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Bloom, C. (1998). Gothic horror: a reader’s guide from Poe to King and beyond. Macmillan.
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Bloom, C. (2007b). Gothic horror: a guide for students and readers (2nd ed). Palgrave Macmillan.
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Botting, F. (1991). Making monstrous: Frankenstein, criticism, theory. Manchester University Press.
Botting, F. (1996). Gothic: Vol. The New critical idiom. Routledge.
Botting, F. (2008a). Gothic romanced: consumption, gender and technology in contemporary fictions. Routledge.
Botting, F. (2008b). Limits of horror: technology, bodies, gothic. Manchester University Press.
Bowers, M. A. (2004). Magic(al) realism: Vol. The new critical idiom. Routledge.
Brabon, B. A., & Genz, S. (2007). Postfeminist gothic: critical interventions in contemporary culture. Palgrave Macmillan.
Brill, D. (2008). Goth culture: gender, sexuality and style. Berg.
Britton, JM. (2009). Novelistic Sympathy in Mary Shelley’s Frankenstein. STUDIES IN ROMANTICISM, 48, 3–22. http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live
Brogan, K. (1998). Cultural haunting: ghosts and ethnicity in recent American literature. University Press of Virginia.
Butler, E. (2010a). Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933: Vol. Studies in German literature, linguistics and culture. Camden House.
Butler, E. (2010b). Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933: Vol. Studies in German literature, linguistics and culture. Camden House.
Camille, M. (1996). Gothic art: visions and revelations of the medieval world: Vol. Everyman art library. Weidenfeld and Nicolson.
Carroll, N. (1990). The philosophy of horror or paradoxes of the heart. Routledge.
Carter, A. (1981). The magic toyshop: Vol. Virago modern classics. Virago.
Carter, A. (1995). The bloody chamber and other stories. Vintage.
Cavallaro, D. (2002). The gothic vision: three centuries of horror, terror and fear. Continuum.
Chalcraft, A., & Viscardi, J. (2007). Strawberry Hill: Horace Walpole’s gothic castle. Frances Lincoln.
Clery, E. J. & British Council. (2004). Women’s gothic: from Clara Reeve to Mary Shelley: Vol. Writers and their work (2nd ed). Northcote House.
Clery, E. J., & Miles, R. (2000). Gothic documents: a sourcebook 1700-1820. Manchester University Press.
Cornwell, N. (1990). The literary fantastic: from Gothic to postmodernism. Harvester Wheatsheaf.
Crimmins, J. (2013). Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein. STUDIES IN ROMANTICISM, 52(4), 561–583. http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live
Criscillia Benford. (2010). ‘Listen to my tale’: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”. Narrative, 18(3), 324–346. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416
Crow, C. L. (2009). History of the gothic: American gothic: Vol. Gothic literary studies. University of Wales Press.
Cynthia Pon. (2000). ‘Passages’ in Mary Shelley’s ‘Frankenstein’: Toward a Feminist Figure of Humanity? Modern Language Studies, 30(2), 33–50. https://doi.org/10.2307/3195378
Darrow, S., & Barrett, A. (2003). Through the tempests dark and wild: a story of Mary Shelley, creator of ‘Frankenstein’. Walker.
Davenport-Hines, R. P. T. (1998). Gothic: 400 years of excess, horror, evil and ruin. Fourth Estate.
Davison, C. M. (2009). History of the gothic: gothic literature 1764-1824: Vol. Gothic literary studies. University of Wales Press.
Day, A. (1998). Angela Carter: the rational glass. Manchester University Press.
Dinesen, I., & Dinesen, I. (2002). Seven Gothic tales: Vol. Penguin classics. Penguin.
Douglas-Fairhurst, R. (2002). Victorian afterlives: the shaping of influence in nineteenth-century literature. Oxford University Press.
Dreyer, C. T., & Le Fanu, S. (2008). Vampyr: the strange adventure of Allan Gray: Vol. Masters of cinema [Videorecording]. Eureka Video.
Dryden, L. (2003). The modern gothic and literary doubles: Stevenson, Wilde, and Wells. Palgrave Macmillan.
Dupee, F. W. (1951). Henry James: Vol. American men of letters series. Methuen.
Easton, A. (2000). Angela Carter: Vol. New casebooks. Macmillan.
Eberle-Sinatra, M. (2005). Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations. Gothic Studies, 7(2), 187–202. https://doi.org/10.7227/GS.7.2.7
Edel, L. (1963a). Henry James: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.
Edel, L. (1963b). Henry James: a collection of critical essays: Vol. Twentieth century views. Prentice-Hall.
Edmundson, M. (2013). Women’s Ghost Literature in Nineteenth-Century Britain: Vol. Gothic literary studies [Electronic resource]. University of Wales Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650
Elferen, I. van. (2007). Nostalgia or perversion?: Gothic rewriting from the eighteenth century until the present day. Cambridge Scholars Publishing.
Ellis, M. (2000). The history of gothic fiction. Edinburgh University Press.
Fairclough, P. (1968). Three Gothic novels: Vol. Penguin classics. Penguin Books.
Farson, D. (1975). Vampires, zombies, and monster men. Aldus Books , distributed by Jupiter Books.
Fictions of unease: the gothic from Otranto to the x-files. (2002). Sulis.
Fisher, J. (2003). Vampire in the text: narratives of contemporary art. Institute of International Visual Arts.
Frankl, P., & Crossley, P. (2000). Gothic architecture: Vol. Yale University Press Pelican history of art (Rev. ed). Yale University Press.
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Frayling, C. (1996). Nightmare: the birth of horror [Videorecording]. Wall to Wall for BBC.
Fredricks, Nancy. (n.d.). On the sublime and beautiful in Shelley’s Frankenstein. Essays in Literature, 23(2), 178–189. http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727
Freedman, J. (1998). The Cambridge companion to Henry James: Vol. Cambridge companions to literature. Cambridge University Press.
Frisch, T. G. & Medieval Academy of America. (1987). Gothic art 1140-c.1450: sources and documents: Vol. Medieval Academy reprints for teaching. University of Toronto Press in association with the Medieval Academy of America.
Gaiman, N. (2013). Smoke and mirrors: short fiction and illusions. Headline.
Gaiman, N., Kieth, S., Dringenberg, M., & Jones, M. (2010). The sandman: Vol. 1: Preludes & nocturnes. DC Comics.
Gaiman, N., & Riddell, C. (2009). The graveyard book. Bloomsbury.
Gamble, S. (2006). Angela Carter: a literary life: Vol. Literary lives. Palgrave Macmillan.
Gamble, S., & Tredell, N. (2001). The fiction of Angela Carter: Vol. Icon readers’ guides. Palgrave Macmillan.
Gard, R. (1968). Henry James: the critical heritage: Vol. The critical heritage series. Routledge & Kegan Paul.
Gelder, K. (1994). Reading the vampire: Vol. Popular fictions series. Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050
Gelder, K. (2005). The subcultures reader (2nd ed). Routledge.
Gelder, K. (2007). Subcultures: cultural histories and social practice. Routledge.
Gelder, K. (2012). New vampire cinema. BFI.
Gelder, K. & Dawsonera. (1994). Reading the vampire: Vol. Popular fictions series [Electronic resource]. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050
Gilman, S. L. (1988). Disease and representation: images of illness from madness to AIDS. Cornell University Press.
Glendening, J. (2007). The evolutionary imagination in late-Victorian novels: an entangled bank [Electronic resource]. Ashgate. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213
Glover, D. (1996). Vampires, mummies, and liberals: Bram Stoker and the politics of popular fiction. Duke University Press.
Gordon, J., & Hollinger, V. (1997). Blood read: the vampire as metaphor in contemporary culture. University of Pennsylvania Press.
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Graham, K. (1995). Henry James: a literary life: Vol. Macmillan literary lives. Macmillan.
Gray, J. (2011). The immortalization commission: science and the strange quest to cheat death. Allen Lane.
Guthke, K. S. (1999). The gender of death: a cultural history in art and literature. Cambridge University Press.
Halberstam, J. (1995). Skin shows: gothic horror and the technology of monsters. Duke University Press.
Hall, W., & Cole, B. (1984). The last vampire. Fontana Young Lions.
Hammond, R. (1986). The modern Frankenstein: fiction becomes fact. Blandford.
Hanson, H. & Dawsonera. (2007). Hollywood heroines: women in film noir and the female gothic film [Electronic resource]. I.B. Tauris. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505
Hardwicke, C., & Meyer, S. (2009). Twilight [Videorecording]. E1 Entertainment UK.
Harriet Hustis. (2003). Responsible Creativity and the ‘Modernity’ of Mary Shelley’s Prometheus. Studies in English Literature, 1500-1900, 43(4), 845–858. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101
Hayes, K. J. (2002). The Cambridge companion to Edgar Allan Poe: Vol. Cambridge companions to literature. Cambridge University Press.
Hebdige, D. & MyiLibrary. (1991). Subculture: the meaning of style: Vol. New accents [Electronic resource]. Routledge. https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053
Heller, T. (1992). Dead secrets: Wilkie Collins and the female gothic. Yale University Press.
Hennessy, B. & British Council. (1978). The gothic novel: Vol. Writers and their work. Longman for the British Council.
Hindle, Maurice. (2009). Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830. The Modern Language Review, 104(4), 1118–1119. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064
Hodkinson, P. (2002). Goth: identity, style and subculture: Vol. Dress, body, culture. Berg.
Hogle, J. E. (2002). The Cambridge companion to gothic fiction: Vol. Cambridge companions to literature. Cambridge University Press.
Hopkins, L. (2005). Screening the gothic. University of Texas Press.
Hurley, K. (2004). The gothic body: sexuality, materialism, and degeneration at the fin de siècle: Vol. Cambridge studies in nineteenth-century literature and culture. Cambridge University Press.
In their own words: British novelists, Nothing Sacred 1970-1990. (2010). [Videorecording]. Open University/ BBC.
Jacobus, M. (1995). First things: the maternal imaginary in literature, art and psychoanalysis. Routledge.
James, H., & Beidler, P. G. (2004). The turn of the screw: complete, authoritative text with biographical, historical and cultural contexts, critical history and essays from contemporary critical perspectives: Vol. Case studies in contemporary criticism (2nd ed). Palgrave Macmillan.
James, H., James, H., Zabel, M. D., & Powers, L. H. (1977). The portable Henry James: Vol. The Viking portable library (Revised ed). Penguin.
James O’Rourke. (1989). ‘Nothing More Unnatural’: Mary Shelley’s Revision of Rousseau. ELH, 56(3), 543–569. https://doi.org/10.2307/2873197
John B. Lamb. (1992). Mary Shelley’s Frankenstein and Milton’s Monstrous Myth. Nineteenth-Century Literature, 47(3), 303–319. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709
Jones, J. (2005). Hidden voices: Language and ideology in philosophy of language of the long eighteenth century and Mary Shelley’s. Textual Practice, 19(3), 265–287. https://doi.org/10.1080/09502360500196243
Jordan, N., & Carter, A. (2005). The company of wolves [Videorecording]. ITC Entertainment.
Kerr, E. M. (1979). William Faulkner’s gothic domain: Vol. Kennikat Press national university publications : literary criticism series. Kennikat Press.
Khair, T. (2009). The gothic, postcolonialism and otherness: ghosts from elsewhere. Palgrave Macmillan.
Kilgour, M. (1995). The rise of the Gothic novel. Routledge.
Killeen, J. (2009). History of the gothic: Vol. 2: Gothic literature, 1825-1914: Vol. Gothic literary studies. University of Wales Press.
Knellwolf, C., & Goodall, J. R. (2008). Frankenstein’s science: experimentation and discovery in romantic culture, 1780-1830. Ashgate Pub. Co.
Kracauer, S. (1947). From Caligari to Hitler: a psychological history of the German film. Princeton University Press.
Le Fanu, J. S., & Tracy, R. (1999). In a glass darkly: Vol. Oxford world’s classics. Oxford University Press.
Le Fanu, S. (2010). Carmilla. Biblios Books.
Leatherdale, C. (2001). Dracula: the novel & the legend : a study of Bram Stoker’s gothic masterpiece: Vol. The Desert Island Dracula library. Desert Island.
Lehner, E., & Lehner, J. (1971a). Picture book of devils, demons and witchcraft: Vol. Dover pictorial archive series. Dover Publications.
Lehner, E., & Lehner, J. (1971b). Picture book of devils, demons and witchcraft: Vol. Dover pictorial archive series. Dover Publications.
Lepine, A. (2013). Radical Gothic. Art History, 36(2), 447–450. https://doi.org/10.1111/1467-8365.12009
Levin, H. (1964). The power of blackness: Hawthorne, Poe, Melville. Alfred A. Knopf.
Lewis, M. G., Anderson, H., & McEvoy, E. (2008). The monk: Vol. Oxford World’s classics. Oxford University Press.
Liggins, E. (2000). The medical gaze and the female corpse: Looking at bodies in Mary Shelley’s ‘Frankenstein’. STUDIES IN THE NOVEL, 32(2), 129–146. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387
Lloyd-Smith, A. G., & Sage, V. (1996). Modern gothic: a reader. Manchester University Press.
London, B. (1993). Mary Shelley, Frankenstein, and the Spectacle of Masculinity. PMLA, 108(2). https://doi.org/10.2307/462596
Luckhurst, R. (2005). Late Victorian Gothic tales: Vol. Oxford world’s classics. Oxford University Press.
Malchow, H. L. (1996). Gothic images of race in nineteenth-century Britain. Stanford University Press.
Manchester Metropolitan University (MMU). (n.d.). The Manchester Centre for Gothic Studies. https://www2.mmu.ac.uk/english/gothic-studies/
Marsh, N. (2009). Mary Shelley: Frankenstein: Vol. Analysing texts. Palgrave Macmillan.
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Mighall, R. (1999). A geography of Victorian Gothic fiction: mapping history’s nightmares. Oxford University Press.
Miller, N. K., & Tougaw, J. D. (2002). Extremities: trauma, testimony, and community. University of Illinois Press.
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Morrison, T. (1993). Playing in the dark: whiteness and the literary imagination: Vol. William E. Massey sr. lectures in the history of American civilization. Picador.
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Morton, T. (2002). A Routledge literary sourcebook on Mary Shelley’s Frankenstein: Vol. Routledge literary sourcebooks. Routledge.
Munford, R. (2006). Re-visiting Angela Carter: texts, contexts, intertexts. Palgrave Macmillan.
Murnau, F. W., & Stoker, B. (2000). Nosferatu [Videorecording]. Eureka Video.
Murphy, B. M. (2009a). The suburban gothic in American popular culture [Electronic resource]. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757
Murphy, B. M. (2009b). The suburban gothic in American popular culture. Palgrave Macmillan.
Mutch, D. (2013). The modern vampire and human identity [Electronic resource]. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142
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Myrone, M., Frayling, C., Warner, M., & Heard, M. (2006). Gothic nightmares: Fuseli, Blake and the romantic imagination. Tate.
Myrone, M., Warner, M., Frayling, C., & Tate Britain (Art gallery). (2006). Gothic nightmares: Fuseli, Blake and the romantic imagination. Tate.
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Rawlings, P. (2007). Palgrave advances in Henry James studies: Vol. Palgrave advances [Electronic resource]. Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881
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Sage, L. (2007a). Angela Carter: Vol. Writers and their work (2nd ed). Northcote.
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Schmitt, C. (2002). A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares, and: Gothic Radicalism: Literature, Philosophy, and Psychoanalysis in the Nineteenth Century, and: Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century (review). Victorian Studies, 44(3), 543–547. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/3830055
Schor, E. H. (2003). The Cambridge companion to Mary Shelley: Vol. Cambridge companions to literature. Cambridge University Press.
Schreiber, E. J. (2010). Race, trauma, and home in the novels of Toni Morrison: Vol. Southern literary studies. Louisiana State University Press.
Schug, C. (1977). The Romantic Form of Mary Shelley’s Frankenstein. Studies in English Literature, 1500-1900, 17(4). https://doi.org/10.2307/450311
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Shelley, M. W., & Hunter, J. P. (2012). Frankenstein: the 1818 text, contexts, criticism: Vol. A Norton critical edition (2nd ed). W.W. Norton & Co.
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Silver, A., & Ursini, J. (2011). The vampire film: from Nosferatu to True Blood (4th ed., updated and expanded). Limelight Editions.
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