Baalman, M. A. J. (2010). Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound, 15(03), 209–218. https://doi.org/10.1017/S1355771810000245
Cook, Perry R. (1999). Music, cognition, and computerized sound: an introduction to psychoacoustics. MIT Press.
Cox, C., & Warner, D. (Eds.). (2017). Audio culture: readings in modern music (Revised edition). Bloomsbury Academic.
Hugill, Andrew. (2008). The digital musician. Routledge. http://ezproxy.brighton.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=209071&site=ehost-live&scope=site
Hugill, Andrew & NetLibrary, Inc. (2008a). The digital musician: creating music with digital technology [Electronic resource]. Routledge.
Hugill, Andrew & NetLibrary, Inc. (2008b). The digital musician: creating music with digital technology [Electronic resource]. Routledge. http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071
Minard, R. (1999). Silent music: between sound art and acoustic design. In Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design (pp. 72–81). Kehrer.
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Sonnenschein, David. (2001). Sound design: the expressive power of music, voice, and sound effects in cinema. Michael Wiese Productions.