Bibliography for LL625 Gothic Texts and Contexts

Abbott, Stacey. 2007. Celluloid Vampires: Life after Death in the Modern World. 1st ed. University of Texas Press.

Aeternum: The Journal of Contemporary Gothic Studies. n.d. https://www.aeternumjournal.com/.

Alexander, Meena. 1989. Women in Romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley. Women writers. Macmillan Education.

Allen, Graham. 2008. Shelley’s Frankenstein. Reader’s guides. Continuum.

Armitt, Lucie. 1991. Where No Man Has Gone before: Women and Science Fiction. Routledge.

Armitt, Lucie. 2011. Twentieth-Century Gothic. Gothic literary studies. University of Wales Press.

Armstrong, Isobel. 1996. Victorian Poetry: Poetry, Poetics and Politics. Routledge.

Auerbach, Nina. 1995. Our Vampires, Ourselves. University of Chicago Press.

Bailey, Mary, Christine Hall, and National Association for the Teaching of English. 1998. Beloved, by Toni Morrison: A Post-16 Study Guide. NATE.

Baldick, Chris. 2009a. The Oxford Book of Gothic Tales. Oxford University Press.

Baldick, Chris. 2009b. The Oxford Book of Gothic Tales. Oxford University Press.

Bann, Stephen. 1994. Frankenstein, Creation and Monstrosity. Critical views. Reaktion.

Barber, Paul. 2010. Vampires, Burial, and Death: Folklore and Reality. [New ed.]. Yale University Press.

Barzilai, Shuli. 2009. Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times. Routledge.

Bell, James, ed. 2013. Gothic: The Dark Heart of Film. A BFI compendium. BFI.

Beresford, Matthew. 2008a. From Demons to Dracula: The Creation of the Modern Vampire Myth. Reaktion.

Beresford, Matthew. 2008b. From Demons to Dracula: The Creation of the Modern Vampire Myth. Reaktion. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781861897428.

Bloom, Clive. 1988. Nineteenth-Century Suspense: From Poe to Conan Doyle. Insights. Macmillan.

Bloom, Clive. 1998. Gothic Horror: A Reader’s Guide from Poe to King and Beyond. Macmillan.

Bloom, Clive. 2007a. Gothic Horror: A Guide for Students and Readers. 2nd ed. Palgrave Macmillan.

Bloom, Clive. 2007b. Gothic Horror: A Guide for Students and Readers. 2nd ed. Palgrave Macmillan.

Bloom, Clive. 2010. Gothic Histories: The Taste for Terror, 1764 to the Present. Continuum.

Botting, Fred. 1991. Making Monstrous: Frankenstein, Criticism, Theory. Manchester University Press.

Botting, Fred. 1996. Gothic. The New critical idiom. Routledge.

Botting, Fred. 2008a. Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions. Routledge.

Botting, Fred. 2008b. Limits of Horror: Technology, Bodies, Gothic. Manchester University Press.

Bowers, Maggie Ann. 2004. Magic(al) Realism. The new critical idiom. Routledge.

Brabon, Benjamin A., and Stéphanie Genz. 2007. Postfeminist Gothic: Critical Interventions in Contemporary Culture. Palgrave Macmillan.

Brill, Dunja. 2008. Goth Culture: Gender, Sexuality and Style. Berg.

Britton, JM. 2009. ‘Novelistic Sympathy in Mary Shelley’s Frankenstein’. STUDIES IN ROMANTICISM 48: 3–22. http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live.

Brogan, Kathleen. 1998. Cultural Haunting: Ghosts and Ethnicity in Recent American Literature. University Press of Virginia.

Butler, Erik. 2010a. Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933. Studies in German literature, Linguistics and Culture. Camden House.

Butler, Erik. 2010b. Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933. Studies in German literature, Linguistics and Culture. Camden House.

Camille, Michael. 1996. Gothic Art: Visions and Revelations of the Medieval World. Everyman art library. Weidenfeld and Nicolson.

Carroll, Noël. 1990. The Philosophy of Horror or Paradoxes of the Heart. Routledge.

Carter, Angela. 1981. The Magic Toyshop. Virago modern classics. Virago.

Carter, Angela. 1995. The Bloody Chamber and Other Stories. Vintage.

Cavallaro, Dani. 2002. The Gothic Vision: Three Centuries of Horror, Terror and Fear. Continuum.

Chalcraft, Anna, and Judith Viscardi. 2007. Strawberry Hill: Horace Walpole’s Gothic Castle. Frances Lincoln.

Clery, E. J. and British Council. 2004. Women’s Gothic: From Clara Reeve to Mary Shelley. 2nd ed. Writers and Their work. Northcote House.

Clery, E. J., and Robert Miles. 2000. Gothic Documents: A Sourcebook 1700-1820. Manchester University Press.

Cornwell, Neil. 1990. The Literary Fantastic: From Gothic to Postmodernism. Harvester Wheatsheaf.

Crimmins, Jonathan. 2013. ‘Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein’. STUDIES IN ROMANTICISM 52 (4): 561–83. http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live.

Criscillia Benford. 2010. ‘“Listen to My Tale”: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”’. Narrative 18 (3): 324–46. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416.

Crow, Charles L. 2009. History of the Gothic: American Gothic. Gothic literary studies. University of Wales Press.

Cynthia Pon. 2000. ‘“Passages” in Mary Shelley’s “Frankenstein”: Toward a Feminist Figure of Humanity?’ Modern Language Studies 30 (2): 33–50. https://doi.org/10.2307/3195378.

Darrow, Sharon, and Angela Barrett. 2003. Through the Tempests Dark and Wild: A Story of Mary Shelley, Creator of ‘Frankenstein’. Walker.

Davenport-Hines, R. P. T. 1998. Gothic: 400 Years of Excess, Horror, Evil and Ruin. Fourth Estate.

Davison, Carol Margaret. 2009. History of the Gothic: Gothic Literature 1764-1824. Gothic literary studies. University of Wales Press.

Day, Aidan. 1998. Angela Carter: The Rational Glass. Manchester University Press.

Dinesen, Isak, and Isak Dinesen. 2002. Seven Gothic Tales. Penguin classics. Penguin.

Douglas-Fairhurst, Robert. 2002. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford University Press.

Dreyer, Carl Theodor, and Sheridan Le Fanu. 2008. Vampyr: The Strange Adventure of Allan Gray. Masters of cinema. Eureka Video. Videorecording.

Dryden, Linda. 2003. The Modern Gothic and Literary Doubles: Stevenson, Wilde, and Wells. Palgrave Macmillan.

Dupee, Frederick W. 1951. Henry James. American men of letters series. Methuen.

Easton, Alison. 2000. Angela Carter. New casebooks. Macmillan.

Eberle-Sinatra, Michael. 2005. ‘Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations’. Gothic Studies 7 (2): 187–202. https://doi.org/10.7227/GS.7.2.7.

Edel, Leon. 1963a. Henry James: A Collection of Critical Essays. Twentieth century views. Prentice-Hall.

Edel, Leon. 1963b. Henry James: A Collection of Critical Essays. Twentieth century views. Prentice-Hall.

Edmundson, Melissa. 2013. Women’s Ghost Literature in Nineteenth-Century Britain. Gothic literary studies. University of Wales Press. Electronic resource. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650.

Elferen, Isabella van. 2007. Nostalgia or Perversion?: Gothic Rewriting from the Eighteenth Century until the Present Day. Cambridge Scholars Publishing.

Ellis, Markman. 2000. The History of Gothic Fiction. Edinburgh University Press.

Fairclough, Peter. 1968. Three Gothic Novels. Penguin classics. Penguin Books.

Farson, Daniel. 1975. Vampires, Zombies, and Monster Men. Aldus Books , distributed by Jupiter Books.

Fictions of Unease: The Gothic from Otranto to the x-Files. 2002. Sulis.

Fisher, Jean. 2003. Vampire in the Text: Narratives of Contemporary Art. Institute of International Visual Arts.

Frankl, Paul, and Paul Crossley. 2000. Gothic Architecture. Rev. ed. Yale University Press Pelican history of art. Yale University Press.

Frayling, Christopher. 1992. Vampyres: Lord Byron to Count Dracula. Faber.

Frayling, Christopher. 1996. Nightmare: The Birth of Horror. Wall to Wall for BBC. Videorecording.

Fredricks, Nancy. n.d. ‘On the Sublime and Beautiful in Shelley’s Frankenstein’. Essays in Literature 23 (2): 178–89. http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727.

Freedman, Jonathan. 1998. The Cambridge Companion to Henry James. Cambridge companions to literature. Cambridge University Press.

Frisch, Teresa G. and Medieval Academy of America. 1987. Gothic Art 1140-c.1450: Sources and Documents. Medieval Academy reprints for teaching. University of Toronto Press in association with the Medieval Academy of America.

Gaiman, Neil. 2013. Smoke and Mirrors: Short Fiction and Illusions. Headline.

Gaiman, Neil, Sam Kieth, Mike Dringenberg, and Malcolm Jones. 2010. The Sandman: Vol. 1: Preludes & Nocturnes. DC Comics.

Gaiman, Neil, and Chris Riddell. 2009. The Graveyard Book. Bloomsbury.

Gamble, Sarah. 2006. Angela Carter: A Literary Life. Literary lives. Palgrave Macmillan.

Gamble, Sarah, and Nicolas Tredell. 2001. The Fiction of Angela Carter. Icon readers’ guides. Palgrave Macmillan.

Gard, Roger. 1968. Henry James: The Critical Heritage. The critical heritage series. Routledge & Kegan Paul.

Gelder, Ken. 2007. Subcultures: Cultural Histories and Social Practice. Routledge.

Gelder, Ken. 2012. New Vampire Cinema. BFI.

Gelder, Kenneth. 1994. Reading the Vampire. Popular fictions series. Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050.

Gelder, Kenneth. 2005. The Subcultures Reader. 2nd ed. Routledge.

Gelder, Kenneth and Dawsonera. 1994. Reading the Vampire. Popular fictions series. Routledge. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050.

Gilman, Sander L. 1988. Disease and Representation: Images of Illness from Madness to AIDS. Cornell University Press.

Glendening, John. 2007. The Evolutionary Imagination in Late-Victorian Novels: An Entangled Bank. Ashgate. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213.

Glover, David. 1996. Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction. Duke University Press.

Gordon, Joan, and Veronica Hollinger. 1997. Blood Read: The Vampire as Metaphor in Contemporary Culture. University of Pennsylvania Press.

‘Gothic Journal’. n.d. http://www.gothicjournal.com/.

Gothic Studies. n.d.

Gothic Texts and Contexts Film and TV Channel (Box of Broadcasts). n.d. http://bobnational.net/collection/index/collectionID/126879.

Graham, Kenneth. 1995. Henry James: A Literary Life. Macmillan literary lives. Macmillan.

Gray, John. 2011. The Immortalization Commission: Science and the Strange Quest to Cheat Death. Allen Lane.

Guthke, Karl S. 1999. The Gender of Death: A Cultural History in Art and Literature. Cambridge University Press.

Halberstam, Judith. 1995. Skin Shows: Gothic Horror and the Technology of Monsters. Duke University Press.

Hall, Willis, and Babette Cole. 1984. The Last Vampire. Fontana Young Lions.

Hammond, Ray. 1986. The Modern Frankenstein: Fiction Becomes Fact. Blandford.

Hanson, Helen and Dawsonera. 2007. Hollywood Heroines: Women in Film Noir and the Female Gothic Film. I.B. Tauris. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505.

Hardwicke, Catherine, and Stephenie Meyer. 2009. Twilight. E1 Entertainment UK. Videorecording.

Harriet Hustis. 2003. ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’. Studies in English Literature, 1500-1900 43 (4): 845–58. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101.

Hayes, Kevin J. 2002. The Cambridge Companion to Edgar Allan Poe. Cambridge companions to literature. Cambridge University Press.

Hebdige, Dick and MyiLibrary. 1991. Subculture: The Meaning of Style. New accents. Routledge. Electronic resource. https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053.

Heller, Tamar. 1992. Dead Secrets: Wilkie Collins and the Female Gothic. Yale University Press.

Hennessy, Brendan and British Council. 1978. The Gothic Novel. Writers and Their work. Longman for the British Council.

Hindle, Maurice. 2009. ‘Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830’. The Modern Language Review 104 (4): 1118–19. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064.

Hodkinson, Paul. 2002. Goth: Identity, Style and Subculture. Dress, Body, Culture. Berg.

Hogle, Jerrold E. 2002. The Cambridge Companion to Gothic Fiction. Cambridge companions to literature. Cambridge University Press.

Hopkins, Lisa. 2005. Screening the Gothic. University of Texas Press.

Hurley, Kelly. 2004. The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle. Cambridge studies in nineteenth-Century literature and Culture. Cambridge University Press.

In Their Own Words: British Novelists, Nothing Sacred 1970-1990. 2010. Open University/ BBC. Videorecording.

Jacobus, Mary. 1995. First Things: The Maternal Imaginary in Literature, Art and Psychoanalysis. Routledge.

James, Henry, and Peter G. Beidler. 2004. The Turn of the Screw: Complete, Authoritative Text with Biographical, Historical and Cultural Contexts, Critical History and Essays from Contemporary Critical Perspectives. 2nd ed. Case studies in contemporary criticism. Palgrave Macmillan.

James, Henry, Henry James, Morton Dauwen Zabel, and Lyall H. Powers. 1977. The Portable Henry James. Revised ed. The Viking portable library. Penguin.

James O’Rourke. 1989. ‘“Nothing More Unnatural”: Mary Shelley’s Revision of Rousseau’. ELH 56 (3): 543–69. https://doi.org/10.2307/2873197.

John B. Lamb. 1992. ‘Mary Shelley’s Frankenstein and Milton’s Monstrous Myth’. Nineteenth-Century Literature 47 (3): 303–19. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709.

Jones, Jonathan. 2005. ‘Hidden Voices: Language and Ideology in Philosophy of Language of the Long Eighteenth Century and Mary Shelley’s’. Textual Practice 19 (3): 265–87. https://doi.org/10.1080/09502360500196243.

Jordan, Neil, and Angela Carter. 2005. The Company of Wolves. ITC Entertainment. Videorecording.

Kerr, Elizabeth Margaret. 1979. William Faulkner’s Gothic Domain. Kennikat Press national university publications : literary criticism series. Kennikat Press.

Khair, Tabish. 2009. The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere. Palgrave Macmillan.

Kilgour, Maggie. 1995. The Rise of the Gothic Novel. Routledge.

Killeen, Jarlath. 2009. History of the Gothic: Vol. 2: Gothic Literature, 1825-1914. Gothic literary studies. University of Wales Press.

Knellwolf, Christa, and Jane R. Goodall. 2008. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830. Ashgate Pub. Co.

Kracauer, Siegfried. 1947. From Caligari to Hitler: A Psychological History of the German Film. Princeton University Press.

Le Fanu, Joseph Sheridan, and Robert Tracy. 1999. In a Glass Darkly. Oxford world’s classics. Oxford University Press.

Le Fanu, Sheridan. 2010. Carmilla. Biblios Books.

Leatherdale, Clive. 2001. Dracula: The Novel & the Legend : A Study of Bram Stoker’s Gothic Masterpiece. The Desert Island Dracula library. Desert Island.

Lehner, Ernst, and Johanna Lehner. 1971a. Picture Book of Devils, Demons and Witchcraft. Dover pictorial archive series. Dover Publications.

Lehner, Ernst, and Johanna Lehner. 1971b. Picture Book of Devils, Demons and Witchcraft. Dover pictorial archive series. Dover Publications.

Lepine, Ayla. 2013. ‘Radical Gothic’. Art History 36 (2): 447–50. https://doi.org/10.1111/1467-8365.12009.

Levin, Harry. 1964. The Power of Blackness: Hawthorne, Poe, Melville. Alfred A. Knopf.

Lewis, M. G., Howard Anderson, and Emma McEvoy. 2008. The Monk. Oxford World’s classics. Oxford University Press.

Liggins, E. 2000. ‘The Medical Gaze and the Female Corpse: Looking at Bodies in Mary Shelley’s “Frankenstein”’. STUDIES IN THE NOVEL 32 (2): 129–46. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387.

Lloyd-Smith, Allan Gardner, and Victor Sage. 1996. Modern Gothic: A Reader. Manchester University Press.

London, Bette. 1993. ‘Mary Shelley, Frankenstein, and the Spectacle of Masculinity’. PMLA 108 (2). https://doi.org/10.2307/462596.

Luckhurst, Roger. 2005. Late Victorian Gothic Tales. Oxford world’s classics. Oxford University Press.

Malchow, Howard LeRoy. 1996. Gothic Images of Race in Nineteenth-Century Britain. Stanford University Press.

Manchester Metropolitan University (MMU). n.d. ‘The Manchester Centre for Gothic Studies’. https://www2.mmu.ac.uk/english/gothic-studies/.

Marsh, Nicholas. 2009. Mary Shelley: Frankenstein. Analysing texts. Palgrave Macmillan.

Marshall, Gail. 2007. The Cambridge Companion to the Fin de Siècle. Cambridge companions to literature. Cambridge University Press.

Martindale, Andrew. 1967. Gothic Art. The World of art library. Thames & Hudson.

Matheson, Richard. 2006. I Am Legend. Gollancz S.F. Gollancz.

Mellor, Anne Kostelanetz. 1988. Mary Shelley: Her Life, Her Fiction, Her Monsters. Routledge.

Melton, J. Gordon. 1994. The Vampire Book: The Encyclopedia of the Undead. Gale Research.

Mercer, Mick. 1996. The Hex Files: The Goth Bible. Batsford.

Mercer, Mick. 2002. 21st Century Goth. Reynolds & Hearn.

Meyer, Stephenie. 2007. Twilight. Atom.

Middleton, David L. 2000. Toni Morrison’s Fiction: Contemporary Criticism. Critical studies in black life and Culture. Garland Publishing.

Mighall, Robert. 1999. A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares. Oxford University Press.

Miller, Nancy K., and Jason Daniel Tougaw. 2002. Extremities: Trauma, Testimony, and Community. University of Illinois Press.

Moore, Harry T. 1974. Henry James and His World. Thames and Hudson.

Morrison, Toni. 1993. Playing in the Dark: Whiteness and the Literary Imagination. William E. Massey sr. lectures in the history of American civilization. Picador.

Morrow, Bradford, and Patrick McGrath. 1993a. The New Gothic. Picador.

Morrow, Bradford, and Patrick McGrath. 1993b. The New Gothic. Picador.

Morton, Timothy. 2002. A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein. Routledge literary sourcebooks. Routledge.

Munford, Rebecca. 2006. Re-Visiting Angela Carter: Texts, Contexts, Intertexts. Palgrave Macmillan.

Murnau, F. W., and Bram Stoker. 2000. Nosferatu. Eureka Video. Videorecording.

Murphy, Bernice M. 2009a. The Suburban Gothic in American Popular Culture. Palgrave Macmillan. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757.

Murphy, Bernice M. 2009b. The Suburban Gothic in American Popular Culture. Palgrave Macmillan.

Mutch, Deborah. 2013. The Modern Vampire and Human Identity. Palgrave Macmillan. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142.

Myrone, Martin, and Christopher Frayling. 2006. The Gothic Reader: A Critical Anthology. Tate.

Myrone, Martin, Christopher Frayling, Marina Warner, and Mervyn Heard. 2006. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. Tate.

Myrone, Martin, Marina Warner, Christopher Frayling, and Tate Britain (Art gallery). 2006. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. Tate.

Nesbit, E., and David Stuart Davies. 2006. The Power of Darkness: Tales of Terror. Tales of mystery&the Supernatural. Wordsworth Editions.

Newman, Kim and British Film Institute. 1996. The BFI Companion to Horror. Cassell.

Norman, Brian. 2013. Dead Women Talking: Figures of Injustice in American Literature. Johns Hopkins University Press.

Norton, Rictor. 2000. Gothic Readings: The First Wave 1764-1840. Leicester University Press.

Otis, Laura. 2002. Literature and Science in the Nineteenth Century: An Anthology. Oxford world’s classics. Oxford University Press.

Palahniuk, Chuck. 2006. Haunted: A Novel of Stories. Vintage.

Palahniuk, Chuck. 2012. Damned: Life Is Short, Death Is Forever. Vintage.

Palahniuk, Chuck. 2013. Doomed. Jonathan Cape.

Palmer, Paulina. 1999. Lesbian Gothic: Transgressive Fictions. Cassell.

Parini, Jay, and Brett C. Millier. 1993. The Columbia History of American Poetry. Columbia University Press.

Peach, Linden. 2000. Toni Morrison. 2nd ed. Macmillan.

Peach, Linden. 2009. Angela Carter. 2nd ed. Palgrave Macmillan.

Pedlar, Valerie. 2006. ‘The Most Dreadful Visitation’: Male Madness in Victorian Fiction. Liverpool English texts and Studies. Liverpool University Press.

Peterson, Nancy J. 2008. Beloved: Character Studies. Continuum.

Pirie, David. 1973a. A Heritage of Horror: The English Gothic Cinema 1946-1972. Gordon Fraser Gallery.

Pirie, David. 1973b. A Heritage of Horror: The English Gothic Cinema 1946-1972. Gordon Fraser Gallery.

Plasa, Carl, and Nicolas Tredell. 1998. Toni Morrison, Beloved. Readers’ guides to essential criticism. Palgrave Macmillan.

Poe, Edgar Allan. 2008. The Masque of the Red Death and Other Stories. Red classics. Penguin.

Poe, Edgar Allan, and David Galloway. 1967. Selected Writings of Edgar Allan Poe: Poems, Tales, Essays and Reviews. Penguin English Library. Penguin.

Poe, Edgar Allan, and David Galloway. 2003. The Fall of the House of Usher and Other Writings: Poems, Tales, Essays and Reviews. Penguin classics. Penguin.

Poe, Edgar Allan, and Gary Richard Thompson. 2004. The Selected Writings of Edgar Allan Poe: Authoritative Texts, Backgrounds and Contexts, Criticism. A Norton critical edition. W.W. Norton & Co.

Poe, Edgar Allan, and David Van Leer. 2008. Selected Tales. Oxford world’s classics. Oxford University Press.

Polidori, John William, Robert Morrison, and Chris Baldick. 1998. The Vampyre, and Other Tales of the Macabre. Oxford world’s classics. Oxford University Press.

Punter, David. 1996a. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. 2nd ed. Longman.

Punter, David. 1996b. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. 2nd ed. Longman.

Punter, David. 1999. A Companion to the Gothic. Blackwell companions to literature and Culture. Blackwell.

Punter, David, and Glennis Byron. 2004. The Gothic. Blackwell guides to literature. Blackwell.

Putt, S. Gorley. 1966. A Reader’s Guide to Henry James. Thames and Hudson.

Radcliffe, Ann, and Chloe Chard. 1986. The Romance of the Forest. The World’s classics. Oxford University Press.

Radcliffe, Ann, and Frederick Garber. 1981. The Italian: Or, The Confessional of the Black Penitents : A Romance. The World’s classics. Oxford University Press.

Radcliffe, Ann, and Alison Milbank. 1993. A Sicilian Romance. The world’s classics. Oxford University Press.

Radcliffe, Ann Ward, Bonamy Dobrée, and Terry Castle. 2008. The Mysteries of Udolpho. Oxford world’s classics. Oxford University Press.

Rarignac, Noël Montague-Étienne. 2012. The Theology of Dracula: Reading the Book of Stoker as Sacred Text. McFarland & Co.

Rauch, Alan. 1995. ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’. Studies in Romanticism 34: 227–53. http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live.

Rawlings, Peter. 2007. Palgrave Advances in Henry James Studies. Palgrave advances. Palgrave Macmillan. Electronic resource. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881.

Reese, Diana. n.d. ‘A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights’. Representations, no. 96. https://doi.org/10.1525/rep.2006.96.1.48.

Regan, Robert. 1967. Poe: A Collection of Critical Essays. Twentieth century views. Prentice-Hall.

Rice, Anne. 1994. Interview with the Vampire: The First Book in the Vampire Chronicles. The vampire chronicles. Warner.

Roberts, Ian. 2008. German Expressionist Cinema: The World of Light and Shadow. Short cuts. Wallflower.

Round, Julia. 2014. Gothic in Comics and Graphic Novels: A Critical Approach. McFarland & Company.

Ruskin, John, and William Morris. 1977. The Nature of Gothic: A Chapter of The Stones of Venice. The aesthetic movement&the Arts and Crafts movement. Garland Pub.

Ryan, Alan. 1998. The Penguin Book of Vampire Stories. Penguin.

Rymer, James Malcolm, and Dick Collins. 2010. Varney, the Vampyre: Or, the Feast of Blood. Wordsworth.

Sage, Lorna. 2007a. Angela Carter. 2nd ed. Writers and Their work. Northcote.

Sage, Lorna. 2007b. Essays on the Art of Angela Carter: Flesh and the Mirror. [Rev. and Updated ed.]. Virago.

Sage, Victor. 1990. The Gothick Novel: A Casebook. Casebook series. Macmillan.

Schmitt, Cannon. 2002. ‘A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares, and: Gothic Radicalism: Literature, Philosophy, and Psychoanalysis in the Nineteenth Century, and: Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century (Review)’. Victorian Studies 44 (3): 543–47. http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/3830055.

Schor, Esther H. 2003. The Cambridge Companion to Mary Shelley. Cambridge companions to literature. Cambridge University Press.

Schreiber, Evelyn Jaffe. 2010. Race, Trauma, and Home in the Novels of Toni Morrison. Southern literary studies. Louisiana State University Press.

Schug, Charles. 1977. ‘The Romantic Form of Mary Shelley’s Frankenstein’. Studies in English Literature, 1500-1900 17 (4). https://doi.org/10.2307/450311.

Sears, John. 2011. Stephen King’s Gothic. Gothic literary studies. University of Wales Press.

Sellers, Susan. 2001. Myth and Fairy Tale in Contemporary Women’s Fiction. Palgrave.

Shan, Darren. 2000. Cirque Du Freak. The saga of Darren Shan. Collins.

Shelley, Mary Wollstonecraft, and Maurice Hindle. 2003. Frankenstein: Or the Modern Prometheus. Rev. ed. Penguin classics. Penguin.

Shelley, Mary Wollstonecraft, and J. Paul Hunter. 2012. Frankenstein: The 1818 Text, Contexts, Criticism. 2nd ed. A Norton critical edition. W.W. Norton & Co.

Silver, Alain, and James Ursini. 1997. The Vampire Film: From Nosferatu to Interview with the Vampire. 3rd ed. Limelight.

Silver, Alain, and James Ursini. 2011. The Vampire Film: From Nosferatu to True Blood. 4th ed., Updated and Expanded. Limelight Editions.

Silverman, Kenneth. 1992. Edgar A. Poe: Mournful and Never-Ending Remembrance. Weidenfeld & Nicolson.

Sinfield, Alan. 1986. Alfred Tennyson. Rereading literature. Blackwell.

Small, Christopher. 1972. Ariel like a Harpy: Shelley, Mary and Frankenstein. Gollancz.

Smith, Allan Lloyd. 2004. ‘“This Thing of Darkness”: Racial Discourse in Mary Shelley’s Frankenstein’. Gothic Studies 6 (2): 208–22. https://doi.org/10.7227/GS.6.2.4.

Smith, Andrew. 2004. Victorian Demons: Medicine, Masculinity and the Gothic at the Fin-de-Siècle. Manchester University Press.

Smith, Andrew. 2007. Gothic Literature. Edinburgh critical guides to literature. Edinburgh University Press.

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