Baalman MAJ, ‘Spatial Composition Techniques and Sound Spatialisation Technologies’ (2010) 15 Organised Sound 209
Cook, Perry R., Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics (MIT Press 1999)
Cox C and Warner D (eds), Audio Culture: Readings in Modern Music (Revised edition, Bloomsbury Academic 2017)
Hugill, Andrew, The Digital Musician (Routledge 2008) <http://ezproxy.brighton.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=209071&site=ehost-live&scope=site>
Hugill, Andrew and NetLibrary, Inc, The Digital Musician: Creating Music with Digital Technology (Routledge 2008)
——, The Digital Musician: Creating Music with Digital Technology (Routledge 2008) <http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071>
Minard R, ‘Silent Music: Between Sound Art and Acoustic Design’, Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design (Kehrer 1999)
Murch W, ‘Sound Design: The Dancing Shadow’, Projections 4: film-makers on film-making, vol Projections (Faber and Faber 1995)
Rumsey, Francis and McCormick, Tim, Sound and Recording: An Introduction (4th ed, Focal 2002) <http://www.vlebooks.com/vleweb/product/openreader?id=Brighton&isbn=9780080953960>
Schafer, R. Murray, The Soundscape: Our Sonic Environment and the Tuning of the World (Destiny Books 1994)
Sonnenschein, David, Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema (Michael Wiese Productions 2001)
