Bibliography for AG1013 Practice 4: Sound Organisation BETA

1.

Hugill, Andrew. The Digital Musician. Routledge; 2008.

2.

Hugill, Andrew, NetLibrary, Inc. The Digital Musician: Creating Music with Digital Technology. Routledge; 2008.

3.

Hugill, Andrew, NetLibrary, Inc. The Digital Musician: Creating Music with Digital Technology. Routledge; 2008. http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071

4.

Rumsey, Francis, McCormick, Tim. Sound and Recording: An Introduction. 4th ed. Focal; 2002.

5.

Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Destiny Books; 1994.

6.

Cox C, Warner D, eds. Audio Culture: Readings in Modern Music. Revised edition. Bloomsbury Academic; 2017.

7.

Baalman MAJ. Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound. 2010;15(03):209-218. doi:10.1017/S1355771810000245

8.

Cook, Perry R. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. MIT Press; 1999.

9.

Sonnenschein, David. Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Michael Wiese Productions; 2001.

10.

Minard R. Silent music: between sound art and acoustic design. In: Silent Music =: Between Sound Art and Acoustic Design : Zwischen Klangkunst Und Akustik-Design. Kehrer; 1999:72-81.

11.

Murch W. Sound Design: The Dancing Shadow. In: Projections 4: Film-Makers on Film-Making. Vol Projections. Faber and Faber; 1995:237-251.