Baalman, Marije A.J. 2010. ‘Spatial Composition Techniques and Sound Spatialisation Technologies’. Organised Sound 15 (03): 209–18. https://doi.org/10.1017/S1355771810000245.
Cook, Perry R. 1999. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. Cambridge, Mass: MIT Press.
Cox, Christoph, and Daniel Warner, eds. 2017. Audio Culture: Readings in Modern Music. Revised edition. London: Bloomsbury Academic.
Hugill, Andrew. 2008. The Digital Musician. New York: Routledge. http://ezproxy.brighton.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=209071&site=ehost-live&scope=site.
Hugill, Andrew and NetLibrary, Inc. 2008a. The Digital Musician: Creating Music with Digital Technology. Electronic resource. New York: Routledge.
———. 2008b. The Digital Musician: Creating Music with Digital Technology. Electronic resource. New York: Routledge. http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071.
Minard, Robin. 1999. ‘Silent Music: Between Sound Art and Acoustic Design’. In Silent Music =: Between Sound Art and Acoustic Design : Zwischen Klangkunst Und Akustik-Design, 72–81. Heidelberg: Kehrer.
Murch, Walter. 1995. ‘Sound Design: The Dancing Shadow’. In Projections 4: Film-Makers on Film-Making, Projections:237–51. London: Faber and Faber.
Rumsey, Francis and McCormick, Tim. 2002. Sound and Recording: An Introduction. 4th ed. Oxford: Focal. http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780080953960.
Schafer, R. Murray. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vt: Destiny Books.
Sonnenschein, David. 2001. Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Studio City,CA: Michael Wiese Productions.
