Bibliography for AG1013 Practice 4: Sound Organisation BETA

1

Hugill, Andrew. The digital musician. New York: Routledge 2008.

2

Hugill, Andrew, NetLibrary, Inc. The digital musician: creating music with digital technology. New York: Routledge 2008.

3

Hugill, Andrew, NetLibrary, Inc. The digital musician: creating music with digital technology. New York: Routledge 2008.

4

Rumsey, Francis, McCormick, Tim. Sound and recording: an introduction. 4th ed. Oxford: Focal 2002.

5

Schafer, R. Murray. The soundscape: our sonic environment and the tuning of the world. Rochester, Vt: Destiny Books 1994.

6

Cox C, Warner D, editors. Audio culture: readings in modern music. Revised edition. London: Bloomsbury Academic 2017.

7

Baalman MAJ. Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound. 2010;15:209–18. doi: 10.1017/S1355771810000245

8

Cook, Perry R. Music, cognition, and computerized sound: an introduction to psychoacoustics. Cambridge, Mass: MIT Press 1999.

9

Sonnenschein, David. Sound design: the expressive power of music, voice, and sound effects in cinema. Studio City,CA: Michael Wiese Productions 2001.

10

Minard R. Silent music: between sound art and acoustic design. Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design. Heidelberg: Kehrer 1999:72–81.

11

Murch W. Sound Design: The Dancing Shadow. Projections 4: film-makers on film-making. London: Faber and Faber 1995:237–51.