Bibliography for AG1013 Practice 4: Sound Organisation BETA

1

Hugill, Andrew. The digital musician. New York: : Routledge 2008.

2

Hugill, Andrew, NetLibrary, Inc. The digital musician: creating music with digital technology. New York: : Routledge 2008.

3

Hugill, Andrew, NetLibrary, Inc. The digital musician: creating music with digital technology. New York: : Routledge 2008. http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071

4

Rumsey, Francis, McCormick, Tim. Sound and recording: an introduction. 4th ed. Oxford: : Focal 2002.

5

Schafer, R. Murray. The soundscape: our sonic environment and the tuning of the world. Rochester, Vt: : Destiny Books 1994.

6

Cox C, Warner D, editors. Audio culture: readings in modern music. Revised edition. London: : Bloomsbury Academic 2017.

7

Baalman MAJ. Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound 2010;15:209–18. doi:10.1017/S1355771810000245

8

Cook, Perry R. Music, cognition, and computerized sound: an introduction to psychoacoustics. Cambridge, Mass: : MIT Press 1999.

9

Sonnenschein, David. Sound design: the expressive power of music, voice, and sound effects in cinema. Studio City,CA: : Michael Wiese Productions 2001.

10

Minard R. Silent music: between sound art and acoustic design. In: Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design. Heidelberg: : Kehrer 1999. 72–81.

11

Murch W. Sound Design: The Dancing Shadow. In: Projections 4: film-makers on film-making. London: : Faber and Faber 1995. 237–51.