Bibliography for AG1013 Practice 4: Sound Organisation BETA

Baalman, Marije A.J. ‘Spatial Composition Techniques and Sound Spatialisation Technologies’. Organised Sound 15.03 (2010): 209–218. Web.

Cook, Perry R. Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. Cambridge, Mass: MIT Press, 1999. Print.

Cox, Christoph, and Daniel Warner, eds. Audio Culture: Readings in Modern Music. Revised edition. London: Bloomsbury Academic, 2017. Print.

Hugill, Andrew. The Digital Musician. New York: Routledge, 2008. Print.

Hugill, Andrew and NetLibrary, Inc. The Digital Musician: Creating Music with Digital Technology. New York: Routledge, 2008. Print.

---. The Digital Musician: Creating Music with Digital Technology. New York: Routledge, 2008. Web. <http://ezproxy.brighton.ac.uk/login?url=http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=209071>.

Minard, Robin. ‘Silent Music: Between Sound Art and Acoustic Design’. Silent Music =: Between Sound Art and Acoustic Design : Zwischen Klangkunst Und Akustik-Design. Heidelberg: Kehrer, 1999. 72–81. Print.

Murch, Walter. ‘Sound Design: The Dancing Shadow’. Projections 4: Film-Makers on Film-Making. Projections. London: Faber and Faber, 1995. 237–251. Print.

Rumsey, Francis and McCormick, Tim. Sound and Recording: An Introduction. 4th ed. Oxford: Focal, 2002. Print.

Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vt: Destiny Books, 1994. Print.

Sonnenschein, David. Sound Design: The Expressive Power of Music, Voice, and Sound Effects in Cinema. Studio City,CA: Michael Wiese Productions, 2001. Print.