Bibliography for LL625 Gothic Texts and Contexts

Abbott, Stacey. Celluloid Vampires: Life after Death in the Modern World. 1st ed. Austin: University of Texas Press, 2007. Print.

‘Aeternum: The Journal of Contemporary Gothic Studies’. n. pag. Web. <https://www.aeternumjournal.com/>.

Alexander, Meena. Women in Romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley. Women writers. Basingstoke: Macmillan Education, 1989. Print.

Allen, Graham. Shelley’s Frankenstein. Reader’s guides. London: Continuum, 2008. Print.

Armitt, Lucie. Twentieth-Century Gothic. Gothic literary studies. Cardiff: University of Wales Press, 2011. Print.

---. Where No Man Has Gone before: Women and Science Fiction. London: Routledge, 1991. Print.

Armstrong, Isobel. Victorian Poetry: Poetry, Poetics and Politics. London: Routledge, 1996. Print.

Auerbach, Nina. Our Vampires, Ourselves. Chicago: University of Chicago Press, 1995. Print.

Bailey, Mary, Christine Hall, and National Association for the Teaching of English. Beloved, by Toni Morrison: A Post-16 Study Guide. Sheffield: NATE, 1998. Print.

Baldick, Chris. The Oxford Book of Gothic Tales. Oxford: Oxford University Press, 2009. Print.

---. The Oxford Book of Gothic Tales. Oxford: Oxford University Press, 2009. Print.

Bann, Stephen. Frankenstein, Creation and Monstrosity. Critical views. London: Reaktion, 1994. Print.

Barber, Paul. Vampires, Burial, and Death: Folklore and Reality. [New ed.]. New Haven, [Conn.]: Yale University Press, 2010. Print.

Barzilai, Shuli. Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times. New York: Routledge, 2009. Print.

Bell, James, ed. Gothic: The Dark Heart of Film. A BFI compendium. London: BFI, 2013. Print.

Beresford, Matthew. From Demons to Dracula: The Creation of the Modern Vampire Myth. London: Reaktion, 2008. Print.

---. From Demons to Dracula: The Creation of the Modern Vampire Myth. London: Reaktion, 2008. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781861897428>.

Bloom, Clive. Gothic Histories: The Taste for Terror, 1764 to the Present. London: Continuum, 2010. Print.

---. Gothic Horror: A Guide for Students and Readers. 2nd ed. Basingstoke: Palgrave Macmillan, 2007. Print.

---. Gothic Horror: A Guide for Students and Readers. 2nd ed. Basingstoke: Palgrave Macmillan, 2007. Print.

---. Gothic Horror: A Reader’s Guide from Poe to King and Beyond. Basingstoke: Macmillan, 1998. Print.

---. Nineteenth-Century Suspense: From Poe to Conan Doyle. Insights. Basingstoke: Macmillan, 1988. Print.

Botting, Fred. Gothic. The New critical idiom. London: Routledge, 1996. Print.

---. Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions. Abingdon: Routledge, 2008. Print.

---. Limits of Horror: Technology, Bodies, Gothic. Manchester: Manchester University Press, 2008. Print.

---. Making Monstrous: Frankenstein, Criticism, Theory. Manchester: Manchester University Press, 1991. Print.

Bowers, Maggie Ann. Magic(al) Realism. The new critical idiom. London: Routledge, 2004. Print.

Brabon, Benjamin A., and Stéphanie Genz. Postfeminist Gothic: Critical Interventions in Contemporary Culture. Basingstoke: Palgrave Macmillan, 2007. Print.

Brill, Dunja. Goth Culture: Gender, Sexuality and Style. Oxford: Berg, 2008. Print.

Britton, JM. ‘Novelistic Sympathy in Mary Shelley’s Frankenstein’. STUDIES IN ROMANTICISM 48 (2009): 3–22. Web. <http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live>.

Brogan, Kathleen. Cultural Haunting: Ghosts and Ethnicity in Recent American Literature. Charlottesville: University Press of Virginia, 1998. Print.

Butler, Erik. Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933. Studies in German literature, linguistics and culture. Columbia, S.C.: Camden House, 2010. Print.

---. Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933. Studies in German literature, linguistics and culture. Columbia, S.C.: Camden House, 2010. Print.

Camille, Michael. Gothic Art: Visions and Revelations of the Medieval World. Everyman art library. London: Weidenfeld and Nicolson, 1996. Print.

Carroll, Noël. The Philosophy of Horror or Paradoxes of the Heart. New York: Routledge, 1990. Print.

Carter, Angela. The Bloody Chamber and Other Stories. London: Vintage, 1995. Print.

---. The Magic Toyshop. Virago modern classics. London: Virago, 1981. Print.

Cavallaro, Dani. The Gothic Vision: Three Centuries of Horror, Terror and Fear. London: Continuum, 2002. Print.

Chalcraft, Anna, and Judith Viscardi. Strawberry Hill: Horace Walpole’s Gothic Castle. London: Frances Lincoln, 2007. Print.

Clery, E. J. and British Council. Women’s Gothic: From Clara Reeve to Mary Shelley. 2nd ed. Writers and their work. Tavistock: Northcote House, 2004. Print.

Clery, E. J., and Robert Miles. Gothic Documents: A Sourcebook 1700-1820. Manchester: Manchester University Press, 2000. Print.

Cornwell, Neil. The Literary Fantastic: From Gothic to Postmodernism. London: Harvester Wheatsheaf, 1990. Print.

Crimmins, Jonathan. ‘Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein’. STUDIES IN ROMANTICISM 52.4 (2013): 561–583. Web. <http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live>.

Criscillia Benford. ‘“Listen to My Tale”: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”’. Narrative 18.3 (2010): 324–346. Web. <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416>.

Crow, Charles L. History of the Gothic: American Gothic. Gothic literary studies. Cardiff: University of Wales Press, 2009. Print.

Cynthia Pon. ‘“Passages” in Mary Shelley’s “Frankenstein”: Toward a Feminist Figure of Humanity?’ Modern Language Studies 30.2 (2000): 33–50. Web.

Darrow, Sharon, and Angela Barrett. Through the Tempests Dark and Wild: A Story of Mary Shelley, Creator of ‘Frankenstein’. London: Walker, 2003. Print.

Davenport-Hines, R. P. T. Gothic: 400 Years of Excess, Horror, Evil and Ruin. London: Fourth Estate, 1998. Print.

Davison, Carol Margaret. History of the Gothic: Gothic Literature 1764-1824. Gothic literary studies. Cardiff: University of Wales Press, 2009. Print.

Day, Aidan. Angela Carter: The Rational Glass. Manchester: Manchester University Press, 1998. Print.

Dinesen, Isak, and Isak Dinesen. Seven Gothic Tales. Penguin classics. London: Penguin, 2002. Print.

Douglas-Fairhurst, Robert. Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature. Oxford: Oxford University Press, 2002. Print.

Dreyer, Carl Theodor, and Sheridan Le Fanu. ‘Vampyr: The Strange Adventure of Allan Gray’. 2008 : n. pag. Print.

Dryden, Linda. The Modern Gothic and Literary Doubles: Stevenson, Wilde, and Wells. Basingstoke: Palgrave Macmillan, 2003. Print.

Dupee, Frederick W. Henry James. American men of letters series. London: Methuen, 1951. Print.

Easton, Alison. Angela Carter. New casebooks. Basingstoke: Macmillan, 2000. Print.

Eberle-Sinatra, Michael. ‘Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations’. Gothic Studies 7.2 (2005): 187–202. Web.

Edel, Leon. Henry James: A Collection of Critical Essays. Twentieth century views. Englewood Cliffs, N.J.: Prentice-Hall, 1963. Print.

---. Henry James: A Collection of Critical Essays. Twentieth century views. Englewood Cliffs, N.J.: Prentice-Hall, 1963. Print.

Edmundson, Melissa. Women’s Ghost Literature in Nineteenth-Century Britain. Gothic literary studies. Cardiff: University of Wales Press, 2013. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650>.

Elferen, Isabella van. Nostalgia or Perversion?: Gothic Rewriting from the Eighteenth Century until the Present Day. Newcastle, UK: Cambridge Scholars Publishing, 2007. Print.

Ellis, Markman. The History of Gothic Fiction. Edinburgh: Edinburgh University Press, 2000. Print.

Fairclough, Peter. Three Gothic Novels. Penguin classics. Harmondsworth: Penguin Books, 1968. Print.

Farson, Daniel. Vampires, Zombies, and Monster Men. London: Aldus Books , distributed by Jupiter Books, 1975. Print.

Fictions of Unease: The Gothic from Otranto to the x-Files. Bath: Sulis, 2002. Print.

Fisher, Jean. Vampire in the Text: Narratives of Contemporary Art. London: Institute of International Visual Arts, 2003. Print.

Frankl, Paul, and Paul Crossley. Gothic Architecture. Rev. ed. Yale University Press Pelican history of art. New Haven: Yale University Press, 2000. Print.

Frayling, Christopher. ‘Nightmare: The Birth of Horror’. 1996 : n. pag. Print.

---. Vampyres: Lord Byron to Count Dracula. London: Faber, 1992. Print.

Fredricks, Nancy. ‘On the Sublime and Beautiful in Shelley’s Frankenstein’. Essays in Literature 23.2 178–189. Web. <http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727>.

Freedman, Jonathan. The Cambridge Companion to Henry James. Cambridge companions to literature. Cambridge: Cambridge University Press, 1998. Print.

Frisch, Teresa G. and Medieval Academy of America. Gothic Art 1140-c.1450: Sources and Documents. Medieval Academy reprints for teaching. Toronto: University of Toronto Press in association with the Medieval Academy of America, 1987. Print.

Gaiman, Neil. Smoke and Mirrors: Short Fiction and Illusions. London: Headline, 2013. Print.

---. The Sandman: Vol. 1: Preludes & Nocturnes. New York: DC Comics, 2010. Print.

Gaiman, Neil, and Chris Riddell. The Graveyard Book. London: Bloomsbury, 2009. Print.

Gamble, Sarah. Angela Carter: A Literary Life. Literary lives. Basingstoke: Palgrave Macmillan, 2006. Print.

Gamble, Sarah, and Nicolas Tredell. The Fiction of Angela Carter. Icon readers’ guides. Basingstoke: Palgrave Macmillan, 2001. Print.

Gard, Roger. Henry James: The Critical Heritage. The critical heritage series. London: Routledge & Kegan Paul, 1968. Print.

Gelder, Ken. New Vampire Cinema. London: BFI, 2012. Print.

---. Subcultures: Cultural Histories and Social Practice. London: Routledge, 2007. Print.

Gelder, Kenneth. Reading the Vampire. Popular fictions series. Abingdon: Routledge, 1994. Web. <http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050>.

---. The Subcultures Reader. 2nd ed. Abingdon: Routledge, 2005. Print.

Gelder, Kenneth and Dawsonera. Reading the Vampire. Popular fictions series. London: Routledge, 1994. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050>.

Gilman, Sander L. Disease and Representation: Images of Illness from Madness to AIDS. Ithaca, N.Y.: Cornell University Press, 1988. Print.

Glendening, John. The Evolutionary Imagination in Late-Victorian Novels: An Entangled Bank. Aldershot: Ashgate, 2007. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213>.

Glover, David. Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction. Durham: Duke University Press, 1996. Print.

Gordon, Joan, and Veronica Hollinger. Blood Read: The Vampire as Metaphor in Contemporary Culture. Philadelphia, Pa: University of Pennsylvania Press, 1997. Print.

‘Gothic Journal’. N.p., n.d. Web. <http://www.gothicjournal.com/>.

‘Gothic Studies’. n. pag. Print.

‘Gothic Texts and Contexts Film and TV List’. Web. <http://bobnational.net/collection/index/collectionID/126879>.

Graham, Kenneth. Henry James: A Literary Life. Macmillan literary lives. Basingstoke: Macmillan, 1995. Print.

Gray, John. The Immortalization Commission: Science and the Strange Quest to Cheat Death. London: Allen Lane, 2011. Print.

Guthke, Karl S. The Gender of Death: A Cultural History in Art and Literature. Cambridge: Cambridge University Press, 1999. Print.

Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke University Press, 1995. Print.

Hall, Willis, and Babette Cole. The Last Vampire. London: Fontana Young Lions, 1984. Print.

Hammond, Ray. The Modern Frankenstein: Fiction Becomes Fact. Poole: Blandford, 1986. Print.

Hanson, Helen and Dawsonera. Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London: I.B. Tauris, 2007. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505>.

Hardwicke, Catherine, and Stephenie Meyer. ‘Twilight’. 2009 : n. pag. Print.

Harriet Hustis. ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’. Studies in English Literature, 1500-1900 43.4 (2003): 845–858. Web. <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101>.

Hayes, Kevin J. The Cambridge Companion to Edgar Allan Poe. Cambridge companions to literature. Cambridge: Cambridge University Press, 2002. Print.

Hebdige, Dick and MyiLibrary. Subculture: The Meaning of Style. New accents. London: Routledge, 1991. Web. <https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053>.

Heller, Tamar. Dead Secrets: Wilkie Collins and the Female Gothic. New Haven: Yale University Press, 1992. Print.

Hennessy, Brendan and British Council. The Gothic Novel. Writers and their work. Harlow: Longman for the British Council, 1978. Print.

Hindle, Maurice. ‘Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830’. The Modern Language Review 104.4 (2009): 1118–1119. Web. <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064>.

Hodkinson, Paul. Goth: Identity, Style and Subculture. Dress, body, culture. Oxford: Berg, 2002. Print.

Hogle, Jerrold E. The Cambridge Companion to Gothic Fiction. Cambridge companions to literature. Cambridge: Cambridge University Press, 2002. Print.

Hopkins, Lisa. Screening the Gothic. Austin, Tex: University of Texas Press, 2005. Print.

Hurley, Kelly. The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle. Cambridge studies in nineteenth-century literature and culture. Cambridge: Cambridge University Press, 2004. Print.

‘In Their Own Words: British Novelists, Nothing Sacred 1970-1990’. 2010 : n. pag. Print.

Jacobus, Mary. First Things: The Maternal Imaginary in Literature, Art and Psychoanalysis. New York: Routledge, 1995. Print.

James, Henry et al. The Portable Henry James. Revised ed. The Viking portable library. Harmondsworth (etc.): Penguin, 1977. Print.

James, Henry, and Peter G. Beidler. The Turn of the Screw: Complete, Authoritative Text with Biographical, Historical and Cultural Contexts, Critical History and Essays from Contemporary Critical Perspectives. 2nd ed. Case studies in contemporary criticism. Basingstoke: Palgrave Macmillan, 2004. Print.

James O’Rourke. ‘“Nothing More Unnatural”: Mary Shelley’s Revision of Rousseau’. ELH 56.3 (1989): 543–569. Web.

John B. Lamb. ‘Mary Shelley’s Frankenstein and Milton’s Monstrous Myth’. Nineteenth-Century Literature 47.3 (1992): 303–319. Web. <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709>.

Jones, Jonathan. ‘Hidden Voices: Language and Ideology in Philosophy of Language of the Long Eighteenth Century and Mary Shelley’s’. Textual Practice 19.3 (2005): 265–287. Web.

Jordan, Neil, and Angela Carter. ‘The Company of Wolves’. 2005 : n. pag. Print.

Kerr, Elizabeth Margaret. William Faulkner’s Gothic Domain. Kennikat Press national university publications : literary criticism series. Port Washington: Kennikat Press, 1979. Print.

Khair, Tabish. The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere. Basingstoke: Palgrave Macmillan, 2009. Print.

Kilgour, Maggie. The Rise of the Gothic Novel. London: Routledge, 1995. Print.

Killeen, Jarlath. History of the Gothic: Vol. 2: Gothic Literature, 1825-1914. Gothic literary studies. Cardiff: University of Wales Press, 2009. Print.

Knellwolf, Christa, and Jane R. Goodall. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830. Aldershot, Hants, England: Ashgate Pub. Co, 2008. Print.

Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton, N.J.: Princeton University Press, 1947. Print.

Le Fanu, Joseph Sheridan, and Robert Tracy. In a Glass Darkly. Oxford world’s classics. Oxford: Oxford University Press, 1999. Print.

Le Fanu, Sheridan. Carmilla. London: Biblios Books, 2010. Print.

Leatherdale, Clive. Dracula: The Novel & the Legend : A Study of Bram Stoker’s Gothic Masterpiece. The Desert Island Dracula library. Westcliff-on-Sea: Desert Island, 2001. Print.

Lehner, Ernst, and Johanna Lehner. Picture Book of Devils, Demons and Witchcraft. Dover pictorial archive series. New York: Dover Publications, 1971. Print.

---. Picture Book of Devils, Demons and Witchcraft. Dover pictorial archive series. New York: Dover Publications, 1971. Print.

Lepine, Ayla. ‘Radical Gothic’. Art History 36.2 (2013): 447–450. Web.

Levin, Harry. The Power of Blackness: Hawthorne, Poe, Melville. New York: Alfred A. Knopf, 1964. Print.

Lewis, M. G., Howard Anderson, and Emma McEvoy. The Monk. Oxford World’s classics. Oxford: Oxford University Press, 2008. Print.

Liggins, E. ‘The Medical Gaze and the Female Corpse: Looking at Bodies in Mary Shelley’s “Frankenstein”’. STUDIES IN THE NOVEL 32.2 (2000): 129–146. Web. <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387>.

Lloyd-Smith, Allan Gardner, and Victor Sage. Modern Gothic: A Reader. Manchester: Manchester University Press, 1996. Print.

London, Bette. ‘Mary Shelley, Frankenstein, and the Spectacle of Masculinity’. PMLA 108.2 (1993): n. pag. Web.

Luckhurst, Roger. Late Victorian Gothic Tales. Oxford world’s classics. Oxford: Oxford University Press, 2005. Print.

Malchow, Howard LeRoy. Gothic Images of Race in Nineteenth-Century Britain. Stanford, Calif: Stanford University Press, 1996. Print.

Manchester Metropolitan University (MMU). ‘The Manchester Centre for Gothic Studies’. N.p., n.d. Web. <https://www2.mmu.ac.uk/english/gothic-studies/>.

Marsh, Nicholas. Mary Shelley: Frankenstein. Analysing texts. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan, 2009. Print.

Marshall, Gail. The Cambridge Companion to the Fin de Siècle. Cambridge companions to literature. Cambridge: Cambridge University Press, 2007. Print.

Martindale, Andrew. Gothic Art. The World of art library. London: Thames & Hudson, 1967. Print.

Matheson, Richard. I Am Legend. Gollancz S.F. London: Gollancz, 2006. Print.

Mellor, Anne Kostelanetz. Mary Shelley: Her Life, Her Fiction, Her Monsters. New York: Routledge, 1988. Print.

Melton, J. Gordon. The Vampire Book: The Encyclopedia of the Undead. Detroit: Gale Research, 1994. Print.

Mercer, Mick. 21st Century Goth. London: Reynolds & Hearn, 2002. Print.

---. The Hex Files: The Goth Bible. London: Batsford, 1996. Print.

Meyer, Stephenie. Twilight. London: Atom, 2007. Print.

Middleton, David L. Toni Morrison’s Fiction: Contemporary Criticism. Critical studies in black life and culture. London: Garland Publishing, 2000. Print.

Mighall, Robert. A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares. Oxford: Oxford University Press, 1999. Print.

Miller, Nancy K., and Jason Daniel Tougaw. Extremities: Trauma, Testimony, and Community. Urbana, Ill: University of Illinois Press, 2002. Print.

Moore, Harry T. Henry James and His World. London: Thames and Hudson, 1974. Print.

Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. William E. Massey sr. lectures in the history of American civilization. London: Picador, 1993. Print.

Morrow, Bradford, and Patrick McGrath. The New Gothic. London: Picador, 1993. Print.

---. The New Gothic. London: Picador, 1993. Print.

Morton, Timothy. A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein. Routledge literary sourcebooks. Abingdon: Routledge, 2002. Print.

Munford, Rebecca. Re-Visiting Angela Carter: Texts, Contexts, Intertexts. Basingstoke: Palgrave Macmillan, 2006. Print.

Murnau, F. W., and Bram Stoker. ‘Nosferatu’. 2000 : n. pag. Print.

Murphy, Bernice M. The Suburban Gothic in American Popular Culture. Basingstoke: Palgrave Macmillan, 2009. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757>.

---. The Suburban Gothic in American Popular Culture. Basingstoke: Palgrave Macmillan, 2009. Print.

Mutch, Deborah. The Modern Vampire and Human Identity. Basingstoke: Palgrave Macmillan, 2013. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142>.

Myrone, Martin, Marina Warner, et al. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. London: Tate, 2006. Print.

Myrone, Martin, Christopher Frayling, et al. Gothic Nightmares: Fuseli, Blake and the Romantic Imagination. London: Tate, 2006. Print.

---. The Gothic Reader: A Critical Anthology. London: Tate, 2006. Print.

Nesbit, E., and David Stuart Davies. The Power of Darkness: Tales of Terror. Tales of mystery&the supernatural. Ware: Wordsworth Editions, 2006. Print.

Newman, Kim and British Film Institute. The BFI Companion to Horror. London: Cassell, 1996. Print.

Norman, Brian. Dead Women Talking: Figures of Injustice in American Literature. Baltimore: Johns Hopkins University Press, 2013. Print.

Norton, Rictor. Gothic Readings: The First Wave 1764-1840. London: Leicester University Press, 2000. Print.

Otis, Laura. Literature and Science in the Nineteenth Century: An Anthology. Oxford world’s classics. Oxford: Oxford University Press, 2002. Print.

Palahniuk, Chuck. Damned: Life Is Short, Death Is Forever. London: Vintage, 2012. Print.

---. Doomed. London: Jonathan Cape, 2013. Print.

---. Haunted: A Novel of Stories. London: Vintage, 2006. Print.

Palmer, Paulina. Lesbian Gothic: Transgressive Fictions. London: Cassell, 1999. Print.

Parini, Jay, and Brett C. Millier. The Columbia History of American Poetry. New York: Columbia University Press, 1993. Print.

Peach, Linden. Angela Carter. 2nd ed. Basingstoke: Palgrave Macmillan, 2009. Print.

---. Toni Morrison. 2nd ed. London: Macmillan, 2000. Print.

Pedlar, Valerie. ‘The Most Dreadful Visitation’: Male Madness in Victorian Fiction. Liverpool English texts and studies. Liverpool: Liverpool University Press, 2006. Print.

Peterson, Nancy J. Beloved: Character Studies. London: Continuum, 2008. Print.

Pirie, David. A Heritage of Horror: The English Gothic Cinema 1946-1972. London: Gordon Fraser Gallery, 1973. Print.

---. A Heritage of Horror: The English Gothic Cinema 1946-1972. London: Gordon Fraser Gallery, 1973. Print.

Plasa, Carl, and Nicolas Tredell. Toni Morrison, Beloved. Readers’ guides to essential criticism. Basingstoke: Palgrave Macmillan, 1998. Print.

Poe, Edgar Allan. The Masque of the Red Death and Other Stories. Red classics. London: Penguin, 2008. Print.

Poe, Edgar Allan, and David Galloway. Selected Writings of Edgar Allan Poe: Poems, Tales, Essays and Reviews. Penguin English Library. Harmondsworth: Penguin, 1967. Print.

---. The Fall of the House of Usher and Other Writings: Poems, Tales, Essays and Reviews. Penguin classics. London: Penguin, 2003. Print.

Poe, Edgar Allan, and Gary Richard Thompson. The Selected Writings of Edgar Allan Poe: Authoritative Texts, Backgrounds and Contexts, Criticism. A Norton critical edition. New York: W.W. Norton & Co, 2004. Print.

Poe, Edgar Allan, and David Van Leer. Selected Tales. Oxford world’s classics. Oxford: Oxford University Press, 2008. Print.

Polidori, John William, Robert Morrison, and Chris Baldick. The Vampyre, and Other Tales of the Macabre. Oxford world’s classics. Oxford: Oxford University Press, 1998. Print.

Punter, David. A Companion to the Gothic. Blackwell companions to literature and culture. Oxford: Blackwell, 1999. Print.

---. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. 2nd ed. London: Longman, 1996. Print.

---. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. 2nd ed. London: Longman, 1996. Print.

Punter, David, and Glennis Byron. The Gothic. Blackwell guides to literature. Oxford: Blackwell, 2004. Print.

Putt, S. Gorley. A Reader’s Guide to Henry James. London: Thames and Hudson, 1966. Print.

Radcliffe, Ann, and Chloe Chard. The Romance of the Forest. The World’s classics. Oxford: Oxford University Press, 1986. Print.

Radcliffe, Ann, and Frederick Garber. The Italian: Or, The Confessional of the Black Penitents : A Romance. The World’s classics. Oxford: Oxford University Press, 1981. Print.

Radcliffe, Ann, and Alison Milbank. A Sicilian Romance. The world’s classics. Oxford: Oxford University Press, 1993. Print.

Radcliffe, Ann Ward, Bonamy Dobrée, and Terry Castle. The Mysteries of Udolpho. Oxford world’s classics. Oxford: Oxford University Press, 2008. Print.

Rarignac, Noël Montague-Étienne. The Theology of Dracula: Reading the Book of Stoker as Sacred Text. Jefferson, N.C.: McFarland & Co, 2012. Print.

Rauch, Alan. ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’. Studies in Romanticism 34 (1995): 227–253. Web. <http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live>.

Rawlings, Peter. Palgrave Advances in Henry James Studies. Palgrave advances. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2007. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881>.

Reese, Diana. ‘A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights’. Representations 96 n. pag. Web.

Regan, Robert. Poe: A Collection of Critical Essays. Twentieth century views. Englewood Cliffs (N.J.): Prentice-Hall, 1967. Print.

Rice, Anne. Interview with the Vampire: The First Book in the Vampire Chronicles. The vampire chronicles. London: Warner, 1994. Print.

Roberts, Ian. German Expressionist Cinema: The World of Light and Shadow. Short cuts. London: Wallflower, 2008. Print.

Round, Julia. Gothic in Comics and Graphic Novels: A Critical Approach. Jefferson: McFarland & Company, 2014. Print.

Ruskin, John, and William Morris. The Nature of Gothic: A Chapter of The Stones of Venice. The aesthetic movement&the arts and crafts movement. New York: Garland Pub, 1977. Print.

Ryan, Alan. The Penguin Book of Vampire Stories. London: Penguin, 1998. Print.

Rymer, James Malcolm, and Dick Collins. Varney, the Vampyre: Or, the Feast of Blood. Hertfordshire: Wordsworth, 2010. Print.

Sage, Lorna. Angela Carter. 2nd ed. Writers and their work. Tavistock: Northcote, 2007. Print.

---. Essays on the Art of Angela Carter: Flesh and the Mirror. [Rev. and updated ed.]. London: Virago, 2007. Print.

Sage, Victor. The Gothick Novel: A Casebook. Casebook series. Basingstoke: Macmillan, 1990. Print.

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