1.
Hugill, Andrew. The digital musician. (Routledge, 2008).
2.
Hugill, Andrew & NetLibrary, Inc. The digital musician: creating music with digital technology. (Routledge, 2008).
3.
Hugill, Andrew & NetLibrary, Inc. The digital musician: creating music with digital technology. (Routledge, 2008).
4.
Rumsey, Francis & McCormick, Tim. Sound and recording: an introduction. (Focal, 2002).
5.
Schafer, R. Murray. The soundscape: our sonic environment and the tuning of the world. (Destiny Books, 1994).
6.
Audio culture: readings in modern music. (Bloomsbury Academic, 2017).
7.
Baalman, M. A. J. Spatial Composition Techniques and Sound Spatialisation Technologies. Organised Sound 15, 209–218 (2010).
8.
Cook, Perry R. Music, cognition, and computerized sound: an introduction to psychoacoustics. (MIT Press, 1999).
9.
Sonnenschein, David. Sound design: the expressive power of music, voice, and sound effects in cinema. (Michael Wiese Productions, 2001).
10.
Minard, R. Silent music: between sound art and acoustic design. in Silent music =: between sound art and acoustic design : zwischen Klangkunst und Akustik-Design 72–81 (Kehrer, 1999).
11.
Murch, W. Sound Design: The Dancing Shadow. in Projections 4: film-makers on film-making vol. Projections 237–251 (Faber and Faber, 1995).