spectacular bodies: gender, genre and the action cinema. (Routledge, 1993).
191.
Tasker, Y. Working girls: gender and sexuality in popular cinema. (Routledge, 1998).
192.
Tasker, YvonneNegra, Diane. In Focus: Postfeminism and Contemporary Media Studies. Cinema Journal 44, 107–110.
193.
Tasker, Y. Fifty contemporary filmmakers. vol. Routledge key guides (Routledge, 2002).
194.
Turner, G. Understanding celebrity. (SAGE, 2013).
195.
Tyler, I. & Bennett, B. ‘Celebrity chav’: Fame, femininity and social class. European Journal of Cultural Studies 13, 375–393 (2010).
196.
Walkerdine, V. Daddy’s girl: young girls and popular culture. (Macmillan, 1997).
197.
Whelehan, I. Overloaded: popular culture and the future of feminism. (Women’s Press, 2000).
198.
Monaghan, W. Queer girls, temporality and screen media: not ‘just a phase’. (Palgrave Macmillan, 2016).
199.
Iqani, M. Consumption, media and the Gobal South: aspiration contested. (Palgrave Macmillan, 2016).
200.
Women, celebrity and cultures of ageing: freeze frame. (Palgrave Macmillan, 2015).
201.
Women, violence, and the media: readings in feminist criminology. vol. The Northeastern series on gender, crime, and law (Northeastern University Press, 2009).
202.
Multiple voices in feminist film criticism. (University of Minnesota Press, 1998).