Baalman, M.A.J. (2010) ‘Spatial Composition Techniques and Sound Spatialisation Technologies’, Organised Sound, 15(03), pp. 209–218. Available at: https://doi.org/10.1017/S1355771810000245.
Cook, Perry R. (1999) Music, cognition, and computerized sound: an introduction to psychoacoustics. Cambridge, Mass: MIT Press.
Cox, C. and Warner, D. (eds) (2017) Audio culture: readings in modern music. Revised edition. London: Bloomsbury Academic.
Hugill, Andrew (2008) The digital musician. New York: Routledge. Available at: http://ezproxy.brighton.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=209071&site=ehost-live&scope=site.
Hugill, Andrew and NetLibrary, Inc (2008a) The digital musician: creating music with digital technology [electronic resource]. New York: Routledge.
Hugill, Andrew and NetLibrary, Inc (2008b) The digital musician: creating music with digital technology [electronic resource]. New York: Routledge. Available at: http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071.
Minard, R. (1999) ‘Silent music: between sound art and acoustic design’, in Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design. Heidelberg: Kehrer, pp. 72–81.
Murch, W. (1995) ‘Sound Design: The Dancing Shadow’, in Projections 4: film-makers on film-making. London: Faber and Faber, pp. 237–251.
Rumsey, Francis and McCormick, Tim (2002) Sound and recording: an introduction. 4th ed. Oxford: Focal. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780080953960.
Schafer, R. Murray (1994) The soundscape: our sonic environment and the tuning of the world. Rochester, Vt: Destiny Books.
Sonnenschein, David (2001) Sound design: the expressive power of music, voice, and sound effects in cinema. Studio City,CA: Michael Wiese Productions.
