Baalman, Marije A. J. ‘Spatial Composition Techniques and Sound Spatialisation Technologies’. Organised Sound, vol. 15, no. 03, Dec. 2010, pp. 209–18, https://doi.org/10.1017/S1355771810000245.
Cook, Perry R. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. MIT Press, 1999.
Cox, Christoph, and Daniel Warner, editors. Audio Culture: Readings in Modern Music. Revised edition, Bloomsbury Academic, 2017.
Hugill, Andrew. The Digital Musician. Routledge, 2008, http://ezproxy.brighton.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=209071&site=ehost-live&scope=site.
Hugill, Andrew and NetLibrary, Inc. The Digital Musician: Creating Music with Digital Technology. Routledge, 2008. Electronic resource.
———. The Digital Musician: Creating Music with Digital Technology. Routledge, 2008, http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071. Electronic resource.
Minard, Robin. ‘Silent Music: Between Sound Art and Acoustic Design’. Silent Music =: Between Sound Art and Acoustic Design : Zwischen Klangkunst Und Akustik-Design, Kehrer, 1999, pp. 72–81.
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Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Destiny Books, 1994.
Sonnenschein, David. Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Michael Wiese Productions, 2001.
