1.
Butler E. Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933. Columbia, S.C.: Camden House; 2010.
2.
Gothic Texts and Contexts Film and TV List [Internet]. Available from: http://bobnational.net/collection/index/collectionID/126879
4.
SPARC (Organization). The Irish journal of gothic and horror studies. [Dublin: s.n.]; 2006; Available from: http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=TIJOG&T=marc&tab=JOURNALS
5.
Gothic Journal [Internet]. Available from: http://www.gothicjournal.com/
6.
Studies in Gothic Fiction. Available from: http://studiesingothicfiction.weebly.com/
7.
The International Gothic Association [Internet]. Available from: http://www.iga.stir.ac.uk/
8.
Manchester Metropolitan University (MMU). The Manchester Centre for Gothic Studies [Internet]. Available from: https://www2.mmu.ac.uk/english/gothic-studies/
9.
University of Stirling. The Gothic Imagination [Internet]. Available from: http://www.gothic.stir.ac.uk/
10.
Studies in Gothic Fiction - Home [Internet]. Available from: http://studiesingothicfiction.weebly.com/
11.
Botting F. Gothic. London: Routledge; 1996.
12.
Punter D, Byron G. The Gothic. Oxford: Blackwell; 2004.
13.
Bloom C. Gothic histories: the taste for terror, 1764 to the present. London: Continuum; 2010.
14.
Armitt L. Twentieth-century Gothic. Cardiff: University of Wales Press; 2011.
15.
Stevens D. The gothic tradition. Cambridge: Cambridge University Press; 2000.
16.
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day. 2nd ed. London: Longman; 1996.
17.
Cavallaro D. The gothic vision: three centuries of horror, terror and fear. London: Continuum; 2002.
18.
Myrone M, Frayling C. The gothic reader: a critical anthology. London: Tate; 2006.
19.
Lloyd-Smith AG, Sage V. Modern gothic: a reader. Manchester: Manchester University Press; 1996.
20.
Spooner C, McEvoy E. The Routledge Companion to Gothic. Abingdon: Routledge; 2007.
21.
Punter D. A companion to the Gothic. Oxford: Blackwell; 1999.
22.
Ellis M. The history of gothic fiction. Edinburgh: Edinburgh University Press; 2000.
23.
Kilgour M. The rise of the Gothic novel. London: Routledge; 1995.
24.
Wisker G. Horror fiction: an introduction. New York: Continuum; 2005.
25.
Carroll N. The philosophy of horror or paradoxes of the heart. New York: Routledge; 1990.
26.
Botting F. Gothic romanced: consumption, gender and technology in contemporary fictions. Abingdon: Routledge; 2008.
27.
Aeternum: The Journal of Contemporary Gothic Studies. Available from: https://www.aeternumjournal.com/
28.
Smith A, Hughes W, Dawsonera. The Victorian gothic: an Edinburgh companion [Internet]. Edinburgh: Edinburgh University Press; 2012. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780748654970
29.
Baldick C. The Oxford book of gothic tales. Oxford: Oxford University Press; 2009.
30.
Davison CM. History of the gothic: gothic literature 1764-1824. Cardiff: University of Wales Press; 2009.
31.
Killeen J. History of the gothic: Vol. 2: Gothic literature, 1825-1914. Cardiff: University of Wales Press; 2009.
32.
Smith A. Gothic literature. Edinburgh: Edinburgh University Press; 2007.
33.
Wright A. Gothic fiction. Basingstoke: Palgrave Macmillan; 2007.
34.
Williams G. The Gothic. London: Whitechapel; 2007.
35.
Botting F. Limits of horror: technology, bodies, gothic. Manchester: Manchester University Press; 2008.
36.
Bloom C. Gothic horror: a guide for students and readers. 2nd ed. Basingstoke: Palgrave Macmillan; 2007.
37.
Davenport-Hines RPT. Gothic: 400 years of excess, horror, evil and ruin. London: Fourth Estate; 1998.
38.
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day. 2nd ed. London: Longman; 1996.
39.
Hogle JE. The Cambridge companion to gothic fiction. Cambridge: Cambridge University Press; 2002.
40.
Baldick C. The Oxford book of gothic tales. Oxford: Oxford University Press; 2009.
41.
Bloom C. Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: Macmillan; 1998.
42.
Edmundson M. Women’s Ghost Literature in Nineteenth-Century Britain [Internet]. Cardiff: University of Wales Press; 2013. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650
43.
Palmer P. Lesbian gothic: transgressive fictions. London: Cassell; 1999.
44.
Fictions of unease: the gothic from Otranto to the x-files. Bath: Sulis; 2002.
45.
Wilt J. Ghosts of the Gothic: Austen, Eliot & Lawrence. Princeton: Princeton University Press; 1980.
46.
Heller T. Dead secrets: Wilkie Collins and the female gothic. New Haven: Yale University Press; 1992.
47.
Elferen I van. Nostalgia or perversion?: Gothic rewriting from the eighteenth century until the present day. Newcastle, UK: Cambridge Scholars Publishing; 2007.
48.
Spooner C. Fashioning Gothic bodies. Manchester: Manchester University Press; 2004.
49.
Nesbit E, Davies DS. The power of darkness: tales of terror. Ware: Wordsworth Editions; 2006.
50.
Dinesen I, Dinesen I. Seven Gothic tales. London: Penguin; 2002.
51.
Walpole H, Lewis WS. The Castle of Otranto: a Gothic Story. New ed. Oxford: Oxford University Press; 2008.
52.
Sage V. The Gothick novel: a casebook. Basingstoke: Macmillan; 1990.
53.
Radcliffe AW, Dobrée B, Castle T. The Mysteries of Udolpho. Oxford: Oxford University Press; 2008.
54.
Myrone M, Warner M, Frayling C, Tate Britain (Art gallery). Gothic nightmares: Fuseli, Blake and the romantic imagination. London: Tate; 2006.
55.
Fairclough P. Three Gothic novels. Harmondsworth: Penguin Books; 1968.
56.
Hennessy B, British Council. The gothic novel. Harlow: Longman for the British Council; 1978.
57.
Norton R. Gothic readings: the first wave 1764-1840. London: Leicester University Press; 2000.
58.
Clery EJ, Miles R. Gothic documents: a sourcebook 1700-1820. Manchester: Manchester University Press; 2000.
59.
Lewis MG, Anderson H, McEvoy E. The monk. Oxford: Oxford University Press; 2008.
60.
Radcliffe A, Chard C. The romance of the forest. Oxford: Oxford University Press; 1986.
61.
Radcliffe A, Milbank A. A Sicilian romance. Oxford: Oxford University Press; 1993.
62.
Radcliffe A, Garber F. The Italian: or, The confessional of the Black Penitents : a romance. Oxford: Oxford University Press; 1981.
63.
Thompson GR. Romantic Gothic tales, 1790-1840. 1st Perennial library ed. New York: Harper & Row; 1979.
64.
Chalcraft A, Viscardi J. Strawberry Hill: Horace Walpole’s gothic castle. London: Frances Lincoln; 2007.
65.
Snodin M, Roman CE, Yale Center for British Art, Lewis Walpole Library, Victoria and Albert Museum. Horace Walpole’s Strawberry Hill. New Haven: Lewis Walpole Library; 2009.
66.
Ruskin J, Morris W. The nature of Gothic: a chapter of The stones of Venice. New York: Garland Pub; 1977.
67.
Shelley MW, Hunter JP. Frankenstein: the 1818 text, contexts, criticism. 2nd ed. New York: W.W. Norton & Co; 2012.
68.
Shelley MW, Hindle M. Frankenstein: or the modern Prometheus. Rev. ed. London: Penguin; 2003.
69.
Botting F. Making monstrous: Frankenstein, criticism, theory. Manchester: Manchester University Press; 1991.
70.
Mellor AK. Mary Shelley: her life, her fiction, her monsters. New York: Routledge; 1988.
71.
Morton T. A Routledge literary sourcebook on Mary Shelley’s Frankenstein. Abingdon: Routledge; 2002.
72.
Schor EH. The Cambridge companion to Mary Shelley. Cambridge: Cambridge University Press; 2003.
73.
Bann S. Frankenstein, creation and monstrosity. London: Reaktion; 1994.
74.
Hindle, Maurice. Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830. The Modern Language Review [Internet]. Modern Humanities Research Association; 2009 Oct 1;104(4):1118–1119. Available from: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064
75.
Clery EJ, British Council. Women’s gothic: from Clara Reeve to Mary Shelley. 2nd ed. Tavistock: Northcote House; 2004.
76.
James O’Rourke. ‘Nothing More Unnatural’: Mary Shelley’s Revision of Rousseau. ELH. The Johns Hopkins University Press; 1989;56(3):543–569.
77.
Liggins E. The medical gaze and the female corpse: Looking at bodies in Mary Shelley’s ‘Frankenstein’. STUDIES IN THE NOVEL [Internet]. NORTH TEXAS STAT UNIV; 2000;32(2):129–146. Available from: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387
78.
Cynthia Pon. ‘Passages’ in Mary Shelley’s ‘Frankenstein’: Toward a Feminist Figure of Humanity? Modern Language Studies. Modern Language Studies; 2000;30(2):33–50.
79.
Harriet Hustis. Responsible Creativity and the ‘Modernity’ of Mary Shelley’s Prometheus. Studies in English Literature, 1500-1900 [Internet]. Rice University; 2003;43(4):845–858. Available from: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101
80.
Criscillia Benford. ‘Listen to my tale’: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”. Narrative [Internet]. Ohio State University Press; 2010;18(3):324–346. Available from: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416
81.
Fredricks, Nancy. On the sublime and beautiful in Shelley’s Frankenstein. Essays in Literature [Internet]. Western Illinois University, Department of English; 23(2):178–189. Available from: http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727
82.
Jones J. Hidden voices: Language and ideology in philosophy of language of the long eighteenth century and Mary Shelley’s. Textual Practice. 2005 Jan;19(3):265–287.
83.
Reese, Diana. A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights. Representations. University of California Press; (96).
84.
Rauch A. The Monstrous Body of Knowledge in Mary Shelley’s ‘Frankenstein’. Studies in Romanticism [Internet]. 1995;34:227–253. Available from: http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live
85.
Smith AL. ‘This Thing of Darkness’: Racial Discourse in Mary Shelley’s Frankenstein. Gothic Studies. 2004 Nov 1;6(2):208–222.
86.
Crimmins J. Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein. STUDIES IN ROMANTICISM [Internet]. BOSTON UNIV SCHOLARLY PUBL; 2013;52(4):561–583. Available from: http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live
87.
Schug C. The Romantic Form of Mary Shelley’s Frankenstein. Studies in English Literature, 1500-1900. 1977 Autumn;17(4).
88.
John B. Lamb. Mary Shelley’s Frankenstein and Milton’s Monstrous Myth. Nineteenth-Century Literature [Internet]. University of California Press; 1992;47(3):303–319. Available from: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709
89.
London B. Mary Shelley, Frankenstein, and the Spectacle of Masculinity. PMLA. 1993 Mar;108(2).
90.
Schmitt C. A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares, and: Gothic Radicalism: Literature, Philosophy, and Psychoanalysis in the Nineteenth Century, and: Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century (review). Victorian Studies [Internet]. 2002;44(3):543–547. Available from: http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/3830055
91.
Eberle-Sinatra M. Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations. Gothic Studies. 2005 Nov 1;7(2):187–202.
92.
Britton, JM. Novelistic Sympathy in Mary Shelley’s Frankenstein. STUDIES IN ROMANTICISM [Internet]. BOSTON UNIV SCHOLARLY PUBL; 2009;48:3–22. Available from: http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live
93.
Smith A, Hughes W, Dawsonera. The Victorian gothic: an Edinburgh companion. Edinburgh: Edinburgh University Press; 2012.
94.
Armitt L. Where no man has gone before: women and science fiction. London: Routledge; 1991.
95.
Marsh N. Mary Shelley: Frankenstein. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan; 2009.
96.
Halberstam J. Skin shows: gothic horror and the technology of monsters. Durham: Duke University Press; 1995.
97.
Small C. Ariel like a harpy: Shelley, Mary and Frankenstein. London: Gollancz; 1972.
98.
Allen G. Shelley’s Frankenstein. London: Continuum; 2008.
99.
Frayling C. Nightmare: the birth of horror. [U.K.]: Wall to Wall for BBC; 1996.
100.
Hammond R. The modern Frankenstein: fiction becomes fact. Poole: Blandford; 1986.
101.
Knellwolf C, Goodall JR. Frankenstein’s science: experimentation and discovery in romantic culture, 1780-1830. Aldershot, Hants, England: Ashgate Pub. Co; 2008.
102.
Otis L. Literature and science in the nineteenth century: an anthology. Oxford: Oxford University Press; 2002.
103.
The Noble Savage in Mary Shelley’s ‘Frankenstein’. Notes and Queries. 1946 Jun 15;190(12).
104.
Polidori JW, Morrison R, Baldick C. The vampyre, and other tales of the macabre. Oxford: Oxford University Press; 1998.
105.
Jacobus M. First things: the maternal imaginary in literature, art and psychoanalysis. New York: Routledge; 1995.
106.
Alexander M. Women in romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley. Basingstoke: Macmillan Education; 1989.
107.
Darrow S, Barrett A. Through the tempests dark and wild: a story of Mary Shelley, creator of ‘Frankenstein’. London: Walker; 2003.
108.
Stevenson RL, Linehan K. Strange case of Dr. Jekyll and Mr. Hyde: an authoritative text, backgrounds and contexts, performance adaptations, criticism. New York: Norton; 2003.
109.
Stevenson RL, Luckhurst R, Dawsonera. Strange Case of Dr Jekyll and Mr Hyde, and other tales [Internet]. Oxford: Oxford University Press; 2006. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780191517334
110.
Dryden L. The modern gothic and literary doubles: Stevenson, Wilde, and Wells. Basingstoke: Palgrave Macmillan; 2003.
111.
Smith A. Victorian demons: medicine, masculinity and the gothic at the fin-de-siècle. Manchester: Manchester University Press; 2004.
112.
Smith A, Hughes W, Dawsonera. The Victorian gothic: an Edinburgh companion [Internet]. Edinburgh: Edinburgh University Press; 2012. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780748654970
113.
Wolfreys J, Robbins R, Dawsonera. Victorian Gothic: literary and cultural manifestations in the nineteenth century [Internet]. Basingstoke: Palgrave; 2000. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230598737
114.
Mighall R. A geography of Victorian Gothic fiction: mapping history’s nightmares. Oxford: Oxford University Press; 1999.
115.
Luckhurst R. Late Victorian Gothic tales. Oxford: Oxford University Press; 2005.
116.
Stoker B, Auerbach N, Skal DJ. Dracula: authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism. New York: W.W. Norton; 1997.
117.
Frayling C. Vampyres: Lord Byron to Count Dracula. London: Faber; 1992.
118.
Auerbach N. Our vampires, ourselves. Chicago: University of Chicago Press; 1995.
119.
Glover D. Vampires, mummies, and liberals: Bram Stoker and the politics of popular fiction. Durham: Duke University Press; 1996.
120.
Beresford M. From demons to Dracula: the creation of the modern vampire myth. London: Reaktion; 2008.
121.
Beresford M. From demons to Dracula: the creation of the modern vampire myth [Internet]. London: Reaktion; 2008. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781861897428
122.
Butler E. Metamorphoses of the vampire in literature and film: cultural transformations in Europe, 1732-1933. Columbia, S.C.: Camden House; 2010.
123.
Leatherdale C. Dracula: the novel & the legend : a study of Bram Stoker’s gothic masterpiece. Westcliff-on-Sea: Desert Island; 2001.
124.
Barber P. Vampires, burial, and death: folklore and reality. [New ed.]. New Haven, [Conn.]: Yale University Press; 2010.
125.
Twitchell JB. The living dead: a study of the vampire in romantic literature. Durham, N.C.: Duke University Press; 1981.
126.
Gelder K. Reading the vampire [Internet]. Abingdon: Routledge; 1994. Available from: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050
127.
Stoker B. The lair of the white worm. London: Penguin; 2008.
128.
Hurley K. The gothic body: sexuality, materialism, and degeneration at the fin de siècle. Cambridge: Cambridge University Press; 2004.
129.
Valente J. Dracula’s crypt: Bram Stoker, Irishness, and the question of blood. Urbana: University of Illinois Press; 2002.
130.
Williamson M. The lure of the vampire: gender, fiction and fandom from Bram Stoker to Buffy. London: Wallflower; 2005.
131.
Glendening J. The evolutionary imagination in late-Victorian novels: an entangled bank [Internet]. Aldershot: Ashgate; 2007. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213
132.
Rymer JM, Collins D. Varney, the vampyre: or, the feast of blood. Hertfordshire: Wordsworth; 2010.
133.
Le Fanu S. Carmilla. London: Biblios Books; 2010.
134.
Gelder K, Dawsonera. Reading the vampire [Internet]. London: Routledge; 1994. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050
135.
Stott R. The fabrication of the late-Victorian femme fatale: the kiss of death [Internet]. Basingstoke: Macmillan; 1992. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230376700
136.
Farson D. Vampires, zombies, and monster men. London: Aldus Books , distributed by Jupiter Books; 1975.
137.
Matheson R. I am legend. London: Gollancz; 2006.
138.
Ryan A. The Penguin book of vampire stories. London: Penguin; 1998.
139.
Gordon J, Hollinger V. Blood read: the vampire as metaphor in contemporary culture. Philadelphia, Pa: University of Pennsylvania Press; 1997.
140.
Pedlar V. ‘The most dreadful visitation’: male madness in Victorian fiction. Liverpool: Liverpool University Press; 2006.
141.
Rice A. Interview with the vampire: the first book in the vampire chronicles. London: Warner; 1994.
142.
Fisher J. Vampire in the text: narratives of contemporary art. London: Institute of International Visual Arts; 2003.
143.
Melton JG. The vampire book: the encyclopedia of the undead. Detroit: Gale Research; 1994.
144.
Le Fanu JS, Tracy R. In a glass darkly. Oxford: Oxford University Press; 1999.
145.
Dreyer CT, Le Fanu S. Vampyr: the strange adventure of Allan Gray. [U.K.]: Eureka Video; 2008.
146.
Murnau FW, Stoker B. Nosferatu. [London]: Eureka Video; 2000.
147.
Hopkins L. Screening the gothic. Austin, Tex: University of Texas Press; 2005.
148.
Wheatley H. Gothic television. Manchester: Manchester University Press; 2006.
149.
Silver A, Ursini J. The vampire film: from Nosferatu to Interview with the vampire. 3rd ed. New York: Limelight; 1997.
150.
Kracauer S. From Caligari to Hitler: a psychological history of the German film. Princeton, N.J.: Princeton University Press; 1947.
151.
Pirie D. A heritage of horror: the English gothic cinema 1946-1972. London: Gordon Fraser Gallery; 1973.
152.
Newman K, British Film Institute. The BFI companion to horror. London: Cassell; 1996.
153.
Bell J, editor. Gothic: the dark heart of film. London: BFI; 2013.
154.
Mutch D. The modern vampire and human identity [Internet]. Basingstoke: Palgrave Macmillan; 2013. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142
155.
Murphy BM. The suburban gothic in American popular culture [Internet]. Basingstoke: Palgrave Macmillan; 2009. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757
156.
Hanson H, Dawsonera. Hollywood heroines: women in film noir and the female gothic film [Internet]. London: I.B. Tauris; 2007. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505
157.
Roberts I. German expressionist cinema: the world of light and shadow. London: Wallflower; 2008.
158.
Pirie D. A heritage of horror: the English gothic cinema 1946-1972. London: Gordon Fraser Gallery; 1973.
159.
Abbott S. Celluloid vampires: life after death in the modern world. 1st ed. Austin: University of Texas Press; 2007.
160.
Rarignac NME. The theology of Dracula: reading the book of Stoker as sacred text. Jefferson, N.C.: McFarland & Co; 2012.
161.
Worland R. The horror film: an introduction. Malden, Mass: Blackwell; 2007.
162.
Gelder K. New vampire cinema. London: BFI; 2012.
163.
Silver A, Ursini J. The vampire film: from Nosferatu to True Blood. 4th ed., updated and expanded. Montclair, N.J.: Limelight Editions; 2011.
164.
Wu D, Cunningham V. Victorian poetry. Oxford: Blackwell; 2002.
165.
Sinfield A. Alfred Tennyson. Oxford: Blackwell; 1986.
166.
Tennyson H. Studies in Tennyson. London: Macmillan; 1981.
167.
Tennyson AT, Hill RW. Tennyson’s poetry: authoritative texts, contexts, criticism. 2nd ed. New York: W. W. Norton; 1999.
168.
Douglas-Fairhurst R. Victorian afterlives: the shaping of influence in nineteenth-century literature. Oxford: Oxford University Press; 2002.
169.
Armstrong I. Victorian poetry: poetry, poetics and politics. London: Routledge; 1996.
170.
James H, Beidler PG. The turn of the screw: complete, authoritative text with biographical, historical and cultural contexts, critical history and essays from contemporary critical perspectives. 2nd ed. Basingstoke: Palgrave Macmillan; 2004.
171.
Poe EA, Galloway D. The fall of the house of Usher and other writings: poems, tales, essays and reviews. London: Penguin; 2003.
172.
Crow CL. History of the gothic: American gothic. Cardiff: University of Wales Press; 2009.
173.
Edel L. Henry James: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall; 1963.
174.
Tompkins JP. Twentieth century interpretations of ‘The turn of the screw’ and other tales: a collection of critical essays. Englewood Cliffs: Prentice-Hall; 1970.
175.
Silverman K. Edgar A. Poe: mournful and never-ending remembrance. London: Weidenfeld & Nicolson; 1992.
176.
Washington State University, College of Charleston. Poe studies: history, theory, interpretation. Malden, MA: Wiley-Blackwell; Available from: http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=POST2&T=marc&tab=JOURNALS
177.
Poe EA, Thompson GR. The selected writings of Edgar Allan Poe: authoritative texts, backgrounds and contexts, criticism. New York: W.W. Norton & Co; 2004.
178.
Poe EA, Van Leer D. Selected tales. Oxford: Oxford University Press; 2008.
179.
Putt SG. A reader’s guide to Henry James. London: Thames and Hudson; 1966.
180.
The Edgar Allan Poe review.
181.
Murphy BM. The suburban gothic in American popular culture. Basingstoke: Palgrave Macmillan; 2009.
182.
Bloom C. Nineteenth-century suspense: from Poe to Conan Doyle. Basingstoke: Macmillan; 1988.
183.
Hayes KJ. The Cambridge companion to Edgar Allan Poe. Cambridge: Cambridge University Press; 2002.
184.
Poe EA. The masque of the Red Death and other stories. London: Penguin; 2008.
185.
Poe EA, Galloway D. Selected writings of Edgar Allan Poe: poems, tales, essays and reviews. Harmondsworth: Penguin; 1967.
186.
Levin H. The power of blackness: Hawthorne, Poe, Melville. New York: Alfred A. Knopf; 1964.
187.
Regan R. Poe: a collection of critical essays. Englewood Cliffs (N.J.): Prentice-Hall; 1967.
188.
Parini J, Millier BC. The Columbia history of American poetry. New York: Columbia University Press; 1993.
189.
James H, James H, Zabel MD, Powers LH. The portable Henry James. Revised ed. Harmondsworth (etc.): Penguin; 1977.
190.
Gard R. Henry James: the critical heritage. London: Routledge & Kegan Paul; 1968.
191.
Dupee FW. Henry James. London: Methuen; 1951.
192.
Graham K. Henry James: a literary life. Basingstoke: Macmillan; 1995.
193.
Freedman J. The Cambridge companion to Henry James. Cambridge: Cambridge University Press; 1998.
194.
Bloom C. Gothic horror: a guide for students and readers. 2nd ed. Basingstoke: Palgrave Macmillan; 2007.
195.
Rawlings P. Palgrave advances in Henry James studies [Internet]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2007. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881
196.
Edel L. Henry James: a collection of critical essays. Englewood Cliffs, N.J.: Prentice-Hall; 1963.
197.
Washington State University, College of Charleston. Poe studies: history, theory, interpretation. Malden, MA: Wiley-Blackwell; Available from: http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=POST2&T=marc&tab=JOURNALS
198.
Moore HT. Henry James and his world. London: Thames and Hudson; 1974.
199.
Sears J. Stephen King’s Gothic. Cardiff: University of Wales Press; 2011.
200.
Kerr EM. William Faulkner’s gothic domain. Port Washington: Kennikat Press; 1979.
201.
In their own words: British novelists, Nothing Sacred 1970-1990. [U.K.]: Open University/ BBC; 2010.
202.
Carter A. The bloody chamber and other stories. London: Vintage; 1995.
203.
Stevens D. The gothic tradition. Cambridge: Cambridge University Press; 2000.
204.
Morrow B, McGrath P. The New gothic. London: Picador; 1993.
205.
Brabon BA, Genz S. Postfeminist gothic: critical interventions in contemporary culture. Basingstoke: Palgrave Macmillan; 2007.
206.
Wisker G. Horror fiction: an introduction. New York: Continuum; 2005.
207.
Sage L. Angela Carter. 2nd ed. Tavistock: Northcote; 2007.
208.
Peach L. Angela Carter. 2nd ed. Basingstoke: Palgrave Macmillan; 2009.
209.
Easton A. Angela Carter. Basingstoke: Macmillan; 2000.
210.
Carter A. The magic toyshop. London: Virago; 1981.
211.
Sage L. Essays on the art of Angela Carter: flesh and the mirror. [Rev. and updated ed.]. London: Virago; 2007.
212.
Munford R. Re-visiting Angela Carter: texts, contexts, intertexts. Basingstoke: Palgrave Macmillan; 2006.
213.
Day A. Angela Carter: the rational glass. Manchester: Manchester University Press; 1998.
214.
Gamble S, Tredell N. The fiction of Angela Carter. Basingstoke: Palgrave Macmillan; 2001.
215.
Morrow B, McGrath P. The New gothic. London: Picador; 1993.
216.
Barzilai S. Tales of Bluebeard and his wives from late antiquity to postmodern times. New York: Routledge; 2009.
217.
Sellers S. Myth and fairy tale in contemporary women’s fiction. Basingstoke: Palgrave; 2001.
218.
Gamble S. Angela Carter: a literary life. Basingstoke: Palgrave Macmillan; 2006.
219.
Bowers MA. Magic(al) realism. London: Routledge; 2004.
220.
Jordan N, Carter A. The company of wolves. ITC Entertainment; 2005.
221.
Plasa C, Tredell N. Toni Morrison, Beloved. Basingstoke: Palgrave Macmillan; 1998.
222.
Brogan K. Cultural haunting: ghosts and ethnicity in recent American literature. Charlottesville: University Press of Virginia; 1998.
223.
Khair T. The gothic, postcolonialism and otherness: ghosts from elsewhere. Basingstoke: Palgrave Macmillan; 2009.
224.
Malchow HL. Gothic images of race in nineteenth-century Britain. Stanford, Calif: Stanford University Press; 1996.
225.
Peach L. Toni Morrison. 2nd ed. London: Macmillan; 2000.
226.
Bailey M, Hall C, National Association for the Teaching of English. Beloved, by Toni Morrison: a post-16 study guide. Sheffield: NATE; 1998.
227.
Norman B. Dead women talking: figures of injustice in American literature. Baltimore: Johns Hopkins University Press; 2013.
228.
Morrison T. Playing in the dark: whiteness and the literary imagination. London: Picador; 1993.
229.
Tally J. The Cambridge companion to Toni Morrison. Cambridge: Cambridge University Press; 2007.
230.
Peterson NJ. Beloved: character studies. London: Continuum; 2008.
231.
Smith V. Toni Morrison: writing the moral imagination. Hoboken, NJ: Wiley; 2012.
232.
Schreiber EJ. Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: Louisiana State University Press; 2010.
233.
Miller NK, Tougaw JD. Extremities: trauma, testimony, and community. Urbana, Ill: University of Illinois Press; 2002.
234.
Middleton DL. Toni Morrison’s fiction: contemporary criticism. London: Garland Publishing; 2000.
235.
Gaiman N. Smoke and mirrors: short fiction and illusions. London: Headline; 2013.
236.
Spooner C. Contemporary Gothic. London: Reaktion; 2006.
237.
Cornwell N. The literary fantastic: from Gothic to postmodernism. London: Harvester Wheatsheaf; 1990.
238.
Gaiman N, Kieth S, Dringenberg M, Jones M. The sandman: Vol. 1: Preludes & nocturnes. New York: DC Comics; 2010.
239.
Gaiman N, Riddell C. The graveyard book. London: Bloomsbury; 2009.
240.
Palahniuk C. Haunted: a novel of stories. London: Vintage; 2006.
241.
Watkiss J. Gothic contemporaries: the haunted text. Cardiff: University of Wales Press; 2012.
242.
Palahniuk C. Damned: life is short, death is forever. London: Vintage; 2012.
243.
Palahniuk C. Doomed. London: Jonathan Cape; 2013.
244.
Gray J. The immortalization commission: science and the strange quest to cheat death. London: Allen Lane; 2011.
245.
Hardwicke C, Meyer S. Twilight. E1 Entertainment UK; 2009.
246.
Meyer S. Twilight. London: Atom; 2007.
247.
Shan D. Cirque du freak. London: Collins; 2000.
248.
Hall W, Cole B. The last vampire. London: Fontana Young Lions; 1984.
249.
Hebdige D, MyiLibrary. Subculture: the meaning of style [Internet]. London: Routledge; 1991. Available from: https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053
250.
Hodkinson P. Goth: identity, style and subculture. Oxford: Berg; 2002.
251.
Spooner C. Contemporary Gothic. London: Reaktion; 2006.
252.
Gelder K. The subcultures reader. 2nd ed. Abingdon: Routledge; 2005.
253.
Gelder K. Subcultures: cultural histories and social practice. London: Routledge; 2007.
254.
Mercer M. 21st century Goth. London: Reynolds & Hearn; 2002.
255.
Steele V, Park J, Fashion Institute of Technology. Gothic: dark glamour. [New Haven, Conn.?]: Yale University Press; 2008.
256.
Spooner C. Fashioning Gothic bodies. Manchester: Manchester University Press; 2004.
257.
Brill D. Goth culture: gender, sexuality and style. Oxford: Berg; 2008.
258.
Mercer M. The Hex files: the Goth bible. London: Batsford; 1996.
259.
Myrone M, Frayling C, Warner M, Heard M. Gothic nightmares: Fuseli, Blake and the romantic imagination. London: Tate; 2006.
260.
Williams G. The Gothic. London: Whitechapel; 2007.
261.
Camille M. Gothic art: visions and revelations of the medieval world. London: Weidenfeld and Nicolson; 1996.
262.
Round J. Gothic in comics and graphic novels: a critical approach. Jefferson: McFarland & Company; 2014.
263.
Martindale A. Gothic art. London: Thames & Hudson; 1967.
264.
Lepine A. Radical Gothic. Art History. 2013 Apr;36(2):447–450.
265.
Frankl P, Crossley P. Gothic architecture. Rev. ed. New Haven: Yale University Press; 2000.
266.
Frisch TG, Medieval Academy of America. Gothic art 1140-c.1450: sources and documents. Toronto: University of Toronto Press in association with the Medieval Academy of America; 1987.
267.
Guthke KS. The gender of death: a cultural history in art and literature. Cambridge: Cambridge University Press; 1999.
268.
Lehner E, Lehner J. Picture book of devils, demons and witchcraft. New York: Dover Publications; 1971.
269.
Lehner E, Lehner J. Picture book of devils, demons and witchcraft. New York: Dover Publications; 1971.
270.
Marshall G. The Cambridge companion to the fin de siècle. Cambridge: Cambridge University Press; 2007.
271.
Gilman SL. Disease and representation: images of illness from madness to AIDS. Ithaca, N.Y.: Cornell University Press; 1988.
272.
Wright A. Britain, France and the Gothic, 1764-1820: the import of terror. Cambridge: Cambridge University Press; 2015.