Bibliography for HD668 Framing women: : The Female Figure in Popular Culture BETA

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Chivers, S. (2011) The silvering screen: old age and disability in cinema. Toronto, [Ont.]: University of Toronto Press.

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DeClue, Jennifer (no date b) ‘Lesbian Cop, Queer Killer: Leveraging Black Queer Women’s Sexuality on HBO’s “The Wire”’, Spectator - The University of Southern California Journal of Film and Television, 31(2), pp. 53–62. Available at: https://cinema.usc.edu/archivedassets/31_2/6_DeClue.pdf.

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Desjardins, Mary (no date) ‘Parenting and Reproduction: “Baby Boom”: The Comedy of Surrogacy in Film and Television’, The Velvet Light Trap - A Critical Journal of Film and Television, 29.

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Diawara, M. and American Film Institute (1993b) Black American cinema. New York: Routledge. Available at: https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1370008?query=work%3A9bc7e801-a7ac-5c14-b731-7d47e2c98528&resultsUri=items%3Fquery%3Dwork%253A9bc7e801-a7ac-5c14-b731-7d47e2c98528%26facet%255Bexpand%255D%3Dwork%253A9bc7e801-a7ac-5c14-b731-7d47e2c98528&facet%5Bexpand%5D=work%3A9bc7e801-a7ac-5c14-b731-7d47e2c98528.

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Douglas, S. (2005) ‘The New Momism’, in The mommy myth: the idealization of motherhood and how it has undermined all women. New York: Free Press. Available at: https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_douglas_su_the_new.pdf.

Dow, B.J. (1996) Prime-time feminism: television, media culture, and the women’s movement since 1970. Philadelphia, PA: University of Pennsylvania Press.

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EMERSON, R.A. (2002) ‘“Where My Girls At?”: Negotiating Black Womanhood in Music Videos’, Gender & Society, 16(1), pp. 115–135. Available at: https://doi.org/10.1177/0891243202016001007.

Enck, S.M. and Morrissey, M.E. (2015) ‘If Orange is the new black, I Must Be Color Blind: Comic Framings of Post-Racism in the Prison-Industrial Complex’, Critical Studies in Media Communication, 32(5), pp. 303–317. Available at: https://doi.org/10.1080/15295036.2015.1086489.

Erens, P. (1990) Issues in feminist film criticism. Bloomington: Indiana University Press.

Everett, A. (2001) Returning the gaze: a genealogy of black film criticism, 1909-1949. Durham, [N.C.]: Duke University Press.

Ezra, E. and Rowden, T. (2006) Transnational cinema: the film reader. London: Routledge.

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Felando, C. (2012) ‘A certain age: Wes Anderson, Anjelica Huston and modern femininity’, New Review of Film and Television Studies, 10(1), pp. 68–82. Available at: https://doi.org/10.1080/17400309.2011.632518.

Ferreday, D. (2015) ‘Game of Thrones, Rape Culture and Feminist Fandom’, Australian Feminist Studies, 30(83), pp. 21–36. Available at: https://doi.org/10.1080/08164649.2014.998453.

Ferriss, S. and Young, M. (2008) Chick flicks: contemporary women at the movies. London: Routledge.

Fink, J. (2011) ‘For Better or for Worse? The Dilemmas of Unmarried Motherhood in Mid‐Twentieth‐Century Popular British Film and Fiction’, Women’s History Review, 20(1), pp. 145–160. Available at: https://doi.org/10.1080/09612025.2011.536396.

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Fitzgerald, L. (no date) Negotiating lone motherhood : gender, politics and family values in contemporary popular cinema. Available at: http://ueaeprints.uea.ac.uk/10577/.

Foster, G.A. (1997a) Women filmmakers of the African and Asian diaspora: decolonizing the gaze, locating subjectivity. Carbondale, Ill: Southern Illinois University Press.

Foster, G.A. (1997b) Women filmmakers of the African and Asian diaspora: decolonizing the gaze, locating subjectivity. Carbondale, Ill: Southern Illinois University Press.

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Gateward, F.K. and Pomerance, M. (2002) Sugar, spice and everything nice: cinemas of girlhood. Detroit [Mich: Wayne State University Press.

Geraghty, C. (2011) ‘Re-examining stardom: Questions of texts, bodies and performance’, in Reinventing film studies. London: Bloomsbury Academic. Available at: https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_geraghty_c_r_examining.pdf.

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Lindsey, T. (2013) ‘One Time for My Girls”: African-American Girlhood, Empowerment, and Popular Visual Culture."’, Journal of African American Studies, 17(1). Available at: https://staff.brighton.ac.uk/is/learningandteaching/DigRes/DigitalReserve/HD668_lindsey_t_one_time.pdf.

Lloyd, G. (2005) Problem girls: understanding and supporting troubled and troublesome girls and young women. Abingdon: Routledge.

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Marciniak, K., Imre, A. and O’Healy, A. (2007) Transnational feminism in film and media. 1st ed. New York: Palgrave Macmillan. Available at: https://www.brighton.summon.serialssolutions.com/?q=9780230338142#!/search?ho=t&include.ft.matches=t&l=en-UK&q=9780230338142&ebooks.only=true.

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McCabe, J. (2004) Feminist film studies: writing the woman into cinema. London: Wallflower.

McCabe, J. and Akass, K. (2007) Quality TV: contemporary American television and beyond. London: I.B. Tauris.

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McRobbie, A. (2009c) The aftermath of feminism: gender, culture and social change. London: Sage. Available at: https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1330367.

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Modleski, T. (1991) Feminism without women: culture and criticism in a ‘postfeminist’ age. New York: Routledge.

Mohanty, C. (2003) ‘Under Western Eyes’’, in Feminism without borders: decolonizing theory, practicing solidarity. Durham, N.C.: Duke University Press, pp. 17–43. Available at: https://prism.librarymanagementcloud.co.uk/brighton-ac/items/1399549.

Monaghan, W. (2016) Queer girls, temporality and screen media: not ‘just a phase’ [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781137555984.

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