1
Butler E. Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933. Columbia, S.C.: : Camden House 2010.
2
Gothic Texts and Contexts Film and TV List. http://bobnational.net/collection/index/collectionID/126879
4
SPARC (Organization). The Irish journal of gothic and horror studies. Published Online First: 2006.http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=TIJOG&T=marc&tab=JOURNALS
5
Gothic Journal. http://www.gothicjournal.com/
6
Studies in Gothic Fiction. http://studiesingothicfiction.weebly.com/
7
The International Gothic Association. http://www.iga.stir.ac.uk/
8
Manchester Metropolitan University (MMU). The Manchester Centre for Gothic Studies. https://www2.mmu.ac.uk/english/gothic-studies/
9
University of Stirling. The Gothic Imagination. http://www.gothic.stir.ac.uk/
10
Studies in Gothic Fiction - Home. http://studiesingothicfiction.weebly.com/
11
Botting F. Gothic. London: : Routledge 1996.
12
Punter D, Byron G. The Gothic. Oxford: : Blackwell 2004.
13
Bloom C. Gothic histories: the taste for terror, 1764 to the present. London: : Continuum 2010.
14
Armitt L. Twentieth-century Gothic. Cardiff: : University of Wales Press 2011.
15
Stevens D. The gothic tradition. Cambridge: : Cambridge University Press 2000.
16
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day. 2nd ed. London: : Longman 1996.
17
Cavallaro D. The gothic vision: three centuries of horror, terror and fear. London: : Continuum 2002.
18
Myrone M, Frayling C. The gothic reader: a critical anthology. London: : Tate 2006.
19
Lloyd-Smith AG, Sage V. Modern gothic: a reader. Manchester: : Manchester University Press 1996.
20
Spooner C, McEvoy E. The Routledge Companion to Gothic. Abingdon: : Routledge 2007.
21
Punter D. A companion to the Gothic. Oxford: : Blackwell 1999.
22
Ellis M. The history of gothic fiction. Edinburgh: : Edinburgh University Press 2000.
23
Kilgour M. The rise of the Gothic novel. London: : Routledge 1995.
24
Wisker G. Horror fiction: an introduction. New York: : Continuum 2005.
25
Carroll N. The philosophy of horror or paradoxes of the heart. New York: : Routledge 1990.
26
Botting F. Gothic romanced: consumption, gender and technology in contemporary fictions. Abingdon: : Routledge 2008.
27
Aeternum: The Journal of Contemporary Gothic Studies. https://www.aeternumjournal.com/
28
Smith A, Hughes W, Dawsonera. The Victorian gothic: an Edinburgh companion. Edinburgh: : Edinburgh University Press 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780748654970
29
Baldick C. The Oxford book of gothic tales. Oxford: : Oxford University Press 2009.
30
Davison CM. History of the gothic: gothic literature 1764-1824. Cardiff: : University of Wales Press 2009.
31
Killeen J. History of the gothic: Vol. 2: Gothic literature, 1825-1914. Cardiff: : University of Wales Press 2009.
32
Smith A. Gothic literature. Edinburgh: : Edinburgh University Press 2007.
33
Wright A. Gothic fiction. Basingstoke: : Palgrave Macmillan 2007.
34
Williams G. The Gothic. London: : Whitechapel 2007.
35
Botting F. Limits of horror: technology, bodies, gothic. Manchester: : Manchester University Press 2008.
36
Bloom C. Gothic horror: a guide for students and readers. 2nd ed. Basingstoke: : Palgrave Macmillan 2007.
37
Davenport-Hines RPT. Gothic: 400 years of excess, horror, evil and ruin. London: : Fourth Estate 1998.
38
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day. 2nd ed. London: : Longman 1996.
39
Hogle JE. The Cambridge companion to gothic fiction. Cambridge: : Cambridge University Press 2002.
40
Baldick C. The Oxford book of gothic tales. Oxford: : Oxford University Press 2009.
41
Bloom C. Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: : Macmillan 1998.
42
Edmundson M. Women’s Ghost Literature in Nineteenth-Century Britain. Cardiff: : University of Wales Press 2013. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650
43
Palmer P. Lesbian gothic: transgressive fictions. London: : Cassell 1999.
44
Fictions of unease: the gothic from Otranto to the x-files. Bath: : Sulis 2002.
45
Wilt J. Ghosts of the Gothic: Austen, Eliot & Lawrence. Princeton: : Princeton University Press 1980.
46
Heller T. Dead secrets: Wilkie Collins and the female gothic. New Haven: : Yale University Press 1992.
47
Elferen I van. Nostalgia or perversion?: Gothic rewriting from the eighteenth century until the present day. Newcastle, UK: : Cambridge Scholars Publishing 2007.
48
Spooner C. Fashioning Gothic bodies. Manchester: : Manchester University Press 2004.
49
Nesbit E, Davies DS. The power of darkness: tales of terror. Ware: : Wordsworth Editions 2006.
50
Dinesen I, Dinesen I. Seven Gothic tales. London: : Penguin 2002.
51
Walpole H, Lewis WS. The Castle of Otranto: a Gothic Story. New ed. Oxford: : Oxford University Press 2008.
52
Sage V. The Gothick novel: a casebook. Basingstoke: : Macmillan 1990.
53
Radcliffe AW, Dobrée B, Castle T. The Mysteries of Udolpho. Oxford: : Oxford University Press 2008.
54
Myrone M, Warner M, Frayling C, et al. Gothic nightmares: Fuseli, Blake and the romantic imagination. London: : Tate 2006.
55
Fairclough P. Three Gothic novels. Harmondsworth: : Penguin Books 1968.
56
Hennessy B, British Council. The gothic novel. Harlow: : Longman for the British Council 1978.
57
Norton R. Gothic readings: the first wave 1764-1840. London: : Leicester University Press 2000.
58
Clery EJ, Miles R. Gothic documents: a sourcebook 1700-1820. Manchester: : Manchester University Press 2000.
59
Lewis MG, Anderson H, McEvoy E. The monk. Oxford: : Oxford University Press 2008.
60
Radcliffe A, Chard C. The romance of the forest. Oxford: : Oxford University Press 1986.
61
Radcliffe A, Milbank A. A Sicilian romance. Oxford: : Oxford University Press 1993.
62
Radcliffe A, Garber F. The Italian: or, The confessional of the Black Penitents : a romance. Oxford: : Oxford University Press 1981.
63
Thompson GR. Romantic Gothic tales, 1790-1840. 1st Perennial library ed. New York: : Harper & Row 1979.
64
Chalcraft A, Viscardi J. Strawberry Hill: Horace Walpole’s gothic castle. London: : Frances Lincoln 2007.
65
Snodin M, Roman CE, Yale Center for British Art, et al. Horace Walpole’s Strawberry Hill. New Haven: : Lewis Walpole Library 2009.
66
Ruskin J, Morris W. The nature of Gothic: a chapter of The stones of Venice. New York: : Garland Pub 1977.
67
Shelley MW, Hunter JP. Frankenstein: the 1818 text, contexts, criticism. 2nd ed. New York: : W.W. Norton & Co 2012.
68
Shelley MW, Hindle M. Frankenstein: or the modern Prometheus. Rev. ed. London: : Penguin 2003.
69
Botting F. Making monstrous: Frankenstein, criticism, theory. Manchester: : Manchester University Press 1991.
70
Mellor AK. Mary Shelley: her life, her fiction, her monsters. New York: : Routledge 1988.
71
Morton T. A Routledge literary sourcebook on Mary Shelley’s Frankenstein. Abingdon: : Routledge 2002.
72
Schor EH. The Cambridge companion to Mary Shelley. Cambridge: : Cambridge University Press 2003.
73
Bann S. Frankenstein, creation and monstrosity. London: : Reaktion 1994.
74
Hindle, Maurice. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830. The Modern Language Review 2009;104:1118–9.http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064
75
Clery EJ, British Council. Women’s gothic: from Clara Reeve to Mary Shelley. 2nd ed. Tavistock: : Northcote House 2004.
76
James O’Rourke. ‘Nothing More Unnatural’: Mary Shelley’s Revision of Rousseau. ELH 1989;56:543–69. doi:10.2307/2873197
77
Liggins E. The medical gaze and the female corpse: Looking at bodies in Mary Shelley’s ‘Frankenstein’. STUDIES IN THE NOVEL 2000;32:129–46.http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387
78
Cynthia Pon. ‘Passages’ in Mary Shelley’s ‘Frankenstein’: Toward a Feminist Figure of Humanity? Modern Language Studies 2000;30:33–50. doi:10.2307/3195378
79
Harriet Hustis. Responsible Creativity and the ‘Modernity’ of Mary Shelley’s Prometheus. Studies in English Literature, 1500-1900 2003;43:845–58.http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101
80
Criscillia Benford. ‘Listen to my tale’: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”. Narrative 2010;18:324–46.http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416
81
Fredricks, Nancy. On the sublime and beautiful in Shelley’s Frankenstein. Essays in Literature;23:178–89.http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727
82
Jones J. Hidden voices: Language and ideology in philosophy of language of the long eighteenth century and Mary Shelley’s. Textual Practice 2005;19:265–87. doi:10.1080/09502360500196243
83
Reese, Diana. A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights. Representations doi:10.1525/rep.2006.96.1.48
84
Rauch A. The Monstrous Body of Knowledge in Mary Shelley’s ‘Frankenstein’. Studies in Romanticism 1995;34:227–53.http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live
85
Smith AL. ‘This Thing of Darkness’: Racial Discourse in Mary Shelley’s Frankenstein. Gothic Studies 2004;6:208–22. doi:10.7227/GS.6.2.4
86
Crimmins J. Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein. STUDIES IN ROMANTICISM 2013;52:561–83.http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live
87
Schug C. The Romantic Form of Mary Shelley’s Frankenstein. Studies in English Literature, 1500-1900 1977;17. doi:10.2307/450311
88
John B. Lamb. Mary Shelley’s Frankenstein and Milton’s Monstrous Myth. Nineteenth-Century Literature 1992;47:303–19.http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709
89
London B. Mary Shelley, Frankenstein, and the Spectacle of Masculinity. PMLA 1993;108. doi:10.2307/462596
90
Schmitt C. A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares, and: Gothic Radicalism: Literature, Philosophy, and Psychoanalysis in the Nineteenth Century, and: Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century (review). Victorian Studies 2002;44:543–7.http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/3830055
91
Eberle-Sinatra M. Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations. Gothic Studies 2005;7:187–202. doi:10.7227/GS.7.2.7
92
Britton, JM. Novelistic Sympathy in Mary Shelley’s Frankenstein. STUDIES IN ROMANTICISM 2009;48:3–22.http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live
93
Smith A, Hughes W, Dawsonera. The Victorian gothic: an Edinburgh companion. Edinburgh: : Edinburgh University Press 2012.
94
Armitt L. Where no man has gone before: women and science fiction. London: : Routledge 1991.
95
Marsh N. Mary Shelley: Frankenstein. Houndmills, Basingstoke, Hampshire [England]: : Palgrave Macmillan 2009.
96
Halberstam J. Skin shows: gothic horror and the technology of monsters. Durham: : Duke University Press 1995.
97
Small C. Ariel like a harpy: Shelley, Mary and Frankenstein. London: : Gollancz 1972.
98
Allen G. Shelley’s Frankenstein. London: : Continuum 2008.
99
Frayling C. Nightmare: the birth of horror. 1996.
100
Hammond R. The modern Frankenstein: fiction becomes fact. Poole: : Blandford 1986.
101
Knellwolf C, Goodall JR. Frankenstein’s science: experimentation and discovery in romantic culture, 1780-1830. Aldershot, Hants, England: : Ashgate Pub. Co 2008.
102
Otis L. Literature and science in the nineteenth century: an anthology. Oxford: : Oxford University Press 2002.
103
The Noble Savage in Mary Shelley’s ‘Frankenstein’. Notes and Queries 1946;190.
104
Polidori JW, Morrison R, Baldick C. The vampyre, and other tales of the macabre. Oxford: : Oxford University Press 1998.
105
Jacobus M. First things: the maternal imaginary in literature, art and psychoanalysis. New York: : Routledge 1995.
106
Alexander M. Women in romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley. Basingstoke: : Macmillan Education 1989.
107
Darrow S, Barrett A. Through the tempests dark and wild: a story of Mary Shelley, creator of ‘Frankenstein’. London: : Walker 2003.
108
Stevenson RL, Linehan K. Strange case of Dr. Jekyll and Mr. Hyde: an authoritative text, backgrounds and contexts, performance adaptations, criticism. New York: : Norton 2003.
109
Stevenson RL, Luckhurst R, Dawsonera. Strange Case of Dr Jekyll and Mr Hyde, and other tales. Oxford: : Oxford University Press 2006. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780191517334
110
Dryden L. The modern gothic and literary doubles: Stevenson, Wilde, and Wells. Basingstoke: : Palgrave Macmillan 2003.
111
Smith A. Victorian demons: medicine, masculinity and the gothic at the fin-de-siècle. Manchester: : Manchester University Press 2004.
112
Smith A, Hughes W, Dawsonera. The Victorian gothic: an Edinburgh companion. Edinburgh: : Edinburgh University Press 2012. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780748654970
113
Wolfreys J, Robbins R, Dawsonera. Victorian Gothic: literary and cultural manifestations in the nineteenth century. Basingstoke: : Palgrave 2000. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230598737
114
Mighall R. A geography of Victorian Gothic fiction: mapping history’s nightmares. Oxford: : Oxford University Press 1999.
115
Luckhurst R. Late Victorian Gothic tales. Oxford: : Oxford University Press 2005.
116
Stoker B, Auerbach N, Skal DJ. Dracula: authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism. New York: : W.W. Norton 1997.
117
Frayling C. Vampyres: Lord Byron to Count Dracula. London: : Faber 1992.
118
Auerbach N. Our vampires, ourselves. Chicago: : University of Chicago Press 1995.
119
Glover D. Vampires, mummies, and liberals: Bram Stoker and the politics of popular fiction. Durham: : Duke University Press 1996.
120
Beresford M. From demons to Dracula: the creation of the modern vampire myth. London: : Reaktion 2008.
121
Beresford M. From demons to Dracula: the creation of the modern vampire myth. London: : Reaktion 2008. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781861897428
122
Butler E. Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933. Columbia, S.C.: : Camden House 2010.
123
Leatherdale C. Dracula: the novel & the legend : a study of Bram Stoker’s gothic masterpiece. Westcliff-on-Sea: : Desert Island 2001.
124
Barber P. Vampires, burial, and death: folklore and reality. [New ed.]. New Haven, [Conn.]: : Yale University Press 2010.
125
Twitchell JB. The living dead: a study of the vampire in romantic literature. Durham, N.C.: : Duke University Press 1981.
126
Gelder K. Reading the vampire. Abingdon: : Routledge 1994. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050
127
Stoker B. The lair of the white worm. London: : Penguin 2008.
128
Hurley K. The gothic body: sexuality, materialism, and degeneration at the fin de siècle. Cambridge: : Cambridge University Press 2004.
129
Valente J. Dracula’s crypt: Bram Stoker, Irishness, and the question of blood. Urbana: : University of Illinois Press 2002.
130
Williamson M. The lure of the vampire: gender, fiction and fandom from Bram Stoker to Buffy. London: : Wallflower 2005.
131
Glendening J. The evolutionary imagination in late-Victorian novels: an entangled bank. Aldershot: : Ashgate 2007. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213
132
Rymer JM, Collins D. Varney, the vampyre: or, the feast of blood. Hertfordshire: : Wordsworth 2010.
133
Le Fanu S. Carmilla. London: : Biblios Books 2010.
134
Gelder K, Dawsonera. Reading the vampire. London: : Routledge 1994. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050
135
Stott R. The fabrication of the late-Victorian femme fatale: the kiss of death. Basingstoke: : Macmillan 1992. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230376700
136
Farson D. Vampires, zombies, and monster men. London: : Aldus Books , distributed by Jupiter Books 1975.
137
Matheson R. I am legend. London: : Gollancz 2006.
138
Ryan A. The Penguin book of vampire stories. London: : Penguin 1998.
139
Gordon J, Hollinger V. Blood read: the vampire as metaphor in contemporary culture. Philadelphia, Pa: : University of Pennsylvania Press 1997.
140
Pedlar V. ‘The most dreadful visitation’: male madness in Victorian fiction. Liverpool: : Liverpool University Press 2006.
141
Rice A. Interview with the vampire: the first book in the vampire chronicles. London: : Warner 1994.
142
Fisher J. Vampire in the text: narratives of contemporary art. London: : Institute of International Visual Arts 2003.
143
Melton JG. The vampire book: the encyclopedia of the undead. Detroit: : Gale Research 1994.
144
Le Fanu JS, Tracy R. In a glass darkly. Oxford: : Oxford University Press 1999.
145
Dreyer CT, Le Fanu S. Vampyr: the strange adventure of Allan Gray. 2008;Masters of cinema.
146
Murnau FW, Stoker B. Nosferatu. 2000.
147
Hopkins L. Screening the gothic. Austin, Tex: : University of Texas Press 2005.
148
Wheatley H. Gothic television. Manchester: : Manchester University Press 2006.
149
Silver A, Ursini J. The vampire film: from Nosferatu to Interview with the vampire. 3rd ed. New York: : Limelight 1997.
150
Kracauer S. From Caligari to Hitler: a psychological history of the German film. Princeton, N.J.: : Princeton University Press 1947.
151
Pirie D. A heritage of horror: the English gothic cinema 1946-1972. London: : Gordon Fraser Gallery 1973.
152
Newman K, British Film Institute. The BFI companion to horror. London: : Cassell 1996.
153
Bell J, editor. Gothic: the dark heart of film. London: : BFI 2013.
154
Mutch D. The modern vampire and human identity. Basingstoke: : Palgrave Macmillan 2013. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142
155
Murphy BM. The suburban gothic in American popular culture. Basingstoke: : Palgrave Macmillan 2009. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757
156
Hanson H, Dawsonera. Hollywood heroines: women in film noir and the female gothic film. London: : I.B. Tauris 2007. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505
157
Roberts I. German expressionist cinema: the world of light and shadow. London: : Wallflower 2008.
158
Pirie D. A heritage of horror: the English gothic cinema 1946-1972. London: : Gordon Fraser Gallery 1973.
159
Abbott S. Celluloid vampires: life after death in the modern world. 1st ed. Austin: : University of Texas Press 2007.
160
Rarignac NM-E. The theology of Dracula: reading the book of Stoker as sacred text. Jefferson, N.C.: : McFarland & Co 2012.
161
Worland R. The horror film: an introduction. Malden, Mass: : Blackwell 2007.
162
Gelder K. New vampire cinema. London: : BFI 2012.
163
Silver A, Ursini J. The vampire film: from Nosferatu to True Blood. 4th ed., updated and expanded. Montclair, N.J.: : Limelight Editions 2011.
164
Wu D, Cunningham V. Victorian poetry. Oxford: : Blackwell 2002.
165
Sinfield A. Alfred Tennyson. Oxford: : Blackwell 1986.
166
Tennyson H. Studies in Tennyson. London: : Macmillan 1981.
167
Tennyson AT, Hill RW. Tennyson’s poetry: authoritative texts, contexts, criticism. 2nd ed. New York: : W. W. Norton 1999.
168
Douglas-Fairhurst R. Victorian afterlives: the shaping of influence in nineteenth-century literature. Oxford: : Oxford University Press 2002.
169
Armstrong I. Victorian poetry: poetry, poetics and politics. London: : Routledge 1996.
170
James H, Beidler PG. The turn of the screw: complete, authoritative text with biographical, historical and cultural contexts, critical history and essays from contemporary critical perspectives. 2nd ed. Basingstoke: : Palgrave Macmillan 2004.
171
Poe EA, Galloway D. The fall of the house of Usher and other writings: poems, tales, essays and reviews. London: : Penguin 2003.
172
Crow CL. History of the gothic: American gothic. Cardiff: : University of Wales Press 2009.
173
Edel L. Henry James: a collection of critical essays. Englewood Cliffs, N.J.: : Prentice-Hall 1963.
174
Tompkins JP. Twentieth century interpretations of ‘The turn of the screw’ and other tales: a collection of critical essays. Englewood Cliffs: : Prentice-Hall 1970.
175
Silverman K. Edgar A. Poe: mournful and never-ending remembrance. London: : Weidenfeld & Nicolson 1992.
176
Washington State University, College of Charleston. Poe studies: history, theory, interpretation. http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=POST2&T=marc&tab=JOURNALS
177
Poe EA, Thompson GR. The selected writings of Edgar Allan Poe: authoritative texts, backgrounds and contexts, criticism. New York: : W.W. Norton & Co 2004.
178
Poe EA, Van Leer D. Selected tales. Oxford: : Oxford University Press 2008.
179
Putt SG. A reader’s guide to Henry James. London: : Thames and Hudson 1966.
180
The Edgar Allan Poe review.
181
Murphy BM. The suburban gothic in American popular culture. Basingstoke: : Palgrave Macmillan 2009.
182
Bloom C. Nineteenth-century suspense: from Poe to Conan Doyle. Basingstoke: : Macmillan 1988.
183
Hayes KJ. The Cambridge companion to Edgar Allan Poe. Cambridge: : Cambridge University Press 2002.
184
Poe EA. The masque of the Red Death and other stories. London: : Penguin 2008.
185
Poe EA, Galloway D. Selected writings of Edgar Allan Poe: poems, tales, essays and reviews. Harmondsworth: : Penguin 1967.
186
Levin H. The power of blackness: Hawthorne, Poe, Melville. New York: : Alfred A. Knopf 1964.
187
Regan R. Poe: a collection of critical essays. Englewood Cliffs (N.J.): : Prentice-Hall 1967.
188
Parini J, Millier BC. The Columbia history of American poetry. New York: : Columbia University Press 1993.
189
James H, James H, Zabel MD, et al. The portable Henry James. Revised ed. Harmondsworth (etc.): : Penguin 1977.
190
Gard R. Henry James: the critical heritage. London: : Routledge & Kegan Paul 1968.
191
Dupee FW. Henry James. London: : Methuen 1951.
192
Graham K. Henry James: a literary life. Basingstoke: : Macmillan 1995.
193
Freedman J. The Cambridge companion to Henry James. Cambridge: : Cambridge University Press 1998.
194
Bloom C. Gothic horror: a guide for students and readers. 2nd ed. Basingstoke: : Palgrave Macmillan 2007.
195
Rawlings P. Palgrave advances in Henry James studies. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2007. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881
196
Edel L. Henry James: a collection of critical essays. Englewood Cliffs, N.J.: : Prentice-Hall 1963.
197
Washington State University, College of Charleston. Poe studies: history, theory, interpretation. http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=POST2&T=marc&tab=JOURNALS
198
Moore HT. Henry James and his world. London: : Thames and Hudson 1974.
199
Sears J. Stephen King’s Gothic. Cardiff: : University of Wales Press 2011.
200
Kerr EM. William Faulkner’s gothic domain. Port Washington: : Kennikat Press 1979.
201
In their own words: British novelists, Nothing Sacred 1970-1990. 2010.
202
Carter A. The bloody chamber and other stories. London: : Vintage 1995.
203
Stevens D. The gothic tradition. Cambridge: : Cambridge University Press 2000.
204
Morrow B, McGrath P. The New gothic. London: : Picador 1993.
205
Brabon BA, Genz S. Postfeminist gothic: critical interventions in contemporary culture. Basingstoke: : Palgrave Macmillan 2007.
206
Wisker G. Horror fiction: an introduction. New York: : Continuum 2005.
207
Sage L. Angela Carter. 2nd ed. Tavistock: : Northcote 2007.
208
Peach L. Angela Carter. 2nd ed. Basingstoke: : Palgrave Macmillan 2009.
209
Easton A. Angela Carter. Basingstoke: : Macmillan 2000.
210
Carter A. The magic toyshop. London: : Virago 1981.
211
Sage L. Essays on the art of Angela Carter: flesh and the mirror. [Rev. and updated ed.]. London: : Virago 2007.
212
Munford R. Re-visiting Angela Carter: texts, contexts, intertexts. Basingstoke: : Palgrave Macmillan 2006.
213
Day A. Angela Carter: the rational glass. Manchester: : Manchester University Press 1998.
214
Gamble S, Tredell N. The fiction of Angela Carter. Basingstoke: : Palgrave Macmillan 2001.
215
Morrow B, McGrath P. The New gothic. London: : Picador 1993.
216
Barzilai S. Tales of Bluebeard and his wives from late antiquity to postmodern times. New York: : Routledge 2009.
217
Sellers S. Myth and fairy tale in contemporary women’s fiction. Basingstoke: : Palgrave 2001.
218
Gamble S. Angela Carter: a literary life. Basingstoke: : Palgrave Macmillan 2006.
219
Bowers MA. Magic(al) realism. London: : Routledge 2004.
220
Jordan N, Carter A. The company of wolves. 2005.
221
Plasa C, Tredell N. Toni Morrison, Beloved. Basingstoke: : Palgrave Macmillan 1998.
222
Brogan K. Cultural haunting: ghosts and ethnicity in recent American literature. Charlottesville: : University Press of Virginia 1998.
223
Khair T. The gothic, postcolonialism and otherness: ghosts from elsewhere. Basingstoke: : Palgrave Macmillan 2009.
224
Malchow HL. Gothic images of race in nineteenth-century Britain. Stanford, Calif: : Stanford University Press 1996.
225
Peach L. Toni Morrison. 2nd ed. London: : Macmillan 2000.
226
Bailey M, Hall C, National Association for the Teaching of English. Beloved, by Toni Morrison: a post-16 study guide. Sheffield: : NATE 1998.
227
Norman B. Dead women talking: figures of injustice in American literature. Baltimore: : Johns Hopkins University Press 2013.
228
Morrison T. Playing in the dark: whiteness and the literary imagination. London: : Picador 1993.
229
Tally J. The Cambridge companion to Toni Morrison. Cambridge: : Cambridge University Press 2007.
230
Peterson NJ. Beloved: character studies. London: : Continuum 2008.
231
Smith V. Toni Morrison: writing the moral imagination. Hoboken, NJ: : Wiley 2012.
232
Schreiber EJ. Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: : Louisiana State University Press 2010.
233
Miller NK, Tougaw JD. Extremities: trauma, testimony, and community. Urbana, Ill: : University of Illinois Press 2002.
234
Middleton DL. Toni Morrison’s fiction: contemporary criticism. London: : Garland Publishing 2000.
235
Gaiman N. Smoke and mirrors: short fiction and illusions. London: : Headline 2013.
236
Spooner C. Contemporary Gothic. London: : Reaktion 2006.
237
Cornwell N. The literary fantastic: from Gothic to postmodernism. London: : Harvester Wheatsheaf 1990.
238
Gaiman N, Kieth S, Dringenberg M, et al. The sandman: Vol. 1: Preludes & nocturnes. New York: : DC Comics 2010.
239
Gaiman N, Riddell C. The graveyard book. London: : Bloomsbury 2009.
240
Palahniuk C. Haunted: a novel of stories. London: : Vintage 2006.
241
Watkiss J. Gothic contemporaries: the haunted text. Cardiff: : University of Wales Press 2012.
242
Palahniuk C. Damned: life is short, death is forever. London: : Vintage 2012.
243
Palahniuk C. Doomed. London: : Jonathan Cape 2013.
244
Gray J. The immortalization commission: science and the strange quest to cheat death. London: : Allen Lane 2011.
245
Hardwicke C, Meyer S. Twilight. 2009.
246
Meyer S. Twilight. London: : Atom 2007.
247
Shan D. Cirque du freak. London: : Collins 2000.
248
Hall W, Cole B. The last vampire. London: : Fontana Young Lions 1984.
249
Hebdige D, MyiLibrary. Subculture: the meaning of style. London: : Routledge 1991. https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053
250
Hodkinson P. Goth: identity, style and subculture. Oxford: : Berg 2002.
251
Spooner C. Contemporary Gothic. London: : Reaktion 2006.
252
Gelder K. The subcultures reader. 2nd ed. Abingdon: : Routledge 2005.
253
Gelder K. Subcultures: cultural histories and social practice. London: : Routledge 2007.
254
Mercer M. 21st century Goth. London: : Reynolds & Hearn 2002.
255
Steele V, Park J, Fashion Institute of Technology. Gothic: dark glamour. [New Haven, Conn.?]: : Yale University Press 2008.
256
Spooner C. Fashioning Gothic bodies. Manchester: : Manchester University Press 2004.
257
Brill D. Goth culture: gender, sexuality and style. Oxford: : Berg 2008.
258
Mercer M. The Hex files: the Goth bible. London: : Batsford 1996.
259
Myrone M, Frayling C, Warner M, et al. Gothic nightmares: Fuseli, Blake and the romantic imagination. London: : Tate 2006.
260
Williams G. The Gothic. London: : Whitechapel 2007.
261
Camille M. Gothic art: visions and revelations of the medieval world. London: : Weidenfeld and Nicolson 1996.
262
Round J. Gothic in comics and graphic novels: a critical approach. Jefferson: : McFarland & Company 2014.
263
Martindale A. Gothic art. London: : Thames & Hudson 1967.
264
Lepine A. Radical Gothic. Art History 2013;36:447–50. doi:10.1111/1467-8365.12009
265
Frankl P, Crossley P. Gothic architecture. Rev. ed. New Haven: : Yale University Press 2000.
266
Frisch TG, Medieval Academy of America. Gothic art 1140-c.1450: sources and documents. Toronto: : University of Toronto Press in association with the Medieval Academy of America 1987.
267
Guthke KS. The gender of death: a cultural history in art and literature. Cambridge: : Cambridge University Press 1999.
268
Lehner E, Lehner J. Picture book of devils, demons and witchcraft. New York: : Dover Publications 1971.
269
Lehner E, Lehner J. Picture book of devils, demons and witchcraft. New York: : Dover Publications 1971.
270
Marshall G. The Cambridge companion to the fin de siècle. Cambridge: : Cambridge University Press 2007.
271
Gilman SL. Disease and representation: images of illness from madness to AIDS. Ithaca, N.Y.: : Cornell University Press 1988.
272
Wright A. Britain, France and the Gothic, 1764-1820: the import of terror. Cambridge: : Cambridge University Press 2015.
