Bibliography for AG1013 Practice 4: Sound Organisation BETA

Baalman, M. A. J. (2010). Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound, 15(03), 209–218. https://doi.org/10.1017/S1355771810000245

Cook, Perry R. (1999). Music, cognition, and computerized sound: an introduction to psychoacoustics. MIT Press.

Cox, C., & Warner, D. (Eds.). (2017). Audio culture: readings in modern music (Revised edition). Bloomsbury Academic.

Hugill, Andrew. (2008). The digital musician. Routledge.

Hugill, Andrew & NetLibrary, Inc. (2008a). The digital musician: creating music with digital technology. Routledge.

Hugill, Andrew & NetLibrary, Inc. (2008b). The digital musician: creating music with digital technology. Routledge. http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071

Minard, R. (1999). Silent music: between sound art and acoustic design. In Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design (pp. 72–81). Kehrer.

Murch, W. (1995). Sound Design: The Dancing Shadow. In Projections 4: film-makers on film-making: Vol. Projections (pp. 237–251). Faber and Faber.

Rumsey, Francis & McCormick, Tim. (2002). Sound and recording: an introduction (4th ed). Focal.

Schafer, R. Murray. (1994). The soundscape: our sonic environment and the tuning of the world. Destiny Books.

Sonnenschein, David. (2001). Sound design: the expressive power of music, voice, and sound effects in cinema. Michael Wiese Productions.