Abbott S, Celluloid Vampires: Life after Death in the Modern World (1st ed, University of Texas Press 2007)
‘Aeternum: The Journal of Contemporary Gothic Studies’ <https://www.aeternumjournal.com/>
Alexander M, Women in Romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley, vol Women writers (Macmillan Education 1989)
Allen G, Shelley’s Frankenstein, vol Reader’s guides (Continuum 2008)
Armitt L, Where No Man Has Gone before: Women and Science Fiction (Routledge 1991)
——, Twentieth-Century Gothic, vol Gothic literary studies (University of Wales Press 2011)
Armstrong I, Victorian Poetry: Poetry, Poetics and Politics (Routledge 1996)
Auerbach N, Our Vampires, Ourselves (University of Chicago Press 1995)
Bailey M, Hall C, and National Association for the Teaching of English, Beloved, by Toni Morrison: A Post-16 Study Guide (NATE 1998)
Baldick C, The Oxford Book of Gothic Tales (Oxford University Press 2009)
——, The Oxford Book of Gothic Tales (Oxford University Press 2009)
Bann S, Frankenstein, Creation and Monstrosity, vol Critical views (Reaktion 1994)
Barber P, Vampires, Burial, and Death: Folklore and Reality ([New ed], Yale University Press 2010)
Barzilai S, Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times (Routledge 2009)
Bell J (ed), Gothic: The Dark Heart of Film, vol A BFI compendium (BFI 2013)
Beresford M, From Demons to Dracula: The Creation of the Modern Vampire Myth (Reaktion 2008)
——, From Demons to Dracula: The Creation of the Modern Vampire Myth (Reaktion 2008) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9781861897428>
Bloom C, Nineteenth-Century Suspense: From Poe to Conan Doyle, vol Insights (Macmillan 1988)
——, Gothic Horror: A Reader’s Guide from Poe to King and Beyond (Macmillan 1998)
——, Gothic Horror: A Guide for Students and Readers (2nd ed, Palgrave Macmillan 2007)
——, Gothic Horror: A Guide for Students and Readers (2nd ed, Palgrave Macmillan 2007)
——, Gothic Histories: The Taste for Terror, 1764 to the Present (Continuum 2010)
Botting F, Making Monstrous: Frankenstein, Criticism, Theory (Manchester University Press 1991)
——, Gothic, vol The New critical idiom (Routledge 1996)
——, Gothic Romanced: Consumption, Gender and Technology in Contemporary Fictions (Routledge 2008)
——, Limits of Horror: Technology, Bodies, Gothic (Manchester University Press 2008)
Bowers MA, Magic(al) Realism, vol The new critical idiom (Routledge 2004)
Brabon BA and Genz S, Postfeminist Gothic: Critical Interventions in Contemporary Culture (Palgrave Macmillan 2007)
Brill D, Goth Culture: Gender, Sexuality and Style (Berg 2008)
Britton, JM, ‘Novelistic Sympathy in Mary Shelley’s Frankenstein’ (2009) 48 STUDIES IN ROMANTICISM 3 <http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505407719&site=ehost-live>
Brogan K, Cultural Haunting: Ghosts and Ethnicity in Recent American Literature (University Press of Virginia 1998)
Butler E, Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933, vol Studies in German literature, linguistics and culture (Camden House 2010)
——, Metamorphoses of the Vampire in Literature and Film: Cultural Transformations in Europe, 1732-1933, vol Studies in German literature, linguistics and culture (Camden House 2010)
Camille M, Gothic Art: Visions and Revelations of the Medieval World, vol Everyman art library (Weidenfeld and Nicolson 1996)
Carroll N, The Philosophy of Horror or Paradoxes of the Heart (Routledge 1990)
Carter A, The Magic Toyshop, vol Virago modern classics (Virago 1981)
——, The Bloody Chamber and Other Stories (Vintage 1995)
Cavallaro D, The Gothic Vision: Three Centuries of Horror, Terror and Fear (Continuum 2002)
Chalcraft A and Viscardi J, Strawberry Hill: Horace Walpole’s Gothic Castle (Frances Lincoln 2007)
Clery EJ and British Council, Women’s Gothic: From Clara Reeve to Mary Shelley, vol Writers and their work (2nd ed, Northcote House 2004)
Clery EJ and Miles R, Gothic Documents: A Sourcebook 1700-1820 (Manchester University Press 2000)
Cornwell N, The Literary Fantastic: From Gothic to Postmodernism (Harvester Wheatsheaf 1990)
Crimmins J, ‘Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein’ (2013) 52 STUDIES IN ROMANTICISM 561 <http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=95768276&site=ehost-live>
Criscillia Benford, ‘“Listen to My Tale”: Multilevel Structure, Narrative Sense Making, and the Inassimilable in Mary Shelley’s “Frankenstein”’ (2010) 18 Narrative 324 <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/40856416>
Crow CL, History of the Gothic: American Gothic, vol Gothic literary studies (University of Wales Press 2009)
Cynthia Pon, ‘“Passages” in Mary Shelley’s “Frankenstein”: Toward a Feminist Figure of Humanity?’ (2000) 30 Modern Language Studies 33
Darrow S and Barrett A, Through the Tempests Dark and Wild: A Story of Mary Shelley, Creator of ‘Frankenstein’ (Walker 2003)
Davenport-Hines RPT, Gothic: 400 Years of Excess, Horror, Evil and Ruin (Fourth Estate 1998)
Davison CM, History of the Gothic: Gothic Literature 1764-1824, vol Gothic literary studies (University of Wales Press 2009)
Day A, Angela Carter: The Rational Glass (Manchester University Press 1998)
Dinesen I and Dinesen I, Seven Gothic Tales, vol Penguin classics (Penguin 2002)
Douglas-Fairhurst R, Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature (Oxford University Press 2002)
Dreyer CT and Le Fanu S, ‘Vampyr: The Strange Adventure of Allan Gray’
Dryden L, The Modern Gothic and Literary Doubles: Stevenson, Wilde, and Wells (Palgrave Macmillan 2003)
Dupee FW, Henry James, vol American men of letters series (Methuen 1951)
Easton A, Angela Carter, vol New casebooks (Macmillan 2000)
Eberle-Sinatra M, ‘Readings of Homosexuality in Mary Shelley’s Frankenstein and Four Film Adaptations’ (2005) 7 Gothic Studies 187
Edel L, Henry James: A Collection of Critical Essays, vol Twentieth century views (Prentice-Hall 1963)
——, Henry James: A Collection of Critical Essays, vol Twentieth century views (Prentice-Hall 1963)
Edmundson M, Women’s Ghost Literature in Nineteenth-Century Britain, vol Gothic literary studies (University of Wales Press 2013) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brighton.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780708325650>
Elferen I van, Nostalgia or Perversion?: Gothic Rewriting from the Eighteenth Century until the Present Day (Cambridge Scholars Publishing 2007)
Ellis M, The History of Gothic Fiction (Edinburgh University Press 2000)
Fairclough P, Three Gothic Novels, vol Penguin classics (Penguin Books 1968)
Farson D, Vampires, Zombies, and Monster Men (Aldus Books , distributed by Jupiter Books 1975)
Fictions of Unease: The Gothic from Otranto to the x-Files (Sulis 2002)
Fisher J, Vampire in the Text: Narratives of Contemporary Art (Institute of International Visual Arts 2003)
Frankl P and Crossley P, Gothic Architecture, vol Yale University Press Pelican history of art (Rev ed, Yale University Press 2000)
Frayling C, Vampyres: Lord Byron to Count Dracula (Faber 1992)
——, ‘Nightmare: The Birth of Horror’
Fredricks, Nancy, ‘On the Sublime and Beautiful in Shelley’s Frankenstein’ 23 Essays in Literature 178 <http://ezproxy.brighton.ac.uk/login?url=https://search.proquest.com/docview/232608393?accountid=9727>
Freedman J, The Cambridge Companion to Henry James, vol Cambridge companions to literature (Cambridge University Press 1998)
Frisch TG and Medieval Academy of America, Gothic Art 1140-c.1450: Sources and Documents, vol Medieval Academy reprints for teaching (University of Toronto Press in association with the Medieval Academy of America 1987)
Gaiman N, Smoke and Mirrors: Short Fiction and Illusions (Headline 2013)
——, The Sandman: Vol. 1: Preludes & Nocturnes (DC Comics 2010)
Gaiman N and Riddell C, The Graveyard Book (Bloomsbury 2009)
Gamble S, Angela Carter: A Literary Life, vol Literary lives (Palgrave Macmillan 2006)
Gamble S and Tredell N, The Fiction of Angela Carter, vol Icon readers’ guides (Palgrave Macmillan 2001)
Gard R, Henry James: The Critical Heritage, vol The critical heritage series (Routledge & Kegan Paul 1968)
Gelder K, Reading the Vampire, vol Popular fictions series (Routledge 1994) <http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Brighton&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203132050>
——, The Subcultures Reader (2nd ed, Routledge 2005)
Gelder K, Subcultures: Cultural Histories and Social Practice (Routledge 2007)
——, New Vampire Cinema (BFI 2012)
Gelder K and Dawsonera, Reading the Vampire, vol Popular fictions series (Routledge 1994) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780203132050>
Gilman SL, Disease and Representation: Images of Illness from Madness to AIDS (Cornell University Press 1988)
Glendening J, The Evolutionary Imagination in Late-Victorian Novels: An Entangled Bank (Ashgate 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780754684213>
Glover D, Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction (Duke University Press 1996)
Gordon J and Hollinger V, Blood Read: The Vampire as Metaphor in Contemporary Culture (University of Pennsylvania Press 1997)
‘Gothic Journal’ <http://www.gothicjournal.com/>
‘Gothic Studies’
‘Gothic Texts and Contexts Film and TV List’ <http://bobnational.net/collection/index/collectionID/126879>
Graham K, Henry James: A Literary Life, vol Macmillan literary lives (Macmillan 1995)
Gray J, The Immortalization Commission: Science and the Strange Quest to Cheat Death (Allen Lane 2011)
Guthke KS, The Gender of Death: A Cultural History in Art and Literature (Cambridge University Press 1999)
Halberstam J, Skin Shows: Gothic Horror and the Technology of Monsters (Duke University Press 1995)
Hall W and Cole B, The Last Vampire (Fontana Young Lions 1984)
Hammond R, The Modern Frankenstein: Fiction Becomes Fact (Blandford 1986)
Hanson H and Dawsonera, Hollywood Heroines: Women in Film Noir and the Female Gothic Film (IB Tauris 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9786000011505>
Hardwicke C and Meyer S, ‘Twilight’
Harriet Hustis, ‘Responsible Creativity and the “Modernity” of Mary Shelley’s Prometheus’ (2003) 43 Studies in English Literature, 1500-1900 845 <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/4625101>
Hayes KJ, The Cambridge Companion to Edgar Allan Poe, vol Cambridge companions to literature (Cambridge University Press 2002)
Hebdige D and MyiLibrary, Subculture: The Meaning of Style, vol New accents (Routledge 1991) <https://ezproxy.brighton.ac.uk/login?url=https://ebookcentral.proquest.com/lib/ubrighton/detail.action?docID=169053>
Heller T, Dead Secrets: Wilkie Collins and the Female Gothic (Yale University Press 1992)
Hennessy B and British Council, The Gothic Novel, vol Writers and their work (Longman for the British Council 1978)
Hindle, Maurice, ‘Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 17801830’ (2009) 104 The Modern Language Review 1118 <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/25655064>
Hodkinson P, Goth: Identity, Style and Subculture, vol Dress, body, culture (Berg 2002)
Hogle JE, The Cambridge Companion to Gothic Fiction, vol Cambridge companions to literature (Cambridge University Press 2002)
Hopkins L, Screening the Gothic (University of Texas Press 2005)
Hurley K, The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle, vol Cambridge studies in nineteenth-century literature and culture (Cambridge University Press 2004)
‘In Their Own Words: British Novelists, Nothing Sacred 1970-1990’
Jacobus M, First Things: The Maternal Imaginary in Literature, Art and Psychoanalysis (Routledge 1995)
James H and others, The Portable Henry James, vol The Viking portable library (Revised ed, Penguin 1977)
James H and Beidler PG, The Turn of the Screw: Complete, Authoritative Text with Biographical, Historical and Cultural Contexts, Critical History and Essays from Contemporary Critical Perspectives, vol Case studies in contemporary criticism (2nd ed, Palgrave Macmillan 2004)
James O’Rourke, ‘“Nothing More Unnatural”: Mary Shelley’s Revision of Rousseau’ (1989) 56 ELH 543
John B. Lamb, ‘Mary Shelley’s Frankenstein and Milton’s Monstrous Myth’ (1992) 47 Nineteenth-Century Literature 303 <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/2933709>
Jones J, ‘Hidden Voices: Language and Ideology in Philosophy of Language of the Long Eighteenth Century and Mary Shelley’s’ (2005) 19 Textual Practice 265
Jordan N and Carter A, ‘The Company of Wolves’
Kerr EM, William Faulkner’s Gothic Domain, vol Kennikat Press national university publications : literary criticism series (Kennikat Press 1979)
Khair T, The Gothic, Postcolonialism and Otherness: Ghosts from Elsewhere (Palgrave Macmillan 2009)
Kilgour M, The Rise of the Gothic Novel (Routledge 1995)
Killeen J, History of the Gothic: Vol. 2: Gothic Literature, 1825-1914, vol Gothic literary studies (University of Wales Press 2009)
Knellwolf C and Goodall JR, Frankenstein’s Science: Experimentation and Discovery in Romantic Culture, 1780-1830 (Ashgate Pub Co 2008)
Kracauer S, From Caligari to Hitler: A Psychological History of the German Film (Princeton University Press 1947)
Le Fanu JS and Tracy R, In a Glass Darkly, vol Oxford world’s classics (Oxford University Press 1999)
Le Fanu S, Carmilla (Biblios Books 2010)
Leatherdale C, Dracula: The Novel & the Legend : A Study of Bram Stoker’s Gothic Masterpiece, vol The Desert Island Dracula library (Desert Island 2001)
Lehner E and Lehner J, Picture Book of Devils, Demons and Witchcraft, vol Dover pictorial archive series (Dover Publications 1971)
——, Picture Book of Devils, Demons and Witchcraft, vol Dover pictorial archive series (Dover Publications 1971)
Lepine A, ‘Radical Gothic’ (2013) 36 Art History 447
Levin H, The Power of Blackness: Hawthorne, Poe, Melville (Alfred A Knopf 1964)
Lewis MG, Anderson H and McEvoy E, The Monk, vol Oxford World’s classics (Oxford University Press 2008)
Liggins E, ‘The Medical Gaze and the Female Corpse: Looking at Bodies in Mary Shelley’s “Frankenstein”’ (2000) 32 STUDIES IN THE NOVEL 129 <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/29533387>
Lloyd-Smith AG and Sage V, Modern Gothic: A Reader (Manchester University Press 1996)
London B, ‘Mary Shelley, Frankenstein, and the Spectacle of Masculinity’ (1993) 108 PMLA
Luckhurst R, Late Victorian Gothic Tales, vol Oxford world’s classics (Oxford University Press 2005)
Malchow HL, Gothic Images of Race in Nineteenth-Century Britain (Stanford University Press 1996)
Manchester Metropolitan University (MMU), ‘The Manchester Centre for Gothic Studies’ <https://www2.mmu.ac.uk/english/gothic-studies/>
Marsh N, Mary Shelley: Frankenstein, vol Analysing texts (Palgrave Macmillan 2009)
Marshall G, The Cambridge Companion to the Fin de Siècle, vol Cambridge companions to literature (Cambridge University Press 2007)
Martindale A, Gothic Art, vol The World of art library (Thames & Hudson 1967)
Matheson R, I Am Legend, vol Gollancz S.F. (Gollancz 2006)
Mellor AK, Mary Shelley: Her Life, Her Fiction, Her Monsters (Routledge 1988)
Melton JG, The Vampire Book: The Encyclopedia of the Undead (Gale Research 1994)
Mercer M, The Hex Files: The Goth Bible (Batsford 1996)
——, 21st Century Goth (Reynolds & Hearn 2002)
Meyer S, Twilight (Atom 2007)
Middleton DL, Toni Morrison’s Fiction: Contemporary Criticism, vol Critical studies in black life and culture (Garland Publishing 2000)
Mighall R, A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares (Oxford University Press 1999)
Miller NK and Tougaw JD, Extremities: Trauma, Testimony, and Community (University of Illinois Press 2002)
Moore HT, Henry James and His World (Thames and Hudson 1974)
Morrison T, Playing in the Dark: Whiteness and the Literary Imagination, vol William E. Massey sr. lectures in the history of American civilization (Picador 1993)
Morrow B and McGrath P, The New Gothic (Picador 1993)
——, The New Gothic (Picador 1993)
Morton T, A Routledge Literary Sourcebook on Mary Shelley’s Frankenstein, vol Routledge literary sourcebooks (Routledge 2002)
Munford R, Re-Visiting Angela Carter: Texts, Contexts, Intertexts (Palgrave Macmillan 2006)
Murnau FW and Stoker B, ‘Nosferatu’
Murphy BM, The Suburban Gothic in American Popular Culture (Palgrave Macmillan 2009) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230244757>
——, The Suburban Gothic in American Popular Culture (Palgrave Macmillan 2009)
Mutch D, The Modern Vampire and Human Identity (Palgrave Macmillan 2013) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230370142>
Myrone M and others, Gothic Nightmares: Fuseli, Blake and the Romantic Imagination (Tate 2006)
——, Gothic Nightmares: Fuseli, Blake and the Romantic Imagination (Tate 2006)
Myrone M and Frayling C, The Gothic Reader: A Critical Anthology (Tate 2006)
Nesbit E and Davies DS, The Power of Darkness: Tales of Terror, vol Tales of mystery&the supernatural (Wordsworth Editions 2006)
Newman K and British Film Institute, The BFI Companion to Horror (Cassell 1996)
Norman B, Dead Women Talking: Figures of Injustice in American Literature (Johns Hopkins University Press 2013)
Norton R, Gothic Readings: The First Wave 1764-1840 (Leicester University Press 2000)
Otis L, Literature and Science in the Nineteenth Century: An Anthology, vol Oxford world’s classics (Oxford University Press 2002)
Palahniuk C, Haunted: A Novel of Stories (Vintage 2006)
——, Damned: Life Is Short, Death Is Forever (Vintage 2012)
——, Doomed (Jonathan Cape 2013)
Palmer P, Lesbian Gothic: Transgressive Fictions (Cassell 1999)
Parini J and Millier BC, The Columbia History of American Poetry (Columbia University Press 1993)
Peach L, Toni Morrison (2nd ed, Macmillan 2000)
——, Angela Carter (2nd ed, Palgrave Macmillan 2009)
Pedlar V, ‘The Most Dreadful Visitation’: Male Madness in Victorian Fiction, vol Liverpool English texts and studies (Liverpool University Press 2006)
Peterson NJ, Beloved: Character Studies (Continuum 2008)
Pirie D, A Heritage of Horror: The English Gothic Cinema 1946-1972 (Gordon Fraser Gallery 1973)
——, A Heritage of Horror: The English Gothic Cinema 1946-1972 (Gordon Fraser Gallery 1973)
Plasa C and Tredell N, Toni Morrison, Beloved, vol Readers’ guides to essential criticism (Palgrave Macmillan 1998)
Poe EA, The Masque of the Red Death and Other Stories, vol Red classics (Penguin 2008)
Poe EA and Galloway D, Selected Writings of Edgar Allan Poe: Poems, Tales, Essays and Reviews, vol Penguin English Library (Penguin 1967)
——, The Fall of the House of Usher and Other Writings: Poems, Tales, Essays and Reviews, vol Penguin classics (Penguin 2003)
Poe EA and Thompson GR, The Selected Writings of Edgar Allan Poe: Authoritative Texts, Backgrounds and Contexts, Criticism, vol A Norton critical edition (WW Norton & Co 2004)
Poe EA and Van Leer D, Selected Tales, vol Oxford world’s classics (Oxford University Press 2008)
Polidori JW, Morrison R and Baldick C, The Vampyre, and Other Tales of the Macabre, vol Oxford world’s classics (Oxford University Press 1998)
Punter D, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day (2nd ed, Longman 1996)
——, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day (2nd ed, Longman 1996)
——, A Companion to the Gothic, vol Blackwell companions to literature and culture (Blackwell 1999)
Punter D and Byron G, The Gothic, vol Blackwell guides to literature (Blackwell 2004)
Putt SG, A Reader’s Guide to Henry James (Thames and Hudson 1966)
Radcliffe A and Chard C, The Romance of the Forest, vol The World’s classics (Oxford University Press 1986)
Radcliffe A and Garber F, The Italian: Or, The Confessional of the Black Penitents : A Romance, vol The World’s classics (Oxford University Press 1981)
Radcliffe A and Milbank A, A Sicilian Romance, vol The world’s classics (Oxford University Press 1993)
Radcliffe AW, Dobrée B and Castle T, The Mysteries of Udolpho, vol Oxford world’s classics (Oxford University Press 2008)
Rarignac NM-E, The Theology of Dracula: Reading the Book of Stoker as Sacred Text (McFarland & Co 2012)
Rauch A, ‘The Monstrous Body of Knowledge in Mary Shelley’s “Frankenstein”’ (1995) 34 Studies in Romanticism 227 <http://ezproxy.brighton.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505748560&site=ehost-live>
Rawlings P, Palgrave Advances in Henry James Studies, vol Palgrave advances (Palgrave Macmillan 2007) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230288881>
Reese, Diana, ‘A Troubled Legacy: Mary Shelley’s Frankenstein and the Inheritance of Human Rights’ Representations
Regan R, Poe: A Collection of Critical Essays, vol Twentieth century views (Prentice-Hall 1967)
Rice A, Interview with the Vampire: The First Book in the Vampire Chronicles, vol The vampire chronicles (Warner 1994)
Roberts I, German Expressionist Cinema: The World of Light and Shadow, vol Short cuts (Wallflower 2008)
Round J, Gothic in Comics and Graphic Novels: A Critical Approach (McFarland & Company 2014)
Ruskin J and Morris W, The Nature of Gothic: A Chapter of The Stones of Venice, vol The aesthetic movement&the arts and crafts movement (Garland Pub 1977)
Ryan A, The Penguin Book of Vampire Stories (Penguin 1998)
Rymer JM and Collins D, Varney, the Vampyre: Or, the Feast of Blood (Wordsworth 2010)
Sage L, Angela Carter, vol Writers and their work (2nd ed, Northcote 2007)
——, Essays on the Art of Angela Carter: Flesh and the Mirror ([Rev and updated ed], Virago 2007)
Sage V, The Gothick Novel: A Casebook, vol Casebook series (Macmillan 1990)
Schmitt C, ‘A Geography of Victorian Gothic Fiction: Mapping History’s Nightmares, and: Gothic Radicalism: Literature, Philosophy, and Psychoanalysis in the Nineteenth Century, and: Victorian Gothic: Literary and Cultural Manifestations in the Nineteenth Century (Review)’ (2002) 44 Victorian Studies 543 <http://ezproxy.brighton.ac.uk/login?url=http://www.jstor.org/stable/3830055>
Schor EH, The Cambridge Companion to Mary Shelley, vol Cambridge companions to literature (Cambridge University Press 2003)
Schreiber EJ, Race, Trauma, and Home in the Novels of Toni Morrison, vol Southern literary studies (Louisiana State University Press 2010)
Schug C, ‘The Romantic Form of Mary Shelley’s Frankenstein’ (1977) 17 Studies in English Literature, 1500-1900
Sears J, Stephen King’s Gothic, vol Gothic literary studies (University of Wales Press 2011)
Sellers S, Myth and Fairy Tale in Contemporary Women’s Fiction (Palgrave 2001)
Shan D, Cirque Du Freak, vol The saga of Darren Shan (Collins 2000)
Shelley MW and Hindle M, Frankenstein: Or the Modern Prometheus, vol Penguin classics (Rev ed, Penguin 2003)
Shelley MW and Hunter JP, Frankenstein: The 1818 Text, Contexts, Criticism, vol A Norton critical edition (2nd ed, WW Norton & Co 2012)
Silver A and Ursini J, The Vampire Film: From Nosferatu to Interview with the Vampire (3rd ed, Limelight 1997)
——, The Vampire Film: From Nosferatu to True Blood (4th ed., updated and expanded, Limelight Editions 2011)
Silverman K, Edgar A. Poe: Mournful and Never-Ending Remembrance (Weidenfeld & Nicolson 1992)
Sinfield A, Alfred Tennyson, vol Rereading literature (Blackwell 1986)
Small C, Ariel like a Harpy: Shelley, Mary and Frankenstein (Gollancz 1972)
Smith A, Victorian Demons: Medicine, Masculinity and the Gothic at the Fin-de-Siècle (Manchester University Press 2004)
——, Gothic Literature, vol Edinburgh critical guides to literature (Edinburgh University Press 2007)
Smith A, Hughes W, and Dawsonera, The Victorian Gothic: An Edinburgh Companion (Edinburgh University Press 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780748654970>
——, The Victorian Gothic: An Edinburgh Companion (Edinburgh University Press 2012)
——, The Victorian Gothic: An Edinburgh Companion (Edinburgh University Press 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780748654970>
Smith AL, ‘“This Thing of Darkness”: Racial Discourse in Mary Shelley’s Frankenstein’ (2004) 6 Gothic Studies 208
Smith V, Toni Morrison: Writing the Moral Imagination, vol Blackwell introductions to literature (Wiley 2012)
Snodin M and others, Horace Walpole’s Strawberry Hill (Lewis Walpole Library 2009)
SPARC (Organization), ‘The Irish Journal of Gothic and Horror Studies’ <http://YQ8BM2ZC4P.search.serialssolutions.com/?V=1.0&L=YQ8BM2ZC4P&S=JCs&C=TIJOG&T=marc&tab=JOURNALS>
Spooner C, Fashioning Gothic Bodies (Manchester University Press 2004)
——, Fashioning Gothic Bodies (Manchester University Press 2004)
——, Contemporary Gothic, vol Focus on contemporary issues (Reaktion 2006)
——, Contemporary Gothic, vol Focus on contemporary issues (Reaktion 2006)
Spooner C and McEvoy E, The Routledge Companion to Gothic (Routledge 2007)
Steele V, Park J, and Fashion Institute of Technology, Gothic: Dark Glamour (Yale University Press 2008)
Stevens D, The Gothic Tradition, vol Cambridge contexts in literature (Cambridge University Press 2000)
——, The Gothic Tradition, vol Cambridge contexts in literature (Cambridge University Press 2000)
Stevenson RL and Linehan K, Strange Case of Dr. Jekyll and Mr. Hyde: An Authoritative Text, Backgrounds and Contexts, Performance Adaptations, Criticism, vol A Norton critical edition (Norton 2003)
Stevenson RL, Luckhurst R, and Dawsonera, Strange Case of Dr Jekyll and Mr Hyde, and Other Tales, vol Oxford world’s classics (Oxford University Press 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780191517334>
Stoker B, The Lair of the White Worm, vol Red classics (Penguin 2008)
Stoker B, Auerbach N and Skal DJ, Dracula: Authoritative Text, Contexts, Reviews and Reactions, Dramatic and Film Variations, Criticism, vol A Norton critical edition (WW Norton 1997)
Stott R, The Fabrication of the Late-Victorian Femme Fatale: The Kiss of Death, vol Women’s studies at York/Macmillan series (Macmillan 1992) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780230376700>
‘Studies in Gothic Fiction’ <http://studiesingothicfiction.weebly.com/>
‘Studies in Gothic Fiction - Home’ <http://studiesingothicfiction.weebly.com/>
Tally J, The Cambridge Companion to Toni Morrison (Cambridge University Press 2007)
Tennyson AT and Hill RW, Tennyson’s Poetry: Authoritative Texts, Contexts, Criticism, vol A Norton critical edition (2nd ed, W W Norton 1999)
Tennyson H, Studies in Tennyson (Macmillan 1981)
‘The Edgar Allan Poe Review’
‘The International Gothic Association’ <http://www.iga.stir.ac.uk/>
‘The Noble Savage in Mary Shelley’s “Frankenstein”’ (1946) 190 Notes and Queries
Thompson GR, Romantic Gothic Tales, 1790-1840, vol Perennial library (1st Perennial library ed, Harper & Row 1979)
Tompkins JP, Twentieth Century Interpretations of ‘The Turn of the Screw’ and Other Tales: A Collection of Critical Essays, vol Twentieth century interpretations (Prentice-Hall 1970)
Twitchell JB, The Living Dead: A Study of the Vampire in Romantic Literature (Duke University Press 1981)
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