Abbott, S. (2007) Celluloid vampires: life after death in the modern world. 1st ed. Austin: University of Texas Press.
‘Aeternum: The Journal of Contemporary Gothic Studies’ (no date). Available at: https://www.aeternumjournal.com/.
Alexander, M. (1989) Women in romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley. Basingstoke: Macmillan Education.
Allen, G. (2008) Shelley’s Frankenstein. London: Continuum.
Armitt, L. (1991) Where no man has gone before: women and science fiction. London: Routledge.
Armitt, L. (2011) Twentieth-century Gothic. Cardiff: University of Wales Press.
Armstrong, I. (1996) Victorian poetry: poetry, poetics and politics. London: Routledge.
Auerbach, N. (1995) Our vampires, ourselves. Chicago: University of Chicago Press.
Bailey, M., Hall, C., and National Association for the Teaching of English (1998) Beloved, by Toni Morrison: a post-16 study guide. Sheffield: NATE.
Baldick, C. (2009a) The Oxford book of gothic tales. Oxford: Oxford University Press.
Baldick, C. (2009b) The Oxford book of gothic tales. Oxford: Oxford University Press.
Bann, S. (1994) Frankenstein, creation and monstrosity. London: Reaktion.
Barber, P. (2010) Vampires, burial, and death: folklore and reality. [New ed.]. New Haven, [Conn.]: Yale University Press.
Barzilai, S. (2009) Tales of Bluebeard and his wives from late antiquity to postmodern times. New York: Routledge.
Bell, J. (ed.) (2013) Gothic: the dark heart of film. London: BFI.
Beresford, M. (2008a) From demons to Dracula: the creation of the modern vampire myth. London: Reaktion.
Beresford, M. (2008b) From demons to Dracula: the creation of the modern vampire myth [electronic resource]. London: Reaktion. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781861897428.
Bloom, C. (1988) Nineteenth-century suspense: from Poe to Conan Doyle. Basingstoke: Macmillan.
Bloom, C. (1998) Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: Macmillan.
Bloom, C. (2007a) Gothic horror: a guide for students and readers. 2nd ed. Basingstoke: Palgrave Macmillan.
Bloom, C. (2007b) Gothic horror: a guide for students and readers. 2nd ed. Basingstoke: Palgrave Macmillan.
Bloom, C. (2010) Gothic histories: the taste for terror, 1764 to the present. London: Continuum.
Botting, F. (1991) Making monstrous: Frankenstein, criticism, theory. Manchester: Manchester University Press.
Botting, F. (1996) Gothic. London: Routledge.
Botting, F. (2008a) Gothic romanced: consumption, gender and technology in contemporary fictions. Abingdon: Routledge.
Botting, F. (2008b) Limits of horror: technology, bodies, gothic. Manchester: Manchester University Press.
Bowers, M.A. (2004) Magic(al) realism. London: Routledge.
Brabon, B.A. and Genz, S. (2007) Postfeminist gothic: critical interventions in contemporary culture. Basingstoke: Palgrave Macmillan.
Brill, D. (2008) Goth culture: gender, sexuality and style. Oxford: Berg.
Britton, JM (2009) ‘Novelistic Sympathy in Mary Shelley’s Frankenstein’, STUDIES IN ROMANTICISM, 48, pp. 3–22. Available at: http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live.
Brogan, K. (1998) Cultural haunting: ghosts and ethnicity in recent American literature. Charlottesville: University Press of Virginia.
Butler, E. (2010a) Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933. Columbia, S.C.: Camden House.
Butler, E. (2010b) Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933. Columbia, S.C.: Camden House.
Camille, M. (1996) Gothic art: visions and revelations of the medieval world. London: Weidenfeld and Nicolson.
Carroll, N. (1990) The philosophy of horror or paradoxes of the heart. New York: Routledge.
Carter, A. (1981) The magic toyshop. London: Virago.
Carter, A. (1995) The bloody chamber and other stories. London: Vintage.
Cavallaro, D. (2002) The gothic vision: three centuries of horror, terror and fear. London: Continuum.
Chalcraft, A. and Viscardi, J. (2007) Strawberry Hill: Horace Walpole’s gothic castle. London: Frances Lincoln.
Clery, E.J. and British Council (2004) Women’s gothic: from Clara Reeve to Mary Shelley. 2nd ed. Tavistock: Northcote House.
Clery, E.J. and Miles, R. (2000) Gothic documents: a sourcebook 1700-1820. Manchester: Manchester University Press.
Cornwell, N. (1990) The literary fantastic: from Gothic to postmodernism. London: Harvester Wheatsheaf.
Crimmins, J. (2013) ‘Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein’, STUDIES IN ROMANTICISM, 52(4), pp. 561–583. Available at: http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live.
Criscillia Benford (2010) ‘“Listen to my tale”: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”’, Narrative, 18(3), pp. 324–346. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416.
Crow, C.L. (2009) History of the gothic: American gothic. Cardiff: University of Wales Press.
Cynthia Pon (2000) ‘“Passages” in Mary Shelley’s “Frankenstein”: Toward a Feminist Figure of Humanity?’, Modern Language Studies, 30(2), pp. 33–50. Available at: https://doi.org/10.2307/3195378.
Darrow, S. and Barrett, A. (2003) Through the tempests dark and wild: a story of Mary Shelley, creator of ‘Frankenstein’. London: Walker.
Davenport-Hines, R.P.T. (1998) Gothic: 400 years of excess, horror, evil and ruin. London: Fourth Estate.
Davison, C.M. (2009) History of the gothic: gothic literature 1764-1824. Cardiff: University of Wales Press.
Day, A. (1998) Angela Carter: the rational glass. Manchester: Manchester University Press.
Dinesen, I. and Dinesen, I. (2002) Seven Gothic tales. London: Penguin.
Douglas-Fairhurst, R. (2002) Victorian afterlives: the shaping of influence in nineteenth-century literature. Oxford: Oxford University Press.
Dreyer, C.T. and Le Fanu, S. (2008) ‘Vampyr: the strange adventure of Allan Gray’. [U.K.]: Eureka Video.
Dryden, L. (2003) The modern gothic and literary doubles: Stevenson, Wilde, and Wells. Basingstoke: Palgrave Macmillan.
Dupee, F.W. (1951) Henry James. London: Methuen.
Easton, A. (2000) Angela Carter. Basingstoke: Macmillan.
Eberle-Sinatra, M. (2005) ‘Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations’, Gothic Studies, 7(2), pp. 187–202. Available at: https://doi.org/10.7227/GS.7.2.7.
Edel, L. (1963a) Henry James: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall.
Edel, L. (1963b) Henry James: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall.
Edmundson, M. (2013) Women’s Ghost Literature in Nineteenth-Century Britain [electronic resource]. Cardiff: University of Wales Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650.
Elferen, I. van (2007) Nostalgia or perversion?: Gothic rewriting from the eighteenth century until the present day. Newcastle, UK: Cambridge Scholars Publishing.
Ellis, M. (2000) The history of gothic fiction. Edinburgh: Edinburgh University Press.
Fairclough, P. (1968) Three Gothic novels. Harmondsworth: Penguin Books.
Farson, D. (1975) Vampires, zombies, and monster men. London: Aldus Books , distributed by Jupiter Books.
Fictions of unease: the gothic from Otranto to the x-files (2002). Bath: Sulis.
Fisher, J. (2003) Vampire in the text: narratives of contemporary art. London: Institute of International Visual Arts.
Frankl, P. and Crossley, P. (2000) Gothic architecture. Rev. ed. New Haven: Yale University Press.
Frayling, C. (1992) Vampyres: Lord Byron to Count Dracula. London: Faber.
Frayling, C. (1996) ‘Nightmare: the birth of horror’. [U.K.]: Wall to Wall for BBC.
Fredricks, Nancy (no date) ‘On the sublime and beautiful in Shelley’s Frankenstein’, Essays in Literature, 23(2), pp. 178–189. Available at: http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727.
Freedman, J. (1998) The Cambridge companion to Henry James. Cambridge: Cambridge University Press.
Frisch, T.G. and Medieval Academy of America (1987) Gothic art 1140-c.1450: sources and documents. Toronto: University of Toronto Press in association with the Medieval Academy of America.
Gaiman, N. et al. (2010) The sandman: Vol. 1: Preludes & nocturnes. New York: DC Comics.
Gaiman, N. (2013) Smoke and mirrors: short fiction and illusions. London: Headline.
Gaiman, N. and Riddell, C. (2009) The graveyard book. London: Bloomsbury.
Gamble, S. (2006) Angela Carter: a literary life. Basingstoke: Palgrave Macmillan.
Gamble, S. and Tredell, N. (2001) The fiction of Angela Carter. Basingstoke: Palgrave Macmillan.
Gard, R. (1968) Henry James: the critical heritage. London: Routledge & Kegan Paul.
Gelder, K. (1994) Reading the vampire. Abingdon: Routledge. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050.
Gelder, K. (2005) The subcultures reader. 2nd ed. Abingdon: Routledge.
Gelder, K. (2007) Subcultures: cultural histories and social practice. London: Routledge.
Gelder, K. (2012) New vampire cinema. London: BFI.
Gelder, K. and Dawsonera (1994) Reading the vampire [electronic resource]. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050.
Gilman, S.L. (1988) Disease and representation: images of illness from madness to AIDS. Ithaca, N.Y.: Cornell University Press.
Glendening, J. (2007) The evolutionary imagination in late-Victorian novels: an entangled bank [electronic resource]. Aldershot: Ashgate. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213.
Glover, D. (1996) Vampires, mummies, and liberals: Bram Stoker and the politics of popular fiction. Durham: Duke University Press.
Gordon, J. and Hollinger, V. (1997) Blood read: the vampire as metaphor in contemporary culture. Philadelphia, Pa: University of Pennsylvania Press.
Gothic Journal (no date). Available at: http://www.gothicjournal.com/.
‘Gothic Studies’ (no date).
‘Gothic Texts and Contexts Film and TV List’ (no date). Available at: http://bobnational.net/collection/index/collectionID/126879.
Graham, K. (1995) Henry James: a literary life. Basingstoke: Macmillan.
Gray, J. (2011) The immortalization commission: science and the strange quest to cheat death. London: Allen Lane.
Guthke, K.S. (1999) The gender of death: a cultural history in art and literature. Cambridge: Cambridge University Press.
Halberstam, J. (1995) Skin shows: gothic horror and the technology of monsters. Durham: Duke University Press.
Hall, W. and Cole, B. (1984) The last vampire. London: Fontana Young Lions.
Hammond, R. (1986) The modern Frankenstein: fiction becomes fact. Poole: Blandford.
Hanson, H. and Dawsonera (2007) Hollywood heroines: women in film noir and the female gothic film [electronic resource]. London: I.B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505.
Hardwicke, C. and Meyer, S. (2009) ‘Twilight’. E1 Entertainment UK.
Harriet Hustis (2003) ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’, Studies in English Literature, 1500-1900, 43(4), pp. 845–858. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101.
Hayes, K.J. (2002) The Cambridge companion to Edgar Allan Poe. Cambridge: Cambridge University Press.
Hebdige, D. and MyiLibrary (1991) Subculture: the meaning of style [electronic resource]. London: Routledge. Available at: https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053.
Heller, T. (1992) Dead secrets: Wilkie Collins and the female gothic. New Haven: Yale University Press.
Hennessy, B. and British Council (1978) The gothic novel. Harlow: Longman for the British Council.
Hindle, Maurice (2009) ‘Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830’, The Modern Language Review, 104(4), pp. 1118–1119. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064.
Hodkinson, P. (2002) Goth: identity, style and subculture. Oxford: Berg.
Hogle, J.E. (2002) The Cambridge companion to gothic fiction. Cambridge: Cambridge University Press.
Hopkins, L. (2005) Screening the gothic. Austin, Tex: University of Texas Press.
Hurley, K. (2004) The gothic body: sexuality, materialism, and degeneration at the fin de siècle. Cambridge: Cambridge University Press.
‘In their own words: British novelists, Nothing Sacred 1970-1990’ (2010). [U.K.]: Open University/ BBC.
Jacobus, M. (1995) First things: the maternal imaginary in literature, art and psychoanalysis. New York: Routledge.
James, H. et al. (1977) The portable Henry James. Revised ed. Harmondsworth (etc.): Penguin.
James, H. and Beidler, P.G. (2004) The turn of the screw: complete, authoritative text with biographical, historical and cultural contexts, critical history and essays from contemporary critical perspectives. 2nd ed. Basingstoke: Palgrave Macmillan.
James O’Rourke (1989) ‘“Nothing More Unnatural”: Mary Shelley’s Revision of Rousseau’, ELH, 56(3), pp. 543–569. Available at: https://doi.org/10.2307/2873197.
John B. Lamb (1992) ‘Mary Shelley’s Frankenstein and Milton’s Monstrous Myth’, Nineteenth-Century Literature, 47(3), pp. 303–319. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709.
Jones, J. (2005) ‘Hidden voices: Language and ideology in philosophy of language of the long eighteenth century and Mary Shelley’s’, Textual Practice, 19(3), pp. 265–287. Available at: https://doi.org/10.1080/09502360500196243.
Jordan, N. and Carter, A. (2005) ‘The company of wolves’. ITC Entertainment.
Kerr, E.M. (1979) William Faulkner’s gothic domain. Port Washington: Kennikat Press.
Khair, T. (2009) The gothic, postcolonialism and otherness: ghosts from elsewhere. Basingstoke: Palgrave Macmillan.
Kilgour, M. (1995) The rise of the Gothic novel. London: Routledge.
Killeen, J. (2009) History of the gothic: Vol. 2: Gothic literature, 1825-1914. Cardiff: University of Wales Press.
Knellwolf, C. and Goodall, J.R. (2008) Frankenstein’s science: experimentation and discovery in romantic culture, 1780-1830. Aldershot, Hants, England: Ashgate Pub. Co.
Kracauer, S. (1947) From Caligari to Hitler: a psychological history of the German film. Princeton, N.J.: Princeton University Press.
Le Fanu, J.S. and Tracy, R. (1999) In a glass darkly. Oxford: Oxford University Press.
Le Fanu, S. (2010) Carmilla. London: Biblios Books.
Leatherdale, C. (2001) Dracula: the novel & the legend : a study of Bram Stoker’s gothic masterpiece. Westcliff-on-Sea: Desert Island.
Lehner, E. and Lehner, J. (1971a) Picture book of devils, demons and witchcraft. New York: Dover Publications.
Lehner, E. and Lehner, J. (1971b) Picture book of devils, demons and witchcraft. New York: Dover Publications.
Lepine, A. (2013) ‘Radical Gothic’, Art History, 36(2), pp. 447–450. Available at: https://doi.org/10.1111/1467-8365.12009.
Levin, H. (1964) The power of blackness: Hawthorne, Poe, Melville. New York: Alfred A. Knopf.
Lewis, M.G., Anderson, H. and McEvoy, E. (2008) The monk. Oxford: Oxford University Press.
Liggins, E. (2000) ‘The medical gaze and the female corpse: Looking at bodies in Mary Shelley’s “Frankenstein”’, STUDIES IN THE NOVEL, 32(2), pp. 129–146. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387.
Lloyd-Smith, A.G. and Sage, V. (1996) Modern gothic: a reader. Manchester: Manchester University Press.
London, B. (1993) ‘Mary Shelley, Frankenstein, and the Spectacle of Masculinity’, PMLA, 108(2). Available at: https://doi.org/10.2307/462596.
Luckhurst, R. (2005) Late Victorian Gothic tales. Oxford: Oxford University Press.
Malchow, H.L. (1996) Gothic images of race in nineteenth-century Britain. Stanford, Calif: Stanford University Press.
Manchester Metropolitan University (MMU) (no date) The Manchester Centre for Gothic Studies. Available at: https://www2.mmu.ac.uk/english/gothic-studies/.
Marsh, N. (2009) Mary Shelley: Frankenstein. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan.
Marshall, G. (2007) The Cambridge companion to the fin de siècle. Cambridge: Cambridge University Press.
Martindale, A. (1967) Gothic art. London: Thames & Hudson.
Matheson, R. (2006) I am legend. London: Gollancz.
Mellor, A.K. (1988) Mary Shelley: her life, her fiction, her monsters. New York: Routledge.
Melton, J.G. (1994) The vampire book: the encyclopedia of the undead. Detroit: Gale Research.
Mercer, M. (1996) The Hex files: the Goth bible. London: Batsford.
Mercer, M. (2002) 21st century Goth. London: Reynolds & Hearn.
Meyer, S. (2007) Twilight. London: Atom.
Middleton, D.L. (2000) Toni Morrison’s fiction: contemporary criticism. London: Garland Publishing.
Mighall, R. (1999) A geography of Victorian Gothic fiction: mapping history’s nightmares. Oxford: Oxford University Press.
Miller, N.K. and Tougaw, J.D. (2002) Extremities: trauma, testimony, and community. Urbana, Ill: University of Illinois Press.
Moore, H.T. (1974) Henry James and his world. London: Thames and Hudson.
Morrison, T. (1993) Playing in the dark: whiteness and the literary imagination. London: Picador.
Morrow, B. and McGrath, P. (1993a) The New gothic. London: Picador.
Morrow, B. and McGrath, P. (1993b) The New gothic. London: Picador.
Morton, T. (2002) A Routledge literary sourcebook on Mary Shelley’s Frankenstein. Abingdon: Routledge.
Munford, R. (2006) Re-visiting Angela Carter: texts, contexts, intertexts. Basingstoke: Palgrave Macmillan.
Murnau, F.W. and Stoker, B. (2000) ‘Nosferatu’. [London]: Eureka Video.
Murphy, B.M. (2009a) The suburban gothic in American popular culture [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757.
Murphy, B.M. (2009b) The suburban gothic in American popular culture. Basingstoke: Palgrave Macmillan.
Mutch, D. (2013) The modern vampire and human identity [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142.
Myrone, M., Warner, M., et al. (2006) Gothic nightmares: Fuseli, Blake and the romantic imagination. London: Tate.
Myrone, M., Frayling, C., et al. (2006) Gothic nightmares: Fuseli, Blake and the romantic imagination. London: Tate.
Myrone, M. and Frayling, C. (2006) The gothic reader: a critical anthology. London: Tate.
Nesbit, E. and Davies, D.S. (2006) The power of darkness: tales of terror. Ware: Wordsworth Editions.
Newman, K. and British Film Institute (1996) The BFI companion to horror. London: Cassell.
Norman, B. (2013) Dead women talking: figures of injustice in American literature. Baltimore: Johns Hopkins University Press.
Norton, R. (2000) Gothic readings: the first wave 1764-1840. London: Leicester University Press.
Otis, L. (2002) Literature and science in the nineteenth century: an anthology. Oxford: Oxford University Press.
Palahniuk, C. (2006) Haunted: a novel of stories. London: Vintage.
Palahniuk, C. (2012) Damned: life is short, death is forever. London: Vintage.
Palahniuk, C. (2013) Doomed. London: Jonathan Cape.
Palmer, P. (1999) Lesbian gothic: transgressive fictions. London: Cassell.
Parini, J. and Millier, B.C. (1993) The Columbia history of American poetry. New York: Columbia University Press.
Peach, L. (2000) Toni Morrison. 2nd ed. London: Macmillan.
Peach, L. (2009) Angela Carter. 2nd ed. Basingstoke: Palgrave Macmillan.
Pedlar, V. (2006) ‘The most dreadful visitation’: male madness in Victorian fiction. Liverpool: Liverpool University Press.
Peterson, N.J. (2008) Beloved: character studies. London: Continuum.
Pirie, D. (1973a) A heritage of horror: the English gothic cinema 1946-1972. London: Gordon Fraser Gallery.
Pirie, D. (1973b) A heritage of horror: the English gothic cinema 1946-1972. London: Gordon Fraser Gallery.
Plasa, C. and Tredell, N. (1998) Toni Morrison, Beloved. Basingstoke: Palgrave Macmillan.
Poe, E.A. (2008) The masque of the Red Death and other stories. London: Penguin.
Poe, E.A. and Galloway, D. (1967) Selected writings of Edgar Allan Poe: poems, tales, essays and reviews. Harmondsworth: Penguin.
Poe, E.A. and Galloway, D. (2003) The fall of the house of Usher and other writings: poems, tales, essays and reviews. London: Penguin.
Poe, E.A. and Thompson, G.R. (2004) The selected writings of Edgar Allan Poe: authoritative texts, backgrounds and contexts, criticism. New York: W.W. Norton & Co.
Poe, E.A. and Van Leer, D. (2008) Selected tales. Oxford: Oxford University Press.
Polidori, J.W., Morrison, R. and Baldick, C. (1998) The vampyre, and other tales of the macabre. Oxford: Oxford University Press.
Punter, D. (1996a) The literature of terror: a history of gothic fictions from 1765 to the present day. 2nd ed. London: Longman.
Punter, D. (1996b) The literature of terror: a history of gothic fictions from 1765 to the present day. 2nd ed. London: Longman.
Punter, D. (1999) A companion to the Gothic. Oxford: Blackwell.
Punter, D. and Byron, G. (2004) The Gothic. Oxford: Blackwell.
Putt, S.G. (1966) A reader’s guide to Henry James. London: Thames and Hudson.
Radcliffe, A. and Chard, C. (1986) The romance of the forest. Oxford: Oxford University Press.
Radcliffe, A. and Garber, F. (1981) The Italian: or, The confessional of the Black Penitents : a romance. Oxford: Oxford University Press.
Radcliffe, A. and Milbank, A. (1993) A Sicilian romance. Oxford: Oxford University Press.
Radcliffe, A.W., Dobrée, B. and Castle, T. (2008) The Mysteries of Udolpho. Oxford: Oxford University Press.
Rarignac, N.M.-E. (2012) The theology of Dracula: reading the book of Stoker as sacred text. Jefferson, N.C.: McFarland & Co.
Rauch, A. (1995) ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’, Studies in Romanticism, 34, pp. 227–253. Available at: http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live.
Rawlings, P. (2007) Palgrave advances in Henry James studies [electronic resource]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881.
Reese, Diana (no date) ‘A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights’, Representations [Preprint], (96). Available at: https://doi.org/10.1525/rep.2006.96.1.48.
Regan, R. (1967) Poe: a collection of critical essays. Englewood Cliffs (N.J.): Prentice-Hall.
Rice, A. (1994) Interview with the vampire: the first book in the vampire chronicles. London: Warner.
Roberts, I. (2008) German expressionist cinema: the world of light and shadow. London: Wallflower.
Round, J. (2014) Gothic in comics and graphic novels: a critical approach. Jefferson: McFarland & Company.
Ruskin, J. and Morris, W. (1977) The nature of Gothic: a chapter of The stones of Venice. New York: Garland Pub.
Ryan, A. (1998) The Penguin book of vampire stories. London: Penguin.
Rymer, J.M. and Collins, D. (2010) Varney, the vampyre: or, the feast of blood. Hertfordshire: Wordsworth.
Sage, L. (2007a) Angela Carter. 2nd ed. Tavistock: Northcote.
Sage, L. (2007b) Essays on the art of Angela Carter: flesh and the mirror. [Rev. and updated ed.]. London: Virago.
Sage, V. (1990) The Gothick novel: a casebook. Basingstoke: Macmillan.
Schmitt, C. (2002) ‘A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares, and: Gothic Radicalism: Literature, Philosophy, and Psychoanalysis in the Nineteenth Century, and: Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century (review)’, Victorian Studies, 44(3), pp. 543–547. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/3830055.
Schor, E.H. (2003) The Cambridge companion to Mary Shelley. Cambridge: Cambridge University Press.
Schreiber, E.J. (2010) Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: Louisiana State University Press.
Schug, C. (1977) ‘The Romantic Form of Mary Shelley’s Frankenstein’, Studies in English Literature, 1500-1900, 17(4). Available at: https://doi.org/10.2307/450311.
Sears, J. (2011) Stephen King’s Gothic. Cardiff: University of Wales Press.
Sellers, S. (2001) Myth and fairy tale in contemporary women’s fiction. Basingstoke: Palgrave.
Shan, D. (2000) Cirque du freak. London: Collins.
Shelley, M.W. and Hindle, M. (2003) Frankenstein: or the modern Prometheus. Rev. ed. London: Penguin.
Shelley, M.W. and Hunter, J.P. (2012) Frankenstein: the 1818 text, contexts, criticism. 2nd ed. New York: W.W. Norton & Co.
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